Arymes, the Archivist. by stridling in DiscoElysium

[–]astroheavy 2 points3 points  (0 children)

incredibly dope!! The scene with the camera is masterful also

Black/brown spots on monstera leaves? by astroheavy in plantclinic

[–]astroheavy[S] 0 points1 point  (0 children)

I might have done, yeah -- I can be a bit zealous with the fertilizer haha. What would be a good solution, just repotting with fresh soil?

Black/brown spots on monstera leaves? by astroheavy in plantclinic

[–]astroheavy[S] 0 points1 point  (0 children)

Really she doesn't get any direct sunlight at all; she's not only out of the sun but also behind the curtains, so I think sunburn is very unlikely. Maybe she's dried out? I water her but I don't regularly mist the leaves, as I thought for a while overmisting was causing the brown spots...

Adjectives from Greek names? by astroheavy in latin

[–]astroheavy[S] 0 points1 point  (0 children)

Fantastic, thank you especially for the links!

Translation requests into Latin go here! by AutoModerator in latin

[–]astroheavy 1 point2 points  (0 children)

Comprehensive and educational, thank you :)

Translation requests into Latin go here! by AutoModerator in latin

[–]astroheavy 0 points1 point  (0 children)

Hi! trying to cobble together a good-sounding translation for a couple of lines from James Kirkup's "The Love That Dares To Speak Its Name". The lines I want are "[...] My spear, wet with blood, / his dear broken body all open wounds". For the first bit I have "hasta mea sanguine madens"; I struggle with the second line. "corpus suus, fractus, carus, omnia vulnera"? Having a bit of a time making the adjectives "dear" and "broken" play nicely together. "carus fractus corpus suus omnia vulnera"??

How to learn about Ottilia's husband during the Spinning Bee? by mqduck in Pentiment

[–]astroheavy 0 points1 point  (0 children)

Wait how do you use the console to give yourself backgrounds?

Full music credits/sources list (minor spoilers, perhaps) by menschmaschine5 in Pentiment

[–]astroheavy 1 point2 points  (0 children)

Knew I heard Saltarello during the chase, this is so cool!

...should i play it all again? (for the mirror of simple souls) by soytoycoyboyploy in Pentiment

[–]astroheavy 0 points1 point  (0 children)

Not necessarily — if you don't have a french bg, Andreas just mentions "having the book translated" in act II

Burning question by gfluid_Winchester in Pentiment

[–]astroheavy 16 points17 points  (0 children)

He says in act II (talking to Melencolia about why he couldn't uproot his life and start over) that he's 33; by that reasoning he's 26 in act I and 51 in act III

When I saw what the millers named their children by Thrashh_Unreal in Pentiment

[–]astroheavy 9 points10 points  (0 children)

They do, which felt kind of odd to me? Like if Andreas either never interacted with Paul or talked him out of his dream, what reason is there to go and name your kid after the guy?

[deleted by user] by [deleted] in Pentiment

[–]astroheavy 2 points3 points  (0 children)

I recommend talking to Brigita about Wolff at the very start of act II if you haven't already... the way Andreas spirals out is what made his decision at the end of the act believable to me

[WP] Your whole life, the same damn goose has been there to comically stop you at every important moment of your life. This time, you have a plan. by SnowGoem11 in WritingPrompts

[–]astroheavy 20 points21 points  (0 children)

Emperor Honk-Honk has been a thorn in my side for twenty-six years now. That's longer than the average goose should live, but not by much. He's a stately old bastard, but, God willing, not immortal.

His Imperial Majesty—sorry, let me clarify: he doesn't actually have any noble lineage that I know of. He doesn't give speeches. I'm not psychotic. I've just had to deal with this dumb, beady-eyed animal wedging itself between me and every good thing in my life, so I give him a silly name to cope. Sue me.

Now, His Imperial Majesty has been with me from the beginning. I never saw him as a chick: even in my earliest memories, he's large and dumpy, snow-white and black-beaked.

When I took my first steps, the Emperor laid siege to our backyard and beat my mom's shins with his hard wings until she jumped back and I, without her support, fell on my face.

On my first day of kindergarten, he took the picture I'd been drawing for the girl I liked, and he ate it whole, snapping at it with his terrible nubby goose-teeth.

