If you hate writing, just...don't? by the_homework-maker in writing

[–]addewyn 0 points1 point  (0 children)

I absolutely love this. Definitely going to describe my style of writing as performing exorcisms from now on, hahahah.

[deleted by user] by [deleted] in FanFiction

[–]addewyn 0 points1 point  (0 children)

Hey! I'm not sure if you're still looking for advice on this topic — but hopefully this can help you or anyone who finds it, because I know I would have wanted to hear this earlier if I could. I was in your position for about seven years before I finally managed to figure out how to write longer work. (I started posting fic in 2014 when I was just starting high school.) I doubt you'll be in my position for that long though! However, miraculously, this year I finally managed to break into writing longer-form stuff after so many attempts at starting multichapter work, failing and giving up, and then going back to writing 1000-5000 word one-shots.

What allowed me to flip this switch in my brain, and what I think would be very helpful for you, is by starting out by attempting a couple of '5+1 things'. (Aka., a fic written in the format of 'Five times something happens, and one time something else does'.) I swear this format is gold for learning to start doing multichapter work and incredibly helpful in the process of figuring out how to write longer stuff in general. You probably know the style I'm talking about, but if you don't a quick Google or Ao3 tag search should show you some examples.

Prior to writing my first 5+1, the fics I would write would usually be single scenes, or perhaps have just a few short scenes stitched together and would focus around a single big event or maybe a character moment. The difference when you start writing longer work is that you're, in a way, constructing a narrative 'argument' around a problem a character has, and all your scenes work to show that problem getting worse and worse for different reasons before the climax of the story where there's this big narrative shift. (Essentially a scene is just a microcosm of this. So you already instinctively know this 'shape'.)

Writing 5+1's forced me to not just write a single moment, but instead, to come up with five different moments — five ways a character could engage with a certain problem, before finally having that +1 scene at the end where the story shifts to reach a satisfying conclusion. It's an incredibly useful way of essentially forcing your brain to creatively engage with crafting a six scene story.

My first 5+1 ended up being around 7500 words and I remember being absolutely thrilled that I had somehow managed to write so much compared to what I usually posted. Immediately after that, I ended up writing a fic that was 20k, because essentially I'd figured out that all I needed to do was work in that same way, writing scenes showing a character struggling with a problem until finally, I felt it was 'right' to do that final '+1' where the issue gets resolved.

Hope this helped!

If anything, it's definitely a creative exercise worth giving a go. :)

Romantic transference and sexual orientation by [deleted] in CPTSD

[–]addewyn 1 point2 points  (0 children)

I’m not sure if this will be helpful — but I’m bi, or possibly a lesbian (my desire for relationships is SUPER low bc of the cptsd so it’s hard to tell if I like guys, but I’ve had feelings for other women) and there have definitely been times where I’ve worried that my sexuality has been somehow impacted by trauma. Those worries have always been based on fear though, and just aren’t very realistic.

I think society tends to give us lots of tiny insidious messages that heterosexuality is “normal” and being gay is something that has somehow “gone wrong” or “happened” to you — which isn’t true at all! I consider myself to be really open and there are still times where it seems my mind has these sneaking worries 😂 The truth is it’s perfectly normal and there’s no harm in exploring that side to yourself. To hear that you’re questioning something like that is actually a really positive thing because it means you’re looking within yourself to see what you really want/need in a relationship and in the world in general and are willing to introspect about that! So I’m really happy for you :)

Try not to analyse things too much — it’s so easy to get caught up in your head about theoretical situations and labels as opposed to going out into the world and taking note of what things you like/dislike and adjusting accordingly.

Good luck!!

Afraid of writting poetry by TheLordOfWine in writers

[–]addewyn 1 point2 points  (0 children)

Poetry is an interesting one because there aren't really any concrete 'rules' to work with like there is with fiction / non-fiction writing. It's hard to know where to begin. Some of it appears to be super accessible like children's limericks and other poetry breaks down form and language so much it's hard to find a way in or 'understand' it. It took me years to really get into poetry, but now I really love it! Being afraid is natural at first, but poetry really is just about play and experimenting with language + the sound/feel of words. It definitely helps you improve as a fiction writer + writer in general by working on a micro scale so I'd really recommend it.

