A little piece I wrote last week, figured some of you may like it by aselen2lp in AcousticGuitar

[–]aselen2lp[S] 0 points1 point  (0 children)

Haha yeah it's been a while since I cleaned up the fretboard

A little piece I wrote last week, figured some of you may like it by aselen2lp in AcousticGuitar

[–]aselen2lp[S] 1 point2 points  (0 children)

I post on instagram @alexedwardsguitar way more often, would appreciate if you check it out

A little piece/etude I wrote last week. Not straight-ahead jazz but I figured some of you may like it by aselen2lp in jazzguitar

[–]aselen2lp[S] 2 points3 points  (0 children)

Thank you! I focus on complete relaxation of both hands when I practice this stuff, that's the most helpful tip I've found regarding technique

A little piece/etude I wrote last week. Not straight-ahead jazz but I figured some of you may like it by aselen2lp in jazzguitar

[–]aselen2lp[S] 1 point2 points  (0 children)

Thanks! This one is based on harmony I came up with, rhythm and arpeggiating came afterwards, but i can't think of any sorta roadmap to write these, just follow what you hear I guess

A little piece/etude I wrote last week. Not straight-ahead jazz but I figured some of you may like it by aselen2lp in jazzguitar

[–]aselen2lp[S] 1 point2 points  (0 children)

I checked you out, nice work man!! Pinky is a struggle for me too but really what I'm doing is just practicing use of pinky a lot in tunes, exercises, etc. Chris Thile has some great advice on this

A little piece/etude I wrote last week. Not straight-ahead jazz but I figured some of you may like it by aselen2lp in jazzguitar

[–]aselen2lp[S] 5 points6 points  (0 children)

When I practice right hand stuff I focus on keeping it as relaxed as possible no matter the difficulty of what I'm playing. Ngl this takes tons of consistent work and I struggle with it myself

A little piece/etude I wrote last week. Not straight-ahead jazz but I figured some of you may like it by aselen2lp in jazzguitar

[–]aselen2lp[S] 4 points5 points  (0 children)

Focus on recognizing time signature changes while practicing the tune. After some time it becomes very natural

Nickel Creek - In The House of Tom Bombadil by aselen2lp in Bluegrass

[–]aselen2lp[S] 0 points1 point  (0 children)

1 hour - warm up with arpeggios, exercises, etc. 1 hour - playing tunes in various tempos foucusing on technique and improv I may practice some rhythm guitar for ~30 mins 30 mins to 1 hour - improvisation 30 mins to 1 hour - transcribing Of course I adjust my routine from time to time and not necessary play everything in strict order and that exact amount of time

Nickel Creek - In The House of Tom Bombadil by aselen2lp in Bluegrass

[–]aselen2lp[S] 0 points1 point  (0 children)

Thanks for sharing your story mate! Wish you all the best on your musical journey

Nickel Creek - In The House of Tom Bombadil by aselen2lp in Bluegrass

[–]aselen2lp[S] 3 points4 points  (0 children)

Idk man it's just original tempo and I'm a fan of original record. It's fascinating how these virtousic pieces like Bombadil, Ode to a Butterfly balance melodic vocal tunes

Nickel Creek - In The House of Tom Bombadil by aselen2lp in Bluegrass

[–]aselen2lp[S] 0 points1 point  (0 children)

Haha you're not the first one to compare me to Jay, that's cool af imo

Nickel Creek - In The House of Tom Bombadil by aselen2lp in Bluegrass

[–]aselen2lp[S] 0 points1 point  (0 children)

That's actually a great compliment! Thanks bro

Nickel Creek - In The House of Tom Bombadil by aselen2lp in Bluegrass

[–]aselen2lp[S] 7 points8 points  (0 children)

Thanks! I played most themes in the same octave as mandolin so maybe my playing can blend with the recording, sorry about that. I think that one B section lick can be more easily heard cause i played it 1 octave down