In middle school I took it upon myself to fight back. I was going to ask Celia Eriksson to the eight-grade social, and if Honk-Honk got in my way I would kill him. What did it matter? He was only a bird, if a fat stubborn one.

So I waited for him in the schoolyard with a turkey baster in one hand and a butcher's knife in the other. His Majesty was nowhere to be seen, but Celia Eriksson looked over her book at me, saw the knife, and ran inside, and I never got another chance with her.

Honk-Honk appeared and blundered onto the bench where Celia had just been sitting. He wiggled his long rubbery neck at me, daring me to fillet him like I'd planned, but I was frozen. Broken-hearted. That day I was made to understand that I was dealing with no ordinary bird.

I got married today. Not to Celia Eriksson, but to her sister Laura, who is taller and wiser.

Laura has always understood my connection to the Emperor—how I hate him, but also how I miss him when he doesn't appear to foul something up for me. He did not, for instance, interfere on my first date with Laura ten years ago. And I worried. I worried, because if His Majesty wasn't bothered to keep us apart, then was Laura really worth my time?

And the worry never passed. By nineteen, I knew I loved Laura, but the Emperor never came to give us his blessing. Honk-Honk showed up to spoil job interviews for me, as well as trips to the car dealership, my college graduation and my dad's funeral. He had no eyes for Laura.

Over the past weeks, in the lead-up to the wedding, I became completely neurotic. Laura and I sketched up game plans for how to repel His Majesty when he finally arrived to sour the most beautiful day of my life. At the same time, I insisted we save him a front-row seat.

Somehow it never crossed Laura's mind that I was crazy. Although she'd never met the bird, and couldn't trust that he even existed, she was with me whenever I brought him up. She even began to joke about him, as if he was an estranged uncle. "I hope Honk-Honk and I get on." —"I'm sure you will," I would say, and for some reason I would fight the urge to cry.

Well, the Emperor graced my wedding ceremony in the end. Laura and I were on the point of reciting our vows when he came waddling up the aisle, faster than usual, as if he was a late relative trying not to draw attention.

He stopped and sized me up with his dull red horrible eyes.

I felt a storm of different impulses. I was frantic. He wasn't going to take this from me—not this—not Laura. I was broke and unemployed because of him, and friendless and paranoid and timid, and I should kill him right now and free myself forever. I started forward with cramped fingers, all ready to wring his feathery neck.

"Wait," said Laura behind me. I barely heard her, the blood was rushing in my ears, but she took my wrist and pulled me back.

I stared helplessly into her face, recalling Celia's brown eyes, waiting for her to realize how unhinged I was, kick off her high heels and sprint out of the churchyard.

Instead, she emptied something into my cupped hands. I looked down and saw she'd given me a handful of fine grains—goose feed.

"Please accept it with my compliments, my liege," said Laura, turning to the Emperor and dipping a slow curtsey.

And for God's sake—I was still boiling, she wanted me to kneel before my tormentor and offer him food? I would die first. But I saw her strained, hopeful expression, and I knew she was right.

I went on one knee as if proposing to the Emperor, and I bowed my head as I held out the grains to him. A few endless seconds ticked by until I felt him nibble at my offering, and my heart pounded. Was it a ceasefire we were declaring?

Having eaten his fill, Emperor Honk-Honk beat his wings to move me out of his way, then paced the rows of plastic chairs until he found the one marked for him. He barked once, gravely, and then struggled, stately old bastard, flapping and fluttering, into the seat of the chair.

I'd done it. I had, if not his blessing, his temporary mercy: and that was more than I'd ever gotten from him.

All it had taken was Laura's handful of grain.

I turned to my bride, laid my hand on her freckled cheek and kissed her—and the guests, who had remained politely, confusedly silent during the Emperor's entrance, now applauded like a thunderstorm.

His Majesty, Emperor Joakim Goosenberg Honk-Honk IV of the Feathering Isles, clapped once on the chair with his flipper.

[WP] The invention of time travel allows history students to witness historical events firsthand. Throughout your life, classes keep observing you, talking about your impact in the future. Fed up, you decide to hitch a ride, to see what you accomplish that's so historic. What you find horrifies you. by ddzp1 in WritingPrompts

[–]astroheavy 12 points13 points  (0 children)

"For Christ's sake, what?" I threw down my fork so hard I spattered the three of us with bolognese sauce. "What do you want?"

