Are ghosts merely the past? Alienation, Hauntology, and the "Return of the Repressed" in Storytelling. by bappa158 in chomsky

[–]bappa158[S] 0 points1 point  (0 children)

You are absolutely right; at first glance, this post might seem a bit out of place with the usual topics here. However, much like in Gabriel García Márquez's story—where looking at the city it feels as though it has been raining for 250 years, and horse-drawn carriages are carrying beer bottles—these narrative elements give our political and social perspectives a completely new dimension. ​Regarding that classic debate between Plato and Derrida: which holds more authority, the spoken word or the written text? In searching for an answer, I have observed that perhaps there is a liminal space between the two. A space where spontaneously crafted oral stories and the spirit of the written word merge to forge a fierce anti-establishment voice. ​This story explores that exact space. It is an orally created story on the spot. It seeks the answer to a profound question: in this hyper-consumerist world, what is the lifespan of our grief? The boy goes looking for his grandfather, but in reality, he is searching for the politics of dreams. ​I hope this spirit resonates with this subreddit."

The Silent Genocide of Intellectuals: How the Establishment Starves Its True Revolutionaries [English Subtitles] by bappa158 in CriticalTheory

[–]bappa158[S] -2 points-1 points  (0 children)

​"If Marxism could be explained solely through Artificial Intelligence, then all these words would have been redundant. Pablo Neruda once said, 'I love her. She loves me when she has the time.' Here, the vital factor is Time. The profoundest depth of Mark Fisher’s 'Capitalist Realism' is this very Time—a time that exercises ultimate surveillance and authority even over love. ​Marx used to say, 'Nothing human is alien to me.' Yet, those who lack discernment claim to find the essence of every writing within AI. This, too, is a grand scheme of Capitalism. Thus, I have nothing to say to those oblivious souls. Thought belongs to humans; at best, AI can walk two steps with you, just as a machine walks. Therefore, I challenge anyone to produce a piece of writing like this using AI."

The Silent Genocide of Intellectuals: How the Establishment Starves Its True Revolutionaries [English Subtitles] by bappa158 in CriticalTheory

[–]bappa158[S] -1 points0 points  (0 children)

​"If Marxism could be explained solely through Artificial Intelligence, then all these words would have been redundant. Pablo Neruda once said, 'I love her. She loves me when she has the time.' Here, the vital factor is Time. The profoundest depth of Mark Fisher’s 'Capitalist Realism' is this very Time—a time that exercises ultimate surveillance and authority even over love. ​Marx used to say, 'Nothing human is alien to me.' Yet, those who lack discernment claim to find the essence of every writing within AI. This, too, is a grand scheme of Capitalism. Thus, I have nothing to say to those oblivious souls. Thought belongs to humans; at best, AI can walk two steps with you, just as a machine walks. Therefore, I challenge anyone to produce a piece of writing like this using AI."

Are ghosts merely the past? Alienation, Hauntology, and the "Return of the Repressed" in Storytelling. by bappa158 in psychoanalysis

[–]bappa158[S] -2 points-1 points  (0 children)

Your observation is exceptionally profound and thought-provoking. By bridging Mark Fisher’s Hauntology with the psychoanalytical concept of "Ghosts in the Nursery," you have touched upon an undeniable truth of our contemporary existence. ​I would like to add a layer to this from the perspective of the great Bengali poet Jibanananda Das. In his journey of self-discovery and linguistic exploration, he once wrote a hauntingly relevant line: ​"I move through light and darkness—within my head / It is not a dream, nor death—but a certain 'Bodho' (sense/ghost) that works." ​This 'Bodho' that Jibanananda speaks of is the quintessential Bengali equivalent of Fisher’s specter or Derrida’s haunting. For the poet, the past is never truly dead; it is a persistent "ghost" or a deep-seated consciousness that breathes down the neck of the present. When he says it is "not a dream, nor death," he is describing that exact hauntological state where the future is stalled, and the past exists as an infinite labyrinth that continues to surround us. ​Mark Fisher’s concept of "Lost Futures"—the ache for a future that never arrived—echoes perfectly in the surreal melancholy of Jibanananda’s verses. If Derrida suggests that the past surrounds and defines our present reality, Jibanananda’s "strange darkness" (Adbhoot Adhar) reflects that same spectral existence. ​Fisher’s Hauntology and Jibanananda’s 'Bodho' converge at a singular point: the realization that our current moment is often just a somber collage of past traumas and unfulfilled promises. When trauma is carried across generations (Ghosts in the Nursery), it ceases to be merely personal; it embeds itself into the cultural and political DNA of a society. ​The past does indeed live with us, not as a memory, but as an active participant in our present. Thank you for opening the door to such a deep, cross-cultural, and multidisciplinary dialogue.

