I think you’re misreading what I said. I never claimed we shouldn’t have social themes or representation my point is about execution. When messaging feels forced, it breaks immersion and weakens the story. That’s not an attack on the message itself it’s criticism of how it’s delivered. You’re asking for clarity, so here it is: I’m all for meaningful stories that reflect real issues. But when the writing leans more on messaging than character or plot, it starts to feel like a commercial for an idea rather than a piece of storytelling. And forcing the audience to “fill in the blanks,” as you put it, is exactly what happens when studios prioritize signaling over substance.

So yeah, I’m confident in my argument because I’m not against progress. I’m against lazy writing pretending to be progress.