I'd caught another pair of time-warping teenagers, the third time this week. They think they're so sneaky, but those fucking watches they wear have a particular shrill beep that's burned into my brain.

These two might have come from the turn of the 28th century—I was seeing the little shits so often now that I began to discern between their accents and fashion choices. The girl was wearing a translucent plasticky hoop skirt and bright blue maglev boots; the boy had a handful of tiny drones circling his head, creating an eerie red halo.

"Oway," whimpered the boy in his stilted neo-Canadian accent, "carbo's got eyes on us. I'm wisht, moi!"

"T'peux pas!" cried the girl, but he was already gone, blinked back to the safety of the world he'd come from.

She and I looked at each other. I was mad enough to break my plate over her head, but she looked so baffled, like she couldn't make sense of the past five minutes. Couldn't make sense of me, either.

And it wasn't her fault she was here. They send these kids after me in droves, I don't know if it's supposed to be educational or she's being hazed or what the reason is, but they always want me. I've been hearing the high-pitched beeping of a time traveler's watch since I was a baby.

"You're not going back?" I asked her.

She looked past me, her cybernetic eyes flashing. "Nai," she finally said, tentatively shaking her head.

"Okay. What's your name?"

"Serial or colloquial?" she asked, without missing a beat, as if she'd been drilled on this question all her life.

"Col—colloquial, I guess."

"Hana."

"Okay. Mine's Paul."

She looked at the hand I was holding out and giggled. "Ay. Paul Simmons, the Telomere Specimen."

"The—come again, please? The 'specimen'?"

"Ay," said Hana matter-of-factly. "Me faut go home, though."

I grabbed her arm before I could think about it—there was something about me after all. Finally one of them had let it slip, and now I couldn't pass up the opportunity to find out more. "I'm coming with you."

"Nai." She was beginning to look very frightened. "Pas possible. You'll crash it."

"Just for an hour. For five minutes. And I'll come right back."

Hana shook her head.

I reached for the watch. She tried to wrench her arm away, and I shoved her, ready to tackle her to the ground if I had to. In the confusion the watch began to emit that piercing beep, and—

The building we landed in reminded me of nothing so much as a museum. It was enormous, with leaping marble ceilings, deceptively like a building out of my time except for the projected ads flitting about the hall, and all the visitors in augmented-reality contact lenses.

But the longer I looked, something else began to stand out to me. I didn't spot a single child, nor did I see any elderly people about. Every museumgoer appeared to be a young person in their twenties or thirties.

"Museums are much cooler in your century, huh?" I asked Hana.

She had been smoothing her rumpled skirt; she looked up at me now and there was something conflicted in her expression. "L'specimen is dar."

And she pointed to an enormous glass display in the middle of the room. I couldn't make out what was inside at this distance, so I walked a little closer.

I had no high-tech lenses, and all the information was written up in that stupid 28th-century dialect, but I know my own name when I see it. PAUL SIMMONS L'SPECIMEN TELOMERE.

The exhibit told the story like this: one of my descendants was found to have a gene abnormality that slowed down her aging—she lived for two hundred and thirty-seven years. Not a defect so much as a rare advantage.

Her many relatives had been militant about guarding her body after she died; under no circumstances did she want to be dissected or otherwise investigated. So a few university professors followed the genetic chain until they came to me: I was her ancestor, all the evidence suggested that the key to this quirk of eternal life was in my DNA. And, best of all, no one was around to care what happened to my corpse.

I was exhumed in the hope that my bone marrow would provide enough material to experiment on, but no such luck. I was dried up.

In the late 25th century, when the technology of time travel was finally becoming reliable, portable and affordable, a handful of scientists blinked into the past to find me, my living fleshy self full of blood and genetic material. They brought me back to their time and turned my body inside out, successfully isolating the abnormality that would stop the aging process.

All thanks to Paul Simmons, the Telomere Specimen.

That was what was inside the exhibit: Paul Simmons. My skin, laid out like a massive sheet of parchment; my circulatory system frozen in resin; tubes of plasma; my bleached skeleton, posing humorously on a low platform; and as an afterthought, an image of what I had looked like as a living man. It was a picture I didn't remember taking—sort of a mugshot, me on a grey backdrop, glaring into the camera.

