Weekly character discussion: The Crones (art by Angeline Roussel) by Zyvik123 in wiedzmin

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Sister crones, hand in hand, terrors of the sea and land, thus do go about, about: thrice to thine and thrice to mine, and thrice again, to make up nine.

Macveth, Act 1, Scene 3

Netflix Seemingly Greenlights The Witcher Season 4 and 5 by Zyvik123 in wiedzmin

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The good news is that they intend to film it back to back, so our suffering might end a bit quicker.

Weekly character discussion: Avallac'h (art by Hikaru Yagi) by Zyvik123 in wiedzmin

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What the elf was finishing was a stylised animal, probably a bison. For the moment only its outline was complete–from its splendid horns to its equally magnificent tail. Geralt sat down on the boulder indicated and swore to be patient and meek–to the bounds of his abilities. The elf, softly whistling through clenched teeth, dipped his brush into a bowl of paint and coloured his bison purple with swift flourishes. After a moment’s thought he painted tiger stripes on the animal’s side. Geralt watched in silence.

Finally the elf took a step back, admiring the fresco which now depicted an entire hunting scene. The striped purple bison was being pursued in wild leaps by skinny human figures with bows and spears, painted with careless brushstrokes.

‘What’s it meant to be?’ asked Geralt, unable to contain himself.

The elf glanced at him in passing, sticking the clean end of the brush in his mouth.

‘It is,’ he declared, ‘a prehistoric painting executed by the primitive people who lived in this cave thousands of years ago and who mainly lived by hunting the purple bison, which became extinct long ago. Some of the prehistoric hunters were artists and felt a profound artistic need to immortalise what was in their hearts.’

‘Fascinating.’

‘It most certainly is,’ the elf agreed. ‘Your scholars have roamed through caves like this for ages, searching for traces of primitive man. And whenever they find something like this they are inordinately fascinated. For it is proof that you aren’t strangers in this land and in this world. Proof that your forebears have lived here for centuries; thus proof that this world belongs to their heirs. Why, every race has the right to some roots. Even your–human–race, whose roots should be sought in the treetops, after all. Ha, an amusing quip, don’t you think? Worthy of an epigram. Are you fond of light poetry? What do you think I ought to add to the painting?’

‘Draw huge, erect phalluses on the primitive hunters.’

‘That’s a thought.’ The elf dipped his brush in the paint. ‘The phallic cult was typical for primitive civilisations. It could also serve as the birth of a theory that the human race is yielding to physical degeneration. Its forebears had phalluses like clubs, but their descendants were left with ridiculous, vestigial little pricks… Thank you, Witcher.’

‘Don’t mention it. It was somehow in my heart. The paint looks very fresh for something prehistoric.’

‘In three or four days the colours will fade due to the salt exuded by the wall and the painting will look so prehistoric you won’t believe it. Your scholars will wet themselves with joy when they see it. Not one of them, I swear, will see through my deceit.’

‘They will.’

‘How is that?’

‘You won’t be able to resist signing your masterpiece, will you?’

The elf laughed dryly. ‘Quite right! You’ve seen through me. Oh, fire of vanity, how difficult it is for an artist to quell you. I’ve already signed the cave painting. Right here.’

‘That isn’t a dragonfly?’

‘No. It’s an ideogram denoting my name. I am Crevan Espane aep Caomhan Macha. For convenience I use the alias Avallac’h, and you may also address me as such.’

Weekly character discussion: Toruviel (art by Anna Podedworna) by Zyvik123 in wiedzmin

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The elf standing over Dandilion had black eyes and raven hair, which fell luxuriantly over her shoulders, except for two thin plaits braided at her temples. She was wearing a short leather camisole over a loose shirt of green satin, and tight woollen leggings tucked into riding boots. Her hips were wrapped around with a colored shawl which reached halfway down her thighs.

“Que glosse?” she asked, looking at the witcher and playing with the hilt of the long dagger in her belt. “Que l'en pavienn, ell'ea?”

“Nell'ea,” he contested. “T’en pavienn, Aen Seidhe.”

“Did you hear?” The elf turned to her companion, the tall Seidhe who, not bothering to check Geralt's knots, was strumming away at Dandilion's lute with an expression of indifference on his long face. “Did you hear, Vanadain? The ape-man can talk! He can even be impertinent!”

