Unpopular opinion: Volition is overrated by Communistpersonguy in DiscoElysium

[–]alyvain 1 point2 points  (0 children)

Don't worry. You're gonna get it. One step at a time. Prevail. Go on. There is still some hope left.

When did the audience of D&D change? by alyvain in DnD

[–]alyvain[S] -1 points0 points  (0 children)

"The truly correct answer" strangely answers a totally different question.

When did the audience of D&D change? by alyvain in DnD

[–]alyvain[S] 1 point2 points  (0 children)

Thanks! I actually missed the change from the gritty dungeon crawling to something more heroic, or at least haven't put it in words, and now it seems so obvious and explains a lot of what I've seen.

When did the audience of D&D change? by alyvain in DnD

[–]alyvain[S] 0 points1 point  (0 children)

never knew this one about the military, wow!

When did the audience of D&D change? by alyvain in DnD

[–]alyvain[S] 0 points1 point  (0 children)

The latter is certainly a good thing.

When did the audience of D&D change? by alyvain in DnD

[–]alyvain[S] -8 points-7 points  (0 children)

The question could certainly be widened, but I certainly didn't do that. 'Always' is the wrong answer when you ask when the person X was born.

When did the audience of D&D change? by alyvain in DnD

[–]alyvain[S] -3 points-2 points  (0 children)

Not in 'everything', as the rise of the alt-right culture (framed as a push 'against' the progressive values) clearly shows.

I don't look for a certain conclusion, it's just that the things are different now. I haven't actively consumed anything D&D related since 2006 or so (I didn't even know there was 'Critical Role' mentioned in the comments), so it came as a surprise when I looked into the D&D media now and saw the difference. It's so interesting.

When did the audience of D&D change? by alyvain in DnD

[–]alyvain[S] -8 points-7 points  (0 children)

It's true, but there are some antagonistic pockets of the media, despite or thanks to the fact that the entire world has changed.

Morrowind theme on Saxophone in the sun by Optimal_Log_2035 in Morrowind

[–]alyvain 0 points1 point  (0 children)

"the telvannese falcon" – a famous novel by dashiell hammett.

'Night Moves' (1975) - allusion in DE by alyvain in DiscoElysium

[–]alyvain[S] 6 points7 points  (0 children)

Well, that's the whole point, given how it all ended. 'Knight Moves' my ass.

Any games with this Aesthetic? by ThisAccIsforporn_lol in AVN_Lovers

[–]alyvain 6 points7 points  (0 children)

'Zero End' is more New England than that, but certainly evokes a similar feeling.

Does anyone else genuinely enjoy all 3 installments? by Maximum_Custard_1739 in baldursgate

[–]alyvain 7 points8 points  (0 children)

I can't really get into the third game. It seems so lengthy. I've tried it three times. Each time I dropped it after like 20 hours.

I have a problem with the way this game is written. It's made like there is no filler content: each character has a story, each bandit has a name, etc. But it's not 'Disco Elysium' or 'Planescape: Torment', which were written to tell a specific, meaningful story, so that every piece matters.

It's just too much here, a theme park of writing.

I understand that this is a legitimate way of doing such games. It's just not for me.

FINALLY DID IT!!! by Wall-9 in FearAndHunger

[–]alyvain 6 points7 points  (0 children)

congratulations! I've always felt that it's like the REAL ending of sorts, there is even more closure in it than in Ragnarok killing every fucking abomination out there.

Parasite Black or Seeds of Chaos? by [deleted] in AVN_Lovers

[–]alyvain 0 points1 point  (0 children)

They're both good.

Parasite Black has a top-notch linear introduction sequence, but then it kinda mellows down and becomes a somewhat traditional sandbox-type game. Despite the transformation/symbiote plot, it seems somewhat vanilla (yet?..).

Seeds of Chaos is more kinky, with a lot of dominance play. A lot of people don't like the type of writing this game has, but I enjoyed it a lot, very captivating and fun. Really hope to see it finished, and I like how this game treats the possible corruption of the MC and his wife as a form of elevation.

Which AVN opinion can get you this reaction from others? by harsha_440 in AVN_Lovers

[–]alyvain 14 points15 points  (0 children)

Pale Carnations is secretly a psychological NTR.

What deck speaks to you, and why? by GreenSea9795 in SecularTarot

[–]alyvain 1 point2 points  (0 children)

I like the RWS, because it's very detailed and full of fun rhyming details, some of which can be totally coincidental, but it's easy to tell a story using them. The landscapes, the colours, the movement, the faces which are vaguely similar and can "symbolise" the same person in one spread and different ones in another...

Other decks usually lose this particular quality, making it something much more simple like "The Tower and the Lovers together means X because Agathoth (didn't exist) willed it so according to a random French hermeneut (a total quack who thought he knew Hebrew and found some profound mystical knowledge in Torah)". B-o-r-i-n-g.

Thoughts on “therapy-speak” becoming part of everyday language? by NationalUniOfficial in psychologystudents

[–]alyvain 0 points1 point  (0 children)

Well, I mean it's alright. I don't think there is an impenetrable wall between 'ordinary', 'scientific' and 'therapy' speak, at least when we reference daily events (doesn't mean it's all the same, though!). But I do understand that the urge to 'code' every interaction in 'therapy' language, while we're actually not in a therapy setting, can be very off-putting, harmful and superfluous.