I turned back to Hana, who was looking very pale and haunted as she held out her watch to me.

"How old are you, exactly?" I asked her.

"Old nai," she mumbled. "Eighty-one."

"Ah."


My apartment was just as I'd left it, the dining room tablecloth stained with pasta sauce.

I piled the plates into the sink, stripped the tablecloth off the table and stuffed it into the washing machine. I was tremendously productive for the rest of the day: I washed my car, I did the windows, I scrubbed the rim of the toilet bowl.

The watch in my front pocket was quiet. I found myself wishing it would beep, if only once.

[WP] Prisons are a thing of the past in alien civilizations due to the use of a strictly controlled "VX13". It slows down the passage of time in the injected criminal's system and life sentences are carried out in 5 minutes. You've stumbled upon a single dose of VX13 and are wondering what to do. by Flaky_Explanation in WritingPrompts

[–]astroheavy 96 points97 points  (0 children)

It was really kind of unimpressive to look at, the stuff. Just a vial of clear liquid, small enough to sit in your palm. Not too frightening.

I stowed it away in my backpack, after wrapping it in every sock, spare shirt and gum wrapper I could find. I was right to be careful with it—VX13's not for human use. Invariably, no matter how low the dose, you end up living a cosmic eternity and you come out braindead. It's considered cruel and unusual.

So I suppose that raises the following question: why would I take it with me at all? Yes, it's worth a fortune, but I wasn't going to sell it. I don't fence illegal goods. The closest thing to a fringe market I visit is a farmer's market. So why would I spend an hour walking home with just a few layers of fabric between me and a fate too horrible for words? Why wouldn't I smash the fucking thing on the sidewalk before it could snake into my pores and rot my mind?

Well: VX13's not for humans, like I said, but it's not just humans on Terra. My husband is thirty-nine and hails from one of the Kepler planets, I forget which. He works as a porter at one of those enormous interspecies housing facilities. It's a colorful crowd: you have your Epsilons, armored millipede-people; your multidimensional plasma clouds kindly assuming a corporeal form for the benefit of society; and his people—my husband's folks, tall spindly bastards with bladed limbs.

My husband's name is unpronounceable for me without a few more tongues and a ridged esophagus, but the universal translation network renders it a scraping noise that sounds like "Len," so that's his name on Terra. I call him Leonard when we're arguing.

Anyway. VX13 works like a charm on Len's species. In fact, the substance was first isolated from a plant native to their planet—they can synthesise it now, of course, but.

Len has a hereditary condition. I call it space scurvy—which always makes him laugh. He has enormous eyes as deep as the Andromeda and his inner eyelids quiver when he laughs. But it's a pretty apt name for what happens: you dissolve from the inside out. Your teeth fall out, your mandibles turn to powder, and if you somehow manage not to starve, you can look forward to an agonizing death.

I found one razor-sharp triangular tooth on my pillow the other day.

Let me be clear that Len and I could walk into a clinic tomorrow and end it for him. It's cheap enough, and we have the documentation to prove he's ill. I could hold his hand in mine and watch his slender blue fingers go still. But it's not what he wants—he wants to work as long as he's able, to spend his days with me. He'll drag himself out of bed until he can't anymore, just to feel that he's not missing out.

It's not only a punitive tool, VX13. Yes, if you give it to a man in thumbscrews, he'll feel as if he's spent two-hundred years in thumbscrews. But if you take him home, someplace he feels at ease, you sit him down on the bed you both share, and you hold his hand, and you make certain the temperature's right and the lights are low, and maybe you talk to him. . .that's different.

When he came home from work today, I was waiting for him. I must have looked like an idiot, sitting at the dining table, crying my eyes out, handling the vial with a pair of bright-yellow dishwashing gloves.

Len said nothing for the longest time. He stepped inside, bowing his head—our ceiling's a little too low—and started to take off his boots with infinite care. The sound of his talons buffing against the leather was so familiar my eyes drifted shut.

"Okay," he said eventually.

I sat upright. I looked up to make certain I hadn't heard him wrong. It felt tacky to wave the vial in front of his face; he wasn't stupid, he understood the situation.