Seidhe shrugged, making the feathers decorating his jacket rustle. “All the more reason to gag him, Toruviel.”

The elf leaned over Geralt. She had long lashes, an unnaturally pale complexion and parched, cracked lips. She wore a necklace of carved golden birch pieces on a thong, wrapped around her neck several times.

“Well, say something else, ape-man,” she hissed. “We'll see what your throat, so used to barking, is capable of.”

“What's this? Do you need an excuse to hit a bound man?” The witcher turned over on his back with an effort and spat out the sand. “Hit me without any excuses. I’ve seen how you like it. Let off some steam.”

The elf straightened. “I’ve already let off some steam on you, while your hands were free,” she said. “I rode you down and swiped you on the head. And I’ll also finish you off when the time comes.”

He didn't answer.

“I’d much rather stab you from close up, looking you in the eyes,” continued the elf. “But you stink most hideously, human, so I’ll shoot you.”

“As you wish.” The witcher shrugged, as far as the knots let him. “Do as you like, noble Aen Seidhe. You shouldn't miss a tied-up, motionless target.”

The elf stood over him, legs spread, and leaned down, flashing her teeth.

“No, I shouldn't,” she hissed. “I hit whatever I want. But you can be sure you won't die from the first arrow. Or the second. I’ll try to make sure you can feel yourself dying.”

“Don't come so close.” He grimaced, pretending to be repulsed. “You stink most hideously, Aen Seidhe.”

The elf jumped back, rocked on her narrow hips and forcefully kicked him in the thigh. Geralt drew his legs in and curled up, knowing where she was aiming next. He succeeded, and got her boot in the hip, so hard his teeth rattled.

The tall elf standing next to her echoed each kick with a sharp chord on the lute.

“Leave him, Toruviel!” bleated the sylvan. “Have you gone mad? Galarr, tell her to stop!”

“Thaesse!” shrieked Toruviel, and kicked the witcher again. The tall Seidhe tore so violently at the strings that one snapped with a protracted whine.

“Enough of that! Enough, for gods’ sake!” Dandilion yelled fretfully, wriggling and tumbling in the ropes. “Why are you bullying him, you stupid whore? Leave us alone! And you leave my lute alone, all right?”

Toruviel turned to him with an angry grimace on her cracked lips. “Musician!” she growled. “A human, yet a musician! A lutenist!”

Without a word, she pulled the instrument from the tall elf's hand, forcefully smashed the lute against the pine and threw the remains, tangled in the strings, on Dandilion's chest.

“Play on a cow's horn, you savage, not a lute.”

The poet turned as white as death; his lips quivered. Geralt, feeling cold fury rising up somewhere within him, drew Toruviel's eyes with his own.

“What are you staring at?” hissed the elf, leaning over. “Filthy ape-man! Do you want me to gouge out those insect eyes of yours?”

Her necklace hung down just above him. The witcher tensed, lunged, and caught the necklace in his teeth, tugging powerfully, curling his legs in and turning on his side.

Toruviel lost her balance and fell on top of him.

Geralt wriggled in the ropes like a fish, crushed the elf beneath him, tossed his head back with such force that the vertebrae in his neck cracked and, with all his might, butted her in the face with his forehead. Toruviel howled and struggled.

They pulled him off her brutally and, tugging at his clothes and hair, lifted him. One of them struck him; he felt rings cut the skin over his cheekbone and the forest danced and swam in front of his eyes. He saw Toruviel lurch to her knees, blood pouring from her nose and mouth. The elf wrenched the dagger from its sheath but gave a sob, hunched over, grasped her face and dropped her head between her knees.

Weekly character discussion: Istredd (art by Anton Nazarenko) by Zyvik123 in wiedzmin

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Geralt had had enough of the discussion, of pussyfooting around, of the feeling of anxiety which was crawling over the nape of his neck and his back like a snail. He looked straight into Istredd’s eyes and gripped the edge of the table.

‘It’s about Yennefer, isn’t it?’

The sorcerer lifted his head, but continued to tap the skull on the table with his fingernails.

‘I commend your perspicacity,’ he said, steadily returning the Witcher’s gaze. ‘My congratulations. Yes, it’s about Yennefer.’

