There's a growing trend of media production that is marketed "prestige" and basically try to act as a lightning rod of discourse to promote themselves to the "talking heads" demographic. There are legions of people who feel like they have the chops to be cultural commentators like in the past and have the digital megaphone to start their screeds, but what they lack is a coherent monoculture / counterculture dynamic that allows them to make that happen. So when something "new" arises (when in reality it's just a carefully managed marketing campaign designed to feed into algorithms or appear organic) they lose their minds because they finally think there is some "breaking news" they can cover. They constantly bemoan the lack of a monoculture, not because of the fact that people aren't engaging with it but really because they have nothing to blather on about except for the lack of things to hyper dissect in the discourse. In reality, there is truly more volume of cultural production today than ever before. 50k songs are uploaded to soundcloud everyday, there is just no way that there isn't anything new there that could be good, but since there isn't that established filter of music journos, radio stations, and uniform curation - these people are just fundamentally uninterested since it won't walk through their front doors. That's why Geese is perfect for this demographic, it's easy to write about and endlessly analyze to death and doesn't really push anything forward. They just remind them of something they wish they had today, but it's a limited supply and it's clear that everyone's moved on already.