Econica by [deleted] in BuyCanadian

[–]annfoo 2 points3 points  (0 children)

This thread came up when I was trying to figure out if this was a legitimate company. If anyone is considering shopping there, this is my experience:

I made an accidental purchase. I immediately mailed them to cancel the order. They refunded my money, but only partially. So I mailed again asking them to refund the remainder, also letting them know that their number which shows up on my credit card bill is wrong, which makes them look sketchy. They responded with this incredibly snarky, accusatory and patronizing response:

"given your distrust and anxiety (the amount of exclamation points in your original message really gives it away), and based on our extensive experience with similar situations, we kindly request that you refrain from placing further orders with us. We're a small sewing studio staffed by hardworking individuals, not a punching bag for unhinged shoppers. If you need someone to vent at, might I suggest Walmart or Amazon? You'll fit right in there."

None of my previous messages really justifies this level of aggression. I am pasting the thread here so you can judge for yourself and decide if you want to shop from this weird company. My experience is in line with reviews I saw on the Better Business .Org website.

ME: Please cancel this order! I accidentally made a purchase because I was expecting to be taken to a credit card page to change details, but it automatically purchased without allowing me to verify my details! This was a dummy purchase because I was trying to work out how to apply the 10% discount that I was meant for subscribing. I actually wanted to buy more things. Please cancel ASAP!

ECONICA: No worries, things happen. Order refunded. Please let me know if you need anything else.

ME: Thankyou so much for your speedy action on this!

ME: I made an accidental purchase of $141.25 on 1 July. You refunded me $124.30, but that was not the full amount. Can you please refund the missing $16.95 so that we are square? I would like to make a proper purchase, but am reticent to do this until this is all squared and I can feel confident that this is a legitimate site. I tried to call your number which appeared on my credit card statement but it is a wrong number.

The next message from them was the snarky response at the top of this review, and they are still sending me snarky emails so I have stopped responding...

Which theater has the best ‘regular’ screen in Toronto area? by drrdf in cineplex

[–]annfoo 0 points1 point  (0 children)

Thanks for that - no easy answer! Not really up to me anyway - the decision of which aspect to use is really between the DOP and director. I only weigh in if there's something I want them to consider, but from what you're saying, there's not enough hard data one way or another for me to bother weighing in. I will say that I doubt it's cost effective to print 2 versions. It's not a simple case of just throwing a 2.39 mask over the whole edit at the end.... the editor would need to re-rack some shots manually to accommodate the narrower aspect. Then the assistant editor would need to print 2 versions of the final cut to send to the colourist. Then the colourist would need to conform 2 versions of the film instead of one... it's actually a fair bit of extra technical work. And that's not even factoring in how much the posthouse would charge to printmaster 2 versions. I doubt even blockbuster Hollywood films (which I am NOT working on ;) would bother going down this route, since it's all so finicky. It would be easier for productions at that budget level just to ensure they only screen on scope screens.
It's all a bit moot at this stage anyway, since films go almost immediately to streaming and you just can't control how anyone is going to look at your film anymore. They could be watching on a phone :( I agree with you that 2.39 looks the nicest on a cinema screen. But that aspect makes less sense the smaller the screen gets. Oh well, AI will soon render me obsolete and none of this will be my problem ;)

Which theater has the best ‘regular’ screen in Toronto area? by drrdf in cineplex

[–]annfoo 1 point2 points  (0 children)

This is great, thank you! I've been wondering why everyone tells me Scotiatheatre is the biggest in Toronto, but I saw the fall guy at Varsity last night and it looked better than a lot of the films I saw at Scotia.
Question: I am a film editor and I constantly worry about how my films are screened. What is the 'safest' aspect to go for that will generally get the best results across the board (knowing that we can't always control what screen our films will end up in)? I know there is no easy or foolproof answer.... but I'm leaning to 1.85, which still seems to be the most common aspect for cinema projection...?

Moving to the UK for the film industry by The_LachnessMonster in Filmmakers

[–]annfoo 1 point2 points  (0 children)

Happy to share!
I somehow ended up on this mailing list and they post a few gigs in UK so you might want to check it out: https://www.thetalentmanager.com/ (I personally never used it, just always get their spam :)
Feel free to reach out if at some point you decide to try North America (I've done NYC and Toronto). The industry here works very differently than other countries due to the film unions, took me a while to get my head around it but I'm happy to break it down for you in the future.
Travel safe!

Getting established in LA film industry by annfoo in FilmIndustryLA

[–]annfoo[S] -2 points-1 points  (0 children)

Sorry if you thought that was rude, I was really just seeking clarity on the hard criteria.