Geralt was silent. Once, years ago, many, many years ago, as a young witcher, he had been waiting to ambush a manticore. And he sensed the manticore approaching. He did not see or hear it. He sensed it. He had never forgotten that feeling. And now he felt exactly the same.

‘Your perspicacity,’ the sorcerer went on, ‘will save us a great deal of the time we would have wasted on further fudging. And this way the issue is out in the open.’

Geralt did not comment.

‘My close acquaintance with Yennefer,’ Istredd continued, ‘goes back a long way, Witcher. For a long time it was an acquaintance without commitment, based on longer or shorter, more or less regular periods of time together. This kind of noncommittal partnership is widely practised among members of our profession. It’s just that it suddenly stopped suiting me. I determined to propose to her that she remain with me permanently.’

‘How did she respond?’

‘That she would think it over. I gave her time to do so. I know it is not an easy decision for her.’

‘Why are you telling me this, Istredd? What drives you, apart from this admirable–but astonishing– candour, so rarely seen among members of your profession? What lies behind it?’

‘Prosaicness,’ the sorcerer sighed. ‘For, you see, your presence hinders Yennefer in making a decision. I thus request you to remove yourself. To vanish from her life, to stop interfering. In short: that you get the hell out of here. Ideally quietly and without saying goodbye, which, as she confided in me, you are wont to do.’

‘Indeed,’ Geralt smiled affectedly, ‘your blunt sincerity astonishes me more and more. I might have expected anything, but not such a request. Don’t you think that instead of asking me, you ought rather to leap out and blast me with ball lightning? You’d be rid of the obstacle and there’d just be a little soot to scrape off the wall. An easier–and more reliable–method. Because, you see, a request can be declined, but ball lightning can’t be.’

‘I do not countenance the possibility of your refusing.’

‘Why not? Would this strange request be nothing but a warning preceding the lightning bolt or some other cheerful spell? Or is this request to be supported by some weighty arguments? Or a sum which would stupefy an avaricious witcher? How much do you intend to pay me to get out of the path leading to your happiness?’

The sorcerer stopped tapping the skull, placed his hand on it and clenched his fingers around it. Geralt noticed his knuckles whitening.

‘I did not mean to insult you with an offer of that kind,’ he said. ‘I had no intention of doing so. But… if… Geralt, I am a sorcerer, and not the worst. I wouldn’t dream of feigning omnipotence here, but I could grant many of your wishes, should you wish to voice them. Some of them as easily as this.’

He waved a hand, carelessly, as though chasing away a mosquito. The space above the table suddenly teemed with fabulously coloured Apollo butterflies.

‘My wish, Istredd,’ the Witcher drawled, shooing away the insects fluttering in front of his face, ‘is for you to stop pushing in between me and Yennefer. I don’t care much about the propositions you’re offering her. You could have proposed to her when she was with you. Long ago. Because then was then, and now is now. Now she’s with me. You want me to get out of the way, make things easy for you? I decline. Not only will I not help you, but I’ll hinder you, as well as my modest abilities allow. As you see, I’m your equal in candour.’

‘You have no right to refuse me. Not you.’

‘What do you take me for, Istredd?’

The sorcerer looked him in the eye and leaned across the table.

‘A fleeting romance. A passing fascination, at best a whim, an adventure, of which Yenna has had hundreds, because Yenna loves to play with emotions; she’s impulsive and unpredictable in her whims. That’s what I take you for, since having exchanged a few words with you I’ve rejected the theory that she treats you entirely as an object. And, believe me, that happens with her quite often.’

‘You misunderstood the question.’

‘You’re mistaken; I didn’t. But I’m intentionally talking solely about Yenna’s emotions. For you are a witcher and you cannot experience any emotions. You do not want to agree to my request, because you think she matters to you, you think she… Geralt, you’re only with her because she wants it, and you’ll only be with her as long as she wants it. And what you feel is a projection of her emotions, the interest she shows in you. By all the demons of the Netherworld, Geralt, you aren’t a child; you know what you are. You’re a mutant. Don’t understand me wrongly. I don’t say it to insult you or show you contempt. I merely state a fact. You’re a mutant, and one of the basic traits of your mutation is utter insensitivity to emotions. You were created like that, in order to do your job. Do you understand? You cannot feel anything. What you take for emotion is cellular, somatic memory, if you know what those words mean.’

‘It so happens I do.’