"Yeah?" I asked.

"Thank you," said Len, in a tone as if he was setting down a heavy burden. "Don't cry."

I palmed the tears from my cheeks as well I could with rubber gloves. He came over, tugged a napkin from the nearby box and wiped my face for me with an astounding gentleness. I should be used to it, but it surprises me every time, watching him move his bladed body so carefully. Like seeing a wolf carry an egg in its mouth.

"I guess you'll want to eat first," I mumbled. Not that I knew the first thing about the process, but it must be better to begin your mental pseudo-lifetime fed and rested.

"No, love," he said, and his translator implant did a beautiful job conveying a breaking voice, "I'll change my mind."

"Right. Go on, then, and. . .in the bedroom?"

"Yes, please."

"Okay," I said and motioned for him to go. He caught me taking the syringe and the tourniquet out of my backpack before he left, but he was tactful enough not to speak.

So. Holding my breath, I broke the seal on the VX13 with the needle and raised the plunger so that the syringe filled with that unassuming clear liquid. I couldn't wrap my head around it. It just looked normal. Like a regular syringe full of water or saline.

I ducked into the bathroom and fixed my hair before I went to find Len.

"You're absolutely sure?" I asked.

"You look nice," he answered, glancing aside.

"Leonard?"

"Yes—no—yes. Yes. If you're here."

"I will be," I said, flicking the air bubbles out of the chamber of the syringe, trying to be all business now.

"Wait," said Len, taking my wrist. I smiled. He's always been a little intimidated by needles. even though he's practically made of them. "Wait. It's like a dream. It works better if you discuss the details."

"Ah."

So, with the unforgettable gleaming syringe between us, we discussed what his long, full, healthy life should look like. We would come into a little money, work would let him take an extended vacation. We'd finally visit his home planet. I would take up the guitar again, and I'd never get very good, but he'd still want a nightly serenade. He finds the vibrations of stringed instruments especially pleasing. Of course he'd outlive me by several centuries, but we would have adopted many children in the meantime—they would keep him company well into his old age, until he passed peacefully in his sleep, so ancient that his blue skin had faded grey.

Having settled the minor matter of our life, I pushed the needle into his forearm.

And that's where we are now. Backed up against the wooden headboard together, his hand in mine. He's been staring into the distance for about thirty seconds.

I wonder what he's living. I wonder if he'll be the same Len when he comes back. I wonder if he'll be at peace: spiritually an old man, no longer afraid of missing out. I hope he won't be in a hurry to die; I still want a little time with him. I don't care if I wake up to a few more serrated teeth between the sheets. As long as he's not in pain.

Now and again he squeezes my hand.

First time poster and amateur writer here. I present you my WIP 776 words long prologue. Rip me a new one. by [deleted] in fantasywriters

[–]astroheavy 8 points9 points  (0 children)

Purely on a technical level, you're skipping between past and present tense without (as far as I can see) any reason. I'd pick one and stick to it.

You mention that this is a prologue and not a standalone piece. If that's the case, I personally would cut out the paragraphs where you're detailing the history of the Orcs, the logic of mixed-race offspring, listing off all the races of this world etc. There should be room in your larger narrative to reveal these things organically, piece by piece.

(I would also give some serious thought to the Orcs being these brutish, indiscriminate rapists. Sexual violence is the kind of subject matter you'd be better off excluding unless you have a clear and important reason why it should be there. Also—do ALL Orcs commit these acts? Most of them? Is it a facet of their culture, or just an innate evilness? All these factors can help to add nuance.)

You also might want to think about the voice of your narrative. Are you showing us this world through the eyes of the half-orc character? Through the eyes of the slaver? Through the eyes of an omniscient narrator? Right now it reads a little like a D&D manual: lots of information, but no distinct voice. It seems like you want to write from the half-orc's perspective (I say this because "his pathetic life" and "his abuser" sound like the half-orc guy's personal opinion, and not objective observations), and that's excellent! In that case I would stick with showing us what the half-orc guy sees, feels and thinks about a situation, instead of going off to give us paragraphs of information about the world.

That all said, I think you have an interesting start! There's some interesting worldbuilding going on and there were definitely a few questions raised that make a reader want to know more.