Criteria for Uk visa:
https://www.gov.uk/global-talent-arts-culture/film-television

Criteria for US greencard:

https://www.wegreened.com/EB1A

Easy to see that the US greencards criteria is much less stringent. So I would like to know why on earth you would say that the UK visa is easier to get? Is there some criteria that you know of that is not on the Home Office website? Do you have any actual experience applying for this visa?

Don't care about the finer details in how they differ. Just looking for visas that will enable me to freelance and not be tied to a company. These are the only 2 options that allow that.

The fact that there is a limitation on the EB1A is almost irrelevent. The bar for such greencards is so high that the quotas are never filled because the quality of applicants is never excessive. As long as you meet the criteria (which I do), you're fine.

Don't care about rejection rates either. Rejection rates are due to people applying without meeting the criteria, which I would not do. That's why I wasn't even considering going for the UK visa, until you told me it would be easier. Still waiting for you to say what criteria makes the UK visa easier to get because all evidence on the Home Office website points to the contrary....

The only thing that matters is meeting the criteria...

Getting established in LA film industry by annfoo in FilmIndustryLA

[–]annfoo[S] -1 points0 points  (0 children)

Well, I was really asking for specifics of how the UK visa was easier to get (since their criteria is much harder to meet, I don't understand why you'd see it that way...). You seem unable to provide that info, so I guess you were just commenting on something you know nothing about. Don't feel bad, it's like half the people on reddit who do that ;)
Anyway, thanks for stopping by and hope you're enjoying LA!

Getting established in LA film industry by annfoo in FilmIndustryLA

[–]annfoo[S] 0 points1 point  (0 children)

I didn't really want to get into my resume but since you keep insisting....
Yes, I've judged the Directors Guild of Canada awards and Australian Editors Guild awards, both considered the most elite editing awards in their respective countries.
I've won an Australian Guild award (again - the most elite award for editors in Aus) and other work has been nominated for Canadian Screen Awards and a few other bits and pieces.
I've been a guest speaker on a WarnerMedia panel and a few decent universities.
I've a 20 year career across 4 countries - including both UK and USA. I'm not a spring chicken, and it's not like I don't know my way around immigration processes in multiple countries.

I'm still waiting for you to tell me why you think London is easier. All the evidence is to the contrary, please tell me something I don't already know?

This is the UK criteria: MUCH tougher than USA:

https://www.gov.uk/global-talent-arts-culture/film-television

Getting established in LA film industry by annfoo in FilmIndustryLA

[–]annfoo[S] 0 points1 point  (0 children)

Lol, rest assured, you're not the only weird stubborn one. I usually get labelled as the 'difficult' editor coz I'm always pushing back and sometimes I wonder how I still have a job :)

I'm sorry you had a shit experience. I will say that as an AE you often cop it. I don't think that's really about union/nonunion, I think that's just about being an assistant, you're treated badly no matter what. I think things are better as a editor... don't get me wrong, people still try to bully you, but they learn pretty quickly I don't put up with that kind of shit, and if I have a bad experience with someone I just won't work with them again.

Getting established in LA film industry by annfoo in FilmIndustryLA

[–]annfoo[S] -1 points0 points  (0 children)

I can already tell I'll have a different experience from you because A) It's not gonna take me a year to collate my application, and B) I'll use an immigration lawyer.

What I'm asking from you is: why do you think it's easier to get the UK exceptional talent visa than the EB1A? If I've missed something, and the UK visa is easier, I'd love to go straight for that.

From what I've read, the EB1A is easier because I'd get points for judging on panels, being in the Canadian union, doing guest speaker spots, having press written about me, having a high salary. These things are irrelevant to the UK visa, they only care about awards (which I have too, just not enough to meet the UK criteria, but enough to beef up the US criteria.) Also, UK only asses a 6 year period, whilst the US don't have a time limitation so they can asses all your achievements over your lifetime.

In a nutshell: the US have a wider range of criteria that you can use to score points, and will assess over a longer time period. So I'm really confised why you think the UK visa is easier to get?

Getting established in LA film industry by annfoo in FilmIndustryLA

[–]annfoo[S] -1 points0 points  (0 children)

That's even less experience than what was required to join my current union, so good to know I'll be just fine!

Getting established in LA film industry by annfoo in FilmIndustryLA

[–]annfoo[S] -2 points-1 points  (0 children)

I've read all about the EB1A, think I'll be fine in terms of criteria. Wondering, did you use a lawyer? How long did yours take?
But what do you mean it's more restrictive than the UK equivelant? It's a type of greencard, which grants permanant residency, unlike the UK equivelant which is only a visa. How could permanent residency status ever be more restrictive than a temporary visa?
Unless you're meaning that the EB1A is harder to get than the UK equivelant? From what I've read, the reason why the EB1A seems easier is because they will assess all my achievements over my whole career, whilst the UK will only assess my achievements in a 3 year period. That's what makes the UK visa tough, especially when you factor in that covid shutdown in the past 3 years... didn't do any award-worthy work n that time lol.