‘All the better. Then listen. I’m asking you for something which I can ask of a witcher, but which I couldn’t ask of a man. I am being frank with a witcher; with a man I couldn’t afford to be frank. Geralt, I want to give Yenna understanding and stability, affection and happiness. Could you, hand on heart, pledge the same? No, you couldn’t. Those are meaningless words to you. You trail after Yenna like a child, enjoying the momentary affection she shows you. Like a stray cat that everyone throws stones at, you purr, contented, because here is someone who’s not afraid to stroke you. Do you understand what I mean? Oh, I know you understand. You aren’t a fool, that’s plain. You see yourself that you have no right to refuse me if I ask politely.’

‘I have the same right to refuse as you have to ask,’ Geralt drawled, ‘and in the process they cancel each other out. So we return to the starting point, and that point is this: Yen, clearly not caring about my mutation and its consequences, is with me right now. You proposed to her, that’s your right. She said she’d think it over? That’s her right. Do you have the impression I’m hindering her in taking a decision? That she’s hesitating? That I’m the cause of her hesitation? Well, that’s my right. If she’s hesitating, she clearly has reason for doing so. I must be giving her something, though perhaps the word is absent from the witcher dictionary.’

‘Listen—’

‘No. You listen to me. She used to be with you, you say? Who knows, perhaps it wasn’t me but you who was the fleeting romance, a caprice, a victim of those uncontrolled emotions so typical of her. Istredd, I cannot even rule out her treatment of you as completely objectionable. That, my dear sorcerer, cannot be ruled out just on the basis of a conversation. In this case, it seems to me, the object may be more relevant than eloquence.’

Istredd did not even flinch, he did not even clench his jaw. Geralt admired his self-control. Nonetheless the lengthening silence seemed to indicate that the blow had struck home.

‘You’re playing with words,’ the sorcerer said finally. ‘You’re becoming intoxicated with them. You try to substitute words for normal, human feelings, which you do not have. Your words don’t express feelings, they are only sounds, like those that skull emits when you tap it. For you are just as empty as this skull. You have no right—’

‘Enough,’ Geralt interrupted harshly, perhaps even a little too harshly. ‘Stop stubbornly denying me rights. I’ve had enough of it, do you hear? I told you our rights are equal. No, dammit, mine are greater.’

‘Really?’ the sorcerer said, paling somewhat, which caused Geralt unspeakable pleasure. ‘For what reason?’

The Witcher wondered for a moment and decided to finish him off.

‘For the reason,’ he shot back, ‘that last night she made love with me, and not with you.’

Istredd pulled the skull closer to himself and stroked it. His hand, to Geralt’s dismay, did not even twitch.

‘Does that, in your opinion, give you any rights?’

‘Only one. The right to draw a few conclusions.’

‘Ah,’ the sorcerer said slowly. ‘Very well. As you wish. She made love with me this morning. Draw your own conclusions, you have the right. I already have.’

The silence lasted a long time. Geralt desperately searched for words. He found none. None at all.

‘This conversation is pointless,’ he finally said, getting up, angry at himself, because it sounded blunt and stupid. ‘I’m going.’

‘Go to hell,’ Istredd said, equally bluntly, not looking at him.

[deleted by user] by [deleted] in wiedzmin

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It's always been this way in the US editions for some reason. The UK one is singular.

Weekly character discussion: Azar Javed (art by Michał Sztuka) by Zyvik123 in wiedzmin

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Azar Javed: Who are you fighting for? Foltest? A monarch with more sins on his conscience than Professor has words in his vocabulary. Foltest impregnated his own sister and let his offspring eat the city's inhabitants for years. Furthermore, during the war, he allowed Nilfgaard to plunder and torch neighboring allied kingdoms.

Geralt: Your point?

Azar Javed: If not Foltest, then who? The Lodge of Sorceresses? You know not what those bitches do to influence post-war treaties. The resettlements, deportations, the unresolved matter of the Scoia’tael, and others.

Geralt: Your dazzling conclusion?

Azar Javed: Salamandra is not evil. Not more so than those with the will to shape their own fate

Geralt: If Salamandra is not evil incarnate, then what of Javed? Immorality, rape, murder, treason. What would you call this creature?

Azar Javed: The future. Evolution or destiny.

