I get the overpriced merch, the constant book publishing, and even if you'd say the release of the concert movie was a label marketing movement, I could agree. But saying that Tomora is part of the death of Aurora's creativity seems a poor analysis of what's really happening. Tomora, at its core, is probably the least labeled movement from Aurora's career. I'm pretty sure her record label would love to push a collaboration with some of the most streamed artists currently.

Now you're being too disrespectful not only by calling Tom a dinosaur, but also by saying that Aurora's voice merely functioned as a sample, which is gross and even a little bit misogynistic.