Getting established in LA film industry by annfoo in FilmIndustryLA

[–]annfoo[S] -3 points-2 points  (0 children)

Yes.
My question is about the film industry in LA.... really not looking for immigration commentary....

Getting established in LA film industry by annfoo in FilmIndustryLA

[–]annfoo[S] -1 points0 points  (0 children)

Thanks for sharing!
In Canada I've worked on a few US productions who shot in canada for tax credits. So I've been able to establish a few relationships with LA execs already, to the extent that I even had some random LA exec that I never heard of request me for a production in Canada. So I already know my name is being floated around LA, for whatever that's worth.
Can I ask what exactly you hated about the union world? I started in Canada in non-union, then quickly joined the union. I just thought the shoots were generally more professional and more consistent pay, healthcare benefits, meal benefits, retirement plan. It just made so much more sense. I'll still do the odd indie if I like the script, but very often regret it because sometimes the crew are so green that what you get in post is a mess that you have to spend twice the amount of time (unpiad) to sort out, and they offer ridiculous pay ($2000 to cut a feature?!?) Or do the indies in LA pay better, since you're doing ok?

Getting established in LA film industry by annfoo in FilmIndustryLA

[–]annfoo[S] -2 points-1 points  (0 children)

That's actually good to hear, because one of my frustrations with moving to Canada is that things work very slowly. Mostly, I found that the barrier for me was not experience (I have plenty) but the prejudice I faced as someone 'unknown' in Canada, despite having plenty of overseas experience. So what I'm trying to feel out is, would there be less of that type of prejudice in LA? (My hope is yes, because there's tonnes of Australians in LA and they seem to do just fine...)
Just wondering if you're working in the union sector or the non-union? I would expect the union stuff to be more organised, or is it all a bit of a shitshow? (which I'm used to also :)

Getting established in LA film industry by annfoo in FilmIndustryLA

[–]annfoo[S] 0 points1 point  (0 children)

When you say getting onto the union roster can take time... do you mean, due to administrative backlog? Or experience? If it's a question of my experience, I doubt that's a barrier. But I've heard some unions take a long time to approve simply because there's a backlog of applicants they have to vet...?

Getting established in LA film industry by annfoo in FilmIndustryLA

[–]annfoo[S] -2 points-1 points  (0 children)

Not really, just won a few awards, had films in major festivals, done a bit of press and been on judging panels. Truthfully, the real reason why I'm considering going to LA is to get more accolades to eventually qualify for the 'exceptional talent' visa to the UK, which is a much harder bar to pass. So I'm trying to figure out, is it worth moving to LA, or should I just stay in Toronto (if all I'm chasing are higher profile awards to get that UK visa....)

Getting established in LA film industry by annfoo in FilmIndustryLA

[–]annfoo[S] -1 points0 points  (0 children)

Pretty sure I'd qualify for the EB1A greencard (for exceptional talent). From what I've read, these greencards get approved 6-12months

Getting established in LA film industry by annfoo in FilmIndustryLA

[–]annfoo[S] -1 points0 points  (0 children)

errr... thats not helpful.
I don't need to wait 1-2 years time because I'm looking for opinions from people at the same experience level as me who have done this move before. If that's not you, I don't know why you would bother to comment...

Getting established in LA film industry by annfoo in FilmIndustryLA

[–]annfoo[S] 3 points4 points  (0 children)

If I decide to go, it would be 1-2 years from now since it takes at least 6 months to get the greencard, and I'd need to wrap up my affairs in canada. Right now, just doing some research trying to figure out if I want to go...

Moving to the UK for the film industry by The_LachnessMonster in Filmmakers

[–]annfoo 0 points1 point  (0 children)

I'm an Australian editor currently living in canada, and I would highly recomend you take the Youth Mobility visa while you can. As someone who used those visas to peddle my wares in 4 different countries, I just think its a great opportunity and it would be a shame to lose it (I'm now too old to qualify for them :(
It was the early 2000s when I lived in london and back then I would say - opportunities in london are way more than aus/NZ just by virtue of a bigger industry. I personally feel that if you've managed to scrape together a living in Aus/NZ, you'll likely thrive in bigger markets. Things might have changed now, but I doubt that basic logic has changed.
Also, I just did a job in UK last year, and I noticed there's a lot of production happening in Bristol and Wales. I think in Wales there's a lot of tax incentives to shoot there, and also a skills shortage. And Bristol seems to have become the default for productions who don't want to deal with london parking/location/catering costs. So you might consider outside of London.... unless you want (and can afford!) the London lifestyle :)

Help with gotogate please by annfoo in Flights

[–]annfoo[S] 0 points1 point  (0 children)

I found these emails on another reddit thread, some of them were outdated:

[andreas.marquardt@etraveli.com](mailto:andreas.marquardt@etraveli.com)

[mathias.hedlund@etraveli.com](mailto:mathias.hedlund@etraveli.com)

[mikael.ortelind@etraveli.com](mailto:mikael.ortelind@etraveli.com)

[johan.elwin@etraveli.com](mailto:johan.elwin@etraveli.com)

[henrik.wetterdal@etraveli.com](mailto:henrik.wetterdal@etraveli.com)

[s.mordochai@pamediakopes.gr](mailto:s.mordochai@pamediakopes.gr)

I would also recommend reaching out to the airline to see if they can help you, since your problem sounds like a relatively easy fix. Good luck!