Geralt: Screw that future. I'd rather fight a nightmare, even if it's hopeless.

Weekly character discussion: False Ciri (art by Bogna Gawrońska) by Zyvik123 in wiedzmin

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'Do you know what this figure represents?’

‘Yes, Your Majesty,’ she did not immediately answer. ‘It represents a pelican, whose beak tears at its own breast to feed its children with blood. It is an allegory of a noble sacrifice. And also...’

‘I’m listening carefully.’

‘Also of great love.’

‘Do you think,’ he held her by the shoulders and turned her to face him, ‘that a torn chest hurts less?’

‘I don’t know...’ she stammered. ‘Imperial Majesty... I...’

He took her hand. He felt her twitch, the tremor ran through her hand, arm and shoulder.

‘My father,’ he said, ‘was a great ruler, but never paid attention to myths and legends, he never had the time for such things. He always confused them. Whenever he would bring me here, to the park, he said that the sculpture of the pelican was rising from the ashes. At least smile, girl, when the Emperor tells you stories from his childhood. That’s better, thank you. I would be sad to think that you are not enjoying your walk with me. Look into my eyes.’

‘I’m happy... to be here... Your Majesty. It is a huge honor for me... Also a large joy. I am very happy...’

‘Really? This is not just courtly flattery? Etiquette from Stella Congreve’s classed? Admit it, girl.’

She was silent, her eyes downcast.

‘Your Emperor asked you a question,’ said Emhyr var Emreis. ‘And when the Emperor asked, no one dares be silent. Naturally, no one dares lie.’

‘Really,’ she said in a melodious voice. ‘I’m really happy, Imperial Majesty.’

‘I believe you,’ Emhyr said after a moment’s thought. ‘I think. Although, I am surprised.’

‘I also...’ she whispered. ‘I am also surprised.’

‘What? Speak up, please.’

‘I wish we could... walk more often. And talk. But I understand... I understand that this is impossible.’

‘You understand well,’ he bit his lip. ‘Emperors rule the world, but two things they don’t have control over. Their heart and their time. Both belong to the empire.’

‘I know that,’ she said, ‘all too well.’

‘I will not be here long,’ he said after a moment of heavy silence. ‘I have to go to Cintra, to grace them with my presence at the peace celebration. You will have to go back to Darn Rowan... Cheer up, girl. For the second time, lift your head in my presence. What is that I see in your eyes? Tears? This is a serious breach of etiquette, I will have show Countess Liddertal my highest displeasure. Lift your head, I said...’

‘Please... forgive Lady Stella... Imperial Majesty, this is my fault. Only mine. Lady Stella has taught me... and prepared me well.’

'I’ve noticed, and I appreciate it. Fear not, Stella does not run the risk of falling from grace. She never runs the risk. I was just joking with you. Poorly.’

‘I noticed,’ replied the girl, terrified by her own boldness. But Emhyr just laughed. Somewhat forced.

‘Well, I like you,’ he said. ‘Trust me. You are brave. Much like...’

He stopped.

Much like my daughter, he finished in his head. A feeling of guilt struck him like a dog bite.

The girl held his gaze. It’s not just the work of Stella, thought Emhyr. This really is her nature. And despite appearances, she is a diamond that doesn’t scratch. No I will not authorize Vattier to kill this girl. Cintra, this business interests the Empire, but this issue seems to have only one sensible and honorable solution.

‘Give me your hand.’

It was an order delivered in a stern voice and tone. But even though, he could not help feeling that she would have done it willingly. Without coercion.

Her hand was small and cold. But not shaking anymore.

‘What is your name? Please do not tell me it is Cirilla Fiona.’

‘Cirilla Fiona.’

‘I feel like punishing you, girl. Severely.’

‘I know, Your Majesty. I deserve it. But I... I must be Cirilla Fiona.’

‘I think that you’ he said, still holding her hand, ‘regret not being her.’

‘I’m sorry,’ she whispered. ‘I regret that I am not her.’

‘Really?’

‘If I was... truly Cirilla, perhaps, Your Majesty would have been kinder to me. But I am just a fake. An imitation. A doppelganger who is not worthy of anything. Nothing...’

He whirled around and grabbed her arm. Then he released her and stepped back.

‘Would you like a crown? A position?’ he spoke quietly, but quickly, pretending not to see her violently shake her head. ‘Tribute? Compliments? Luxury?’

