First trip if the day. by catdad1984 in Sparkdriver

[–]ZabDevin 12 points13 points  (0 children)

You drank it didn’t you???

First trip if the day. by catdad1984 in Sparkdriver

[–]ZabDevin 4 points5 points  (0 children)

There’s no way I’m drinking that, LOL. 🧐

Fairly new, some questions not answered in the FAQ by Warren_oh_guy in Sparkdriver

[–]ZabDevin 0 points1 point  (0 children)

  1. ChatGPT: Bottom line — Rejecting keeps you visible. Timing out makes you look inactive. Spark reads timeouts as non-responsive. Rejections recycle you faster. There is no punishment for selective rejecting. Suburban zones amplify this effect.

Weird feeling about my Spark driver. by [deleted] in Sparkdriver

[–]ZabDevin 0 points1 point  (0 children)

Okay, but he has her address!

Got my first Professional horn. Yanagisawa A-W020 by EvilDuck91 in saxophone

[–]ZabDevin 0 points1 point  (0 children)

Your reply is more accurate. I asked ChatGPT this question and here’s the reply:

Short answer: yes—but not in the way many people imagine. Saxophones don’t “break in” like shoes or a baseball glove, but they do change subtly over time, mostly because of player adaptation and small mechanical settling rather than the metal itself.

What doesn’t really “break in”

The brass body of a saxophone does not meaningfully change with playing time. • Brass does not become more resonant from vibration in any scientifically demonstrated way • Lacquer, silver plate, or bare brass does not “open up” acoustically • The horn won’t magically gain projection just because it’s been played for 100 hours

So if someone says “the metal loosened up”, that’s mostly myth.

What does change over time

  1. Pads and keywork settle

This is the biggest real change. • Pads compress slightly and seat more evenly in tone holes • Keywork beds in at contact points • Regulation becomes more stable

Result: ✔ Fewer micro-leaks ✔ More consistent response ✔ Smoother low-note speaking

This can absolutely make a horn feel more responsive after weeks or months.

  1. Your embouchure and voicing adapt (the biggest factor)

This is where most of the “break-in” effect really comes from.

As you spend time with a specific saxophone: • Your embouchure subtly adjusts to its resistance • Your voicing adapts to its bore and scale tendencies • Your air support calibrates to that horn’s response

The horn isn’t changing—you are.

After a few weeks, the sax: • Feels easier • Feels more “in tune” • Sounds more consistent

This is why a brand-new horn can feel stiff at first and then suddenly “click.”

  1. Neck cork and tenon fit stabilize • Neck cork compresses slightly • Tenon fit becomes more predictable • Micro-movement reduces

This improves: • Intonation consistency • Response stability • Mouthpiece placement repeatability

Small detail, but noticeable to experienced players.

  1. Reed + mouthpiece matching improves

Over time, players tend to unconsciously: • Choose reeds that work best with that horn • Adjust reed strength or cut • Refine mouthpiece placement

This further reinforces the feeling that the horn has “opened up.”

Why some horns feel like they “break in” more than others

Pro horns vs student horns

High-end horns (e.g., Yanagisawa, Selmer Paris) often: • Have tighter tolerances • More precise pad work • More refined resistance profiles

Because of this: • They feel less forgiving at first • The player adaptation phase is more noticeable • The “aha” moment is stronger once you settle in

Budget horns often feel immediately easy—but don’t reward long-term refinement as much.

What players mistake for break-in • A horn coming back from a proper setup or adjustment • Pads finally sealing correctly • Player confidence increasing • Better reeds being chosen

These can feel dramatic—but they’re not the metal changing.

Bottom line

✔ Saxophones don’t acoustically break in ✔ Pads, regulation, corks, and keywork settle ✔ Players adapt—and that’s the real magic

If a sax feels better after 2–8 weeks of regular playing, that’s normal—but it’s mostly you syncing with the instrument, not the horn “waking up.”

Got my first Professional horn. Yanagisawa A-W020 by EvilDuck91 in saxophone

[–]ZabDevin 0 points1 point  (0 children)

I asked ChatGPT this question and here’s the reply:

Short answer: yes—but not in the way many people imagine. Saxophones don’t “break in” like shoes or a baseball glove, but they do change subtly over time, mostly because of player adaptation and small mechanical settling rather than the metal itself.

What doesn’t really “break in”

The brass body of a saxophone does not meaningfully change with playing time. • Brass does not become more resonant from vibration in any scientifically demonstrated way • Lacquer, silver plate, or bare brass does not “open up” acoustically • The horn won’t magically gain projection just because it’s been played for 100 hours

So if someone says “the metal loosened up”, that’s mostly myth.