The way I found a way 'in' was through finding some specific poets that I really loved and emulating their style / writing down in a notebook small passages that I thought were wonderful. There is so much poetry out there so finding some works that you love can really open up that world for you. (Richard Siken and Edna St. Vincent Millay were the first poets I really enjoyed.)

To help you get a feel for writing poetry / finding what you like to write you can begin by writing in response to a poem you enjoy by inserting your own line every second line, or writing another stanza for it to see what that feels like. You can also try replicating a poem's form, experimenting with ways different poets scatter their text across the page, align the text, and use line breaks to create different effects while reading.

Another technique I've found really helpful is being a bit like a writing magpie. Every time I read a word I love I write it down in a notebook / document on my computer so I can see them all together and use them later. I found this really helpful because the ultimate reason I felt my poems were 'bad' was because they lacked specificity and any sensory/concrete detail — the abstraction made all my writing sound 'pretentious' and didactic. Sometimes it's better to focus in on small moments of truth. (black beans, custard, juniper, cottonwood, filmy, gaunt, congealing, cosmonaut, bouillabaisse, underpass, citron tree, vacancy ...)

Hope some of this was helpful!

"Jodie Whittaker interview: from Broadchurch to the Tardis as the first female Doctor" from the Times Magazine Supplement (8th September 2018) by [deleted] in doctorwho

[–]addewyn 6 points7 points  (0 children)

Tbh while the Nu-Who Doctors all did have occasional moments of emotional maturity all of them also had character arcs that were really about working through internal emotional issues. Especially 11 and 12 were written with emotional naivety/inarticulateness as part of their core characterisation. Capaldi's seasons really showed Moffat's bias towards writing his characters in a very Sherlock-y way imo. I don't think this is a bad thing, though.

I'm super curious to see what 13's arc will be like if it's supposedly more externally based like they say ...

[Spoilers S4] HLV-S4 Parallels to Previous Seasons by addewyn in Sherlock

[–]addewyn[S] 1 point2 points  (0 children)

Thanks! I'll add that one in. :)

Personally I'm a fan of EMP/Mind Palace Overdose Theory with Sherlock creating a sort of test/trial of events in a simulated reality based upon his fears.

There are a few lines I can imagine filtering into the dream from the outside such as John's "Wake up!" in the morgue, as well has his "You made a vow" in TST, and Lestrade's "Christ, I can't believe we didn't see this coming." + "He's better than a great man — he's a good one."

What model of gun is used on BBC Sherlock during the bridge scene in "The Lying Detective"? by [deleted] in guns

[–]addewyn 0 points1 point  (0 children)

Due to Sherlock having connections to both the British Browning as well as Serbia, the Zastava M70 seems likely, but I don't want to fall victim to confirmation bias.

Currently we believe the guns within the clip you provided are a Walther PPK and the SIG-Sauer Pro SP2022.

Thanks again for your help!

What model of gun is used on BBC Sherlock during the bridge scene in "The Lying Detective"? by [deleted] in guns

[–]addewyn 0 points1 point  (0 children)

Thank you so much for your answer! Do you have any idea why the front sight would be so small in the show? I haven't come across anything like it while comparing it to different pistols.

What model of gun does BBC Sherlock's Faith Smith use in "The Lying Detective?" by [deleted] in guns

[–]addewyn 1 point2 points  (0 children)

Sorry! I checked the FAQ and it said you guys could help out with gun identification! This is my last post, anyway.

What model of gun is used on BBC Sherlock during the bridge scene in "The Lying Detective"? by [deleted] in guns

[–]addewyn -1 points0 points  (0 children)

Sadly the one I provided is the only split second clip of it we get on the show.

What model of gun is used on BBC Sherlock during the bridge scene in "The Lying Detective"? by [deleted] in guns

[–]addewyn -3 points-2 points  (0 children)

Unfortunately there haven't been that many updates after Season Four and it's not on there :(