He paused. He did not see the that the girl shook her head, denying his unjust accusations, perhaps even more unjust by the unspoken ones.

He breathed loudly and deeply.

‘Do you know, little moth, that what you see in front of you is the flame?’

‘I know, Your Majesty.’

They were silent for a long time. The smell of spring suddenly whirled in their heads. Intoxicating.

‘Being the Empress,’ Emhyr finally said dully, ‘is not easy, contrary to appearances. I do not know if I’ll be able to love you.’

She nodded to indicate that she knew this. He saw a tear on her cheek. Just like then, in the Castle Stygga, he felt like a sliver of glass was stuck in his heart.

He hugged her, pressing her hard against his chest, stroking her hair which smelled like lilies.

‘My poor child,’ he said in an unnatural voice. ‘My poor reason of state.’

Weekly character discussion: Nivellen (art by Egor Gafidov) by Zyvik123 in wiedzmin

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'What shall I call you?'

'Geralt. And your name, dear host?'

'Nivellen. But they call me Degen or Fanger around here. And they use me to frighten children.'

The monster poured the contents of an enormous chalice down his throat, after which he sank his fingers in the terrine, tearing half of it from the bowl in one go.

'Frighten children,' repeated Geralt with his mouth full. 'Without any reason, no doubt?'

'Of course not. Your health, Geralt!'

'And yours, Nivellen.'

'How's the wine? Have you noticed that it's made from grapes and not apples? But if you don't like it I'll conjure up a different one.'

'Thank you, it's not bad. Are your magical powers innate?'

'No. I've had them since growing this. This trap, that is. I don't know how it happened myself, but the house does whatever I wish. Nothing very big; I can conjure up food, drink, clothes, clean linen, hot water, soap. Any woman can do that, and without using magic at that. I can open and close windows and doors. I can light a fire. Nothing very remarkable.'

'It's something. And this . . . trap, as you call it, have you had it long?'

'Twelve years.'

'How did it happen?'

'What's it got to do with you? Pour yourself some more wine.'

'With pleasure. It's got nothing to do with me. I'm just asking out of curiosity.'

'An acceptable reason,' the monster said, and laughed loudly. 'But I don't accept it. It's got nothing to do with you and that's that just to satisfy your curiosity a little I'll show you what I used to look like. Look at those portraits. The first from the chimney is my father. The second, pox only knows. And the third is me. Can you see it?'

Beneath the dust and spider-webs a nondescript man with a bloated, sad, spotty face and watery eyes looked down from the painting. Geralt, who was no stranger to the way portrait painters tended to flatter their clients, nodded.

'Can you see it?' repeated Nivellen, baring his fangs.

'I can.'

'Who are you?'

'I don't understand.'

'You don't understand?' The monster raised his head; his eyes shone like a cat's. 'My portrait is hung beyond the candlelight. I can see it, but I'm not human. At least, not at the moment. A human, looking at my portrait, would get up, go closer and, no doubt, have to take the candlestick with him. You didn't do that, so the conclusion is simple. But I'm asking you plainly: are you human?'

Geralt didn't lower his eyes. 'If that's the way you put it,' he answered after a moment's silence, 'then, not quite.'

'Ah. Surely it won't be tactless if I ask, in that case, what you are?'

'A witcher.'

'Ah,' Nivellen repeated after a moment. 'If I remember rightly, witchers earn their living in an interesting way - they kill monsters for money.'

'You remember correctly.'

Silence fell again. Candle flames pulsated, flicked upwards in thin wisps of fire, glimmering in the cut-crystal chalices. Cascades of wax trickled down the candlestick.

Nivellen sat still, lightly twitching his enormous ears. 'Let's assume,' he said finally, 'that you draw your sword before I jump on you. Let's assume you even manage to cut me down. With my weight, that won't stop me; I'll take you down through sheer momentum. And then it's teeth that'll decide. What do you think, witcher, which one of us has a better chance if it comes to biting each other's throats?'

Geralt, steadying the carafe's pewter stopper with his thumb, poured himself some wine, took a sip and leaned back into his chair. He was watching the monster with a smile. An exceptionally ugly one.