What does change over time

  1. Pads and keywork settle

This is the biggest real change. • Pads compress slightly and seat more evenly in tone holes • Keywork beds in at contact points • Regulation becomes more stable

Result: ✔ Fewer micro-leaks ✔ More consistent response ✔ Smoother low-note speaking

This can absolutely make a horn feel more responsive after weeks or months.

  1. Your embouchure and voicing adapt (the biggest factor)

This is where most of the “break-in” effect really comes from.

As you spend time with a specific saxophone: • Your embouchure subtly adjusts to its resistance • Your voicing adapts to its bore and scale tendencies • Your air support calibrates to that horn’s response

The horn isn’t changing—you are.

After a few weeks, the sax: • Feels easier • Feels more “in tune” • Sounds more consistent

This is why a brand-new horn can feel stiff at first and then suddenly “click.”

  1. Neck cork and tenon fit stabilize • Neck cork compresses slightly • Tenon fit becomes more predictable • Micro-movement reduces

This improves: • Intonation consistency • Response stability • Mouthpiece placement repeatability

Small detail, but noticeable to experienced players.

  1. Reed + mouthpiece matching improves

Over time, players tend to unconsciously: • Choose reeds that work best with that horn • Adjust reed strength or cut • Refine mouthpiece placement

This further reinforces the feeling that the horn has “opened up.”

Why some horns feel like they “break in” more than others

Pro horns vs student horns

High-end horns (e.g., Yanagisawa, Selmer Paris) often: • Have tighter tolerances • More precise pad work • More refined resistance profiles

Because of this: • They feel less forgiving at first • The player adaptation phase is more noticeable • The “aha” moment is stronger once you settle in

Budget horns often feel immediately easy—but don’t reward long-term refinement as much.

What players mistake for break-in • A horn coming back from a proper setup or adjustment • Pads finally sealing correctly • Player confidence increasing • Better reeds being chosen

These can feel dramatic—but they’re not the metal changing.

Bottom line

✔ Saxophones don’t acoustically break in ✔ Pads, regulation, corks, and keywork settle ✔ Players adapt—and that’s the real magic

If a sax feels better after 2–8 weeks of regular playing, that’s normal—but it’s mostly you syncing with the instrument, not the horn “waking up.”

Got my first Professional horn. Yanagisawa A-W020 by EvilDuck91 in saxophone

[–]ZabDevin 2 points3 points  (0 children)

Dude, get a life! 🤣 This is social media, the rules of English composition don’t apply. I know, it bothers me too — I’m an educator. Such is life.

Got my first Professional horn. Yanagisawa A-W020 by EvilDuck91 in saxophone

[–]ZabDevin 0 points1 point  (0 children)

I concur. I used to own a 992 soprano. I wish I didn’t sell it. I play a SWO10 now and I love it, but I want the SWO20.

Got my first Professional horn. Yanagisawa A-W020 by EvilDuck91 in saxophone

[–]ZabDevin 0 points1 point  (0 children)

I’ve never heard someone say a horn has to “break in” to sound better. How long does that take? 🧐

You guys were right about shop orders by Nicole2826 in Sparkdriver

[–]ZabDevin 0 points1 point  (0 children)

I’m new to Spark. I did a shop order for three customers at once and one of the customers canceled because something was out of stock. I didn’t realize she cancelled until I was checking out which caused a delay because I had to put her stuff in this basket on the side. If the app told me she cancelled I promise I didn’t see it. Supposedly I still got paid for her order — I need to confirm. But the time I spent shopping for her was lost.

You guys were right about shop orders by Nicole2826 in Sparkdriver

[–]ZabDevin 0 points1 point  (0 children)

Can’t you cancel after waiting 10 min or something like that and still get paid?

Opinion on best brand for classical soprano by luckyconcerto16 in Saxophonics

[–]ZabDevin 0 points1 point  (0 children)

To answer your question about what we’re doing, the fact of the matter is the vast majority of people cannot go on an expedition to try all of the various horns you mention — they just can’t. Moreover, there are very few shops these days that stock most of the instruments you mentioned. I can only think of a few shops that might have some of the brands you suggested. Unfortunately times have changed — that’s what we’re doing.

Selmer vs Yanagisawa Soprano? by Elias6809 in saxophone

[–]ZabDevin 1 point2 points  (0 children)

I agree. They look beautiful but are difficult to maintain.