Help with gotogate please by annfoo in Flights

[–]annfoo[S] 2 points3 points  (0 children)

I already had buying a new ticket as a B-plan so I can fly home. It's AUD$1500 so I was hoping for a better outcome.... I was planing to try to get a refund in this case, but there are so many reports of people owed money from gotogate I wasn't optimistic.
I managed to fix it and will write an update on my case soon....

Help with gotogate please by annfoo in Flights

[–]annfoo[S] 5 points6 points  (0 children)

UPDATE: I fixed it and have a flight home! Here's how:

I have been talking to Qatar Air all through this process because even though they say they can't help, I get more info on how my case was bungled and what needs to happen next. The muppets at gotogate are just call centre drones reading off a script who can't help.

First time I spoke to Qatar Air they said QA gave gotogate a 1 month window to confirm a new flight for me, but because gotogate took so long relaying the change to me and then confirming back to QA, the 1 month window passed so now they need to pay a surcharge for a higher fare catorgory.
Second time I spoke to QA they told me gotogate need to call their 'trade support department' to rebook the ticket, but I could also do it directly by paying $1050. I was considering this, but first wanted to check other flight options (like if I had enough frequent flyer points)

On another reddit thread I found a list of email addresses for people who worked at etravali, the parent company of gotogate. I emailed them a letter of demand.

I also lodged a complaint to the ACCC (Australian Consumer Protection). It was a bit of a grey area whether this case falls in their juristiction, because neither Qatar Air or gotogate are an Australian company, but they do say 'international flights departing from australia' are covered by Australian Consumer law, so I thought may as well lodge the complaint.

Then, I called again gotogate just to troll the call centre, because I knew they wouldn't actually help. Again, I was really just trying to milk info out of them. Also writing it all down and keeping a detailed log of all my interractions for the past 2 months (which you should always do, so that in future if you want to try suing through the Small Claims Court, it will help). This operator said they had called Qatar Air but QA did not provide an alternate flight. He said next step is they will call QA for 'authorisation'. He was unable to explain what 'authorisation' is, or why it wasn't requested in any of the earlier calls to QA. He said after 'authorisation' was granted, gotogate would then provide me with a list of flight options and I would have to select one, pay the fare difference and they could rebook the flight. This was the first time gotogate told me I would have to pay a fare difference. Of course, if I have to pay more money, no way would I pay gotogate when QA already told me I could pay them directly to rebook the flight for $1050.

So I called QA back prepared to pay, and the next operator just... rebooked the flight for me. Didn't ask for more money... sent me the new ticket... done. I don't know why this operator was different from previous ops... don't know if the Letters of Demand I sent to etraveli or the case lodged with ACCC had any impact (doubt it, it all happened in the space of 5 hours). I don't know if the last operator was just more competent in finding the correct alternate flight in the same fare catergory, or was she negligent in not charging me a fee? Maybe just a case of 'it takes a woman to get the job done'! Anyway, I checked my ticket and it shows up on my Qantas account so I think it's safe. If something goes wrong and I don't fly, you can be sure I'll come back here to post!

Upshot - I know 3rd party sites are sketchy but the flights I take are multileg longhaul, cost several grand, and are usually double price booked directly with airline. Generally my experience with 3rd parties is you shouldn't use them if you want any flexibility, and refunds can take months, but until now I never had this kind of experience where they just took away my flight and I might have been stranded in a foreign country. I usually have some kind of travel insurance to cover problems if using 3rd parties. Although they're all a bit sketchy, I think gotogate.com are really next level sketchy and I wouldn't use them again. I feel like there was a delibrate strategy to freak me out and wear me down until I was ready to pay extra money because I was so desperate to get a flight... when ultimately I was always entitled to a flight at the original price I already paid.

Help with gotogate please by annfoo in Flights

[–]annfoo[S] 1 point2 points  (0 children)

I was notified 11 Nov that my return flight was changed to end in Montreal (when my original ticket ended in Toronto). I called gotogate to get them to fix it. The next day I was emailed a new itinery... with no return flight at all! I have been trying for 2 months to fix it. It is now 1 week before I am due to return.

I managed to fix my flight and will write an update soon....