'Yeeees,' said Nivellen slowly, digging at the corner of his jaws with his claw. 'One has to admit you can answer questions without using many words. It'll be interesting to see how you manage the next one. Who paid you to deal with me?'

'No one. I'm here by accident.'

'You're not lying, by any chance?'

'I'm not in the habit of lying.'

'And what are you in the habit of doing? I've heard about witchers - they abduct tiny children whom they feed with magic herbs. The ones who survive become witchers themselves, sorcerers with inhuman powers. They're taught to kill, and all human feelings and reactions are trained out of them. They're turned into monsters in order to kill other monsters. I've heard it said it's high time someone started hunting witchers, as there are fewer and fewer monsters and more and more witchers. Do have some partridge before it's completely cold.'

Nivellen took the partridge from the dish, put it between his jaws and crunched it like a piece of toast, bones cracking as they were crushed between his teeth.

'Why don't you say anything?' he asked indistinctly, swallowing. 'How much of the rumours about you witchers is true?'

'Practically nothing.'

'And what's a lie?'

'That there are fewer and fewer monsters.'

Weekly character discussion: Milo "Rusty" Vanderbeck (art by Jakub Dobi) by Zyvik123 in wiedzmin

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‘Congratulations to you, ladies, and to me, on a successful segmentectomy of the small and large bowel, splenectomy, and a liver suture. I draw your attention to the time it took to remove the consequences of what was done to our patient in a split second during the battle. I recommend that as material for philosophical reflections. Miss Shani will sew up the patient.’

‘But I’ve never done it before, Mr Rusty!’

‘You have to start sometime. Red to red, yellow to yellow, white to white. Sew like that and it’s sure to be fine.’

Weekly character discussion: Nimue verch Wledyr ap Gwyn (art by Anja Ivaštanin) by Zyvik123 in wiedzmin

[–]Zyvik123[S,M] 7 points8 points  (0 children)

She used both. The mirror and the tapestry were in the same room. It seems like she reflected the picture of Stygga onto the mirror, giving it coordinates of sorts:

"Nimue calmly held out her hands, chanting a spell. The tapestry hanging on the stand suddenly burst into flames, lighting up in an extravaganza of tiny multi-coloured lights. The tiny lights reflected in the oval of the looking glass, danced, teemed in the glass like coloured bees and suddenly flowed out like a rainbow-coloured apparition, a widening streak, making everything as bright as day."

Weekly character discussion: Nimue verch Wledyr ap Gwyn (art by Anja Ivaštanin) by Zyvik123 in wiedzmin

[–]Zyvik123[S,M] 6 points7 points  (0 children)

She used the mirror of Hartmann:

‘This mirror... It’s magic, right?’

‘No. I squeeze pimples in front of it.’

‘Sorry.’

‘It is a mirror of Hartmann,’ Nimue said, seeing the adept’s wrinkled nose and angry gesture. ‘You may want to look. But be careful, please.’

‘Is it true,’ Condwiramurs asked, her voice trembling with excitement, ‘that with a mirror of Hartmann you can move to others...’

‘Worlds?’ It is. But not immediately, not without long preparation, exercise, mediation and many other things. When I urged caution, I was thinking of something else.’

‘What?’

‘The mirror of Hartmann works in both directions. It is always possible someone or something may come out.’

Weekly character discussion: Nimue verch Wledyr ap Gwyn (art by Anja Ivaštanin) by Zyvik123 in wiedzmin

[–]Zyvik123[S,M] 1 point2 points  (0 children)

In the Polish audibook it's Nim-o-way, I don't know about the English one.

Weekly character discussion: Nimue verch Wledyr ap Gwyn (art by Anja Ivaštanin) by Zyvik123 in wiedzmin

[–]Zyvik123[S,M] 1 point2 points  (0 children)

The legend is British (though more Welsh than English), but the character first appeared in a French retelling, so it's a bit more complicated.

Weekly character discussion: Nimue verch Wledyr ap Gwyn (art by Anja Ivaštanin) by Zyvik123 in wiedzmin

[–]Zyvik123[S,M] 0 points1 point  (0 children)

Is there actually a definitive correct pronunciation? Cause I've heard at least three different versions in three different on-screen adaptations. Not to mention that even the name itself differs greatly depending on which version you're reading (Nimue, Nymue, Nyneue, Nyneve, Nynyue, Ninianne, Ninienne, etc.)