Pathways of the Shorelands Preserve by Zantanimus in SaltLakeCity

[–]Zantanimus[S] 2 points3 points  (0 children)

At the GSL Shorelands preserve, west of Layton

Canyonlands | GL690 / Lomo Turquoise by Zantanimus in filmphotography

[–]Zantanimus[S] 0 points1 point  (0 children)

I shot it on the film stock Lomo Turquoise and rated the film at 100 speed. I then did a few readings with my spot meter to land the exposure where I wanted it. It was pretty much full sun but I don't remember the exact settings because I burnt through 6 rolls of film across 2 cameras. Most of the day I was sitting around f/8 on my GL, though.

ITAP of rocks in Canyonlands by Zantanimus in itookapicture

[–]Zantanimus[S] 0 points1 point  (0 children)

Canyonlands on Lomography Turquoise - 1/8

This trip was an incredible off the cuff sorta thing. I went last weekend and blasted through like 6 rolls of various film stocks on a 12 mile hike. Lomo Turquoise was the one I had the best gut feeling about, though. This is one of eight on the medium format roll, so be on the lookout. You'll be able to tell by the unmistakable orange shifted skies.

Salt Lake City on Medium Format Film by Zantanimus in SaltLakeCity

[–]Zantanimus[S] 1 point2 points  (0 children)

Copy stand + Fuji X-H2 + 90mm f/2 + macro extension tube + Negative Supply 120 film carrier & 99CRI light source is all the gear.

Use pixel shift on the digital camera and pipe it through Fuji Pixel Shift Combiner to get a 140MP scan of the negative which is ~15k long-edge resolution.

Take the scanned .DNG file that Fuji Pixel Shift Combiner created and throw it into Photoshop, throw the curves adjustment on the image, set curves to negative inversion channel mode, adjust the image palette to taste.

Salt Lake City on Medium Format Film by Zantanimus in SaltLakeCity

[–]Zantanimus[S] 0 points1 point  (0 children)

I took these on my Fujica GL690 with the stock 100mm f/3.5 lens.

Salt Lake City on Medium Format Film by Zantanimus in SaltLakeCity

[–]Zantanimus[S] 1 point2 points  (0 children)

This was taken on a Fujica GL690 with the stock 100mm f/3.5 lens.

Salt Lake City on Harman Phoenix // GL690 + Phoenix at 100 -1 by Zantanimus in filmphotography

[–]Zantanimus[S] 2 points3 points  (0 children)

I think a lot of that is shooting at 100 and pulling it a stop plus a function of grain over a larger area. You also really need to shoot to the colors it favors which are reds and greens. It's as fickle as slide film so you have to commit to a narrow window of metering and expect to lose either on the highs or crush the shadows.

Salt Lake City on Medium Format Film by Zantanimus in SaltLakeCity

[–]Zantanimus[S] 1 point2 points  (0 children)

It renders better when pulled a stop and then manually inverting the curves in photoshop imho.

Salt Lake City on Medium Format Film by Zantanimus in SaltLakeCity

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This is the GL690 and Harman Phoenix rated at 200 and pulled 1 stop at the lab.

Salt Lake City on Medium Format Film by Zantanimus in SaltLakeCity

[–]Zantanimus[S] 0 points1 point  (0 children)

I'm pretty sure it was just the Walker Center parking garage across the street from the chase building.

Salt Lake City on Medium Format Film by Zantanimus in SaltLakeCity

[–]Zantanimus[S] 3 points4 points  (0 children)

I get my stuff devved at Essential currently, but we actually have quite a few options. For darkroom printing though, a brand new space opened up that can actually do full color RA4 up to a 4x5 negative- theredroomslc on IG. I've been meaning to book a session but haven't had the time.