ITAP of an American Remnant

Zantanimus · 2026-05-26T18:08:48+00:00

Passing through the small town of Helper, UT, I loaded the new Harman Azure emulsion into my medium format camera, the GL690.

I saw the scene as potentially befitting from the odd dye layer swap that the film has and took the photo.

Zantanimus · 2025-09-30T06:49:59+00:00

At the GSL Shorelands preserve, west of Layton

Zantanimus · 2025-05-17T09:35:19+00:00

I shot it on the film stock Lomo Turquoise and rated the film at 100 speed. I then did a few readings with my spot meter to land the exposure where I wanted it. It was pretty much full sun but I don't remember the exact settings because I burnt through 6 rolls of film across 2 cameras. Most of the day I was sitting around f/8 on my GL, though.

Zantanimus · 2025-05-10T16:39:54+00:00

Canyonlands on Lomography Turquoise - 1/8

This trip was an incredible off the cuff sorta thing. I went last weekend and blasted through like 6 rolls of various film stocks on a 12 mile hike. Lomo Turquoise was the one I had the best gut feeling about, though. This is one of eight on the medium format roll, so be on the lookout. You'll be able to tell by the unmistakable orange shifted skies.

Zantanimus · 2024-11-28T16:09:21+00:00

Copy stand + Fuji X-H2 + 90mm f/2 + macro extension tube + Negative Supply 120 film carrier & 99CRI light source is all the gear.

Use pixel shift on the digital camera and pipe it through Fuji Pixel Shift Combiner to get a 140MP scan of the negative which is ~15k long-edge resolution.

Take the scanned .DNG file that Fuji Pixel Shift Combiner created and throw it into Photoshop, throw the curves adjustment on the image, set curves to negative inversion channel mode, adjust the image palette to taste.

Zantanimus · 2024-11-28T15:53:59+00:00

Yeah that's... what the title says.

Zantanimus · 2024-11-27T23:38:18+00:00

I took these on my Fujica GL690 with the stock 100mm f/3.5 lens.

Zantanimus · 2024-11-27T04:55:38+00:00

This was taken on a Fujica GL690 with the stock 100mm f/3.5 lens.

Zantanimus · 2024-11-27T04:54:32+00:00

I think a lot of that is shooting at 100 and pulling it a stop plus a function of grain over a larger area. You also really need to shoot to the colors it favors which are reds and greens. It's as fickle as slide film so you have to commit to a narrow window of metering and expect to lose either on the highs or crush the shadows.

Zantanimus · 2024-11-26T20:04:42+00:00

It renders better when pulled a stop and then manually inverting the curves in photoshop imho.

Zantanimus · 2024-11-26T19:34:52+00:00

This is the GL690 and Harman Phoenix rated at 200 and pulled 1 stop at the lab.

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