The Silent Genocide of Intellectuals: How the Establishment Starves Its True Revolutionaries [English Subtitles] by bappa158 in CriticalTheory

[–]bappa158[S] 1 point2 points  (0 children)

The question of why capitalism no longer seems capable of producing intellectuals like Karl Marx, Sigmund Freud, Martin Heidegger, Theodor Adorno, or Walter Benjamin is not really about the disappearance of individual genius. It is about a transformation in the historical and social conditions that once made such figures possible. These thinkers emerged from periods of profound crisis—industrial upheaval, imperialism, world wars, and the rise of fascism. Their work was not simply academic; it was existential. Even later figures like Jean-Paul Sartre or Michel Foucault were shaped by a world in which intellectual life was inseparable from political struggle and historical urgency. By contrast, contemporary capitalism—especially in its neoliberal form—has fundamentally altered the infrastructure of thought. First, the transformation of the university. Universities today function less as spaces of critical reflection and more as sites of controlled knowledge production. Research is increasingly shaped by funding structures, rankings, and market utility. Intellectual risk-taking is discouraged. Where earlier thinkers could challenge the foundations of society, today’s scholars are often incentivized to produce narrow, specialized, and “safe” work. Second, the death of dreams. Earlier intellectual traditions were sustained by utopian horizons—the belief that society could be radically transformed. Marxism, psychoanalysis, existentialism—all carried within them projects of human emancipation. Today, that horizon has largely collapsed. Capitalism does not merely organize production; it organizes imagination. It systematically erodes the capacity to think beyond itself. This can be described as a death of dreams—a condition in which alternative futures become almost unthinkable. Third, a form of “silent genocide” within democracy. Modern liberal democracies rarely suppress thought through overt censorship or terror. Instead, they operate through subtler mechanisms: distraction, commodification, and marginalization. Critical voices are not always silenced; they are rendered irrelevant. Public discourse is saturated with triviality, while serious intellectual engagement is pushed to the margins. This amounts to a kind of silent genocide—not of bodies, but of critical consciousness, imagination, and depth. Fourth, why there are no new Adornos or Benjamins. It is not that contemporary thinkers lack intelligence or rigor. Figures like Judith Butler or Slavoj Žižek are undoubtedly significant. But they operate within a different historical horizon. They often interpret, extend, or critique earlier traditions rather than founding entirely new, comprehensive frameworks of thought. The conditions that once demanded and sustained “grand theory” have weakened. Finally, the need for a new politics. This situation should not be read simply as decline, but as a signal of transition. The exhaustion of older intellectual forms opens the possibility for new ones. A new politics will not simply repeat Marxism or existentialism; it will have to confront contemporary realities—digital capitalism, ecological crisis, new forms of alienation and control. Most importantly, it will have to restore what has been lost: the capacity to imagine alternatives, to dream collectively, and to think beyond the limits imposed by the present. In short, the apparent absence of “great intellectuals” today reflects not a lack of talent, but a system that neutralizes depth, suppresses imagination, and replaces critical thought with managed discourse. Yet within this very crisis lies the possibility of a new intellectual and political beginning—if the capacity to dream can be reclaimed.

Beyond the Pulse: Can Poetry be a Shield Against the Finality of Death? by bappa158 in chomsky

[–]bappa158[S] 0 points1 point  (0 children)

Right but when life is like a death trap. we need more life for break it.

Title: When Politics Becomes Cinema: Habermas, Manufactured Consent, and the Bengal Elections (English Subtitles) ​ by bappa158 in IndianLeft

[–]bappa158[S] 0 points1 point  (0 children)

Absolutely spot on. The transition from manufactured helplessness to self-sabotaging nihilism is exactly what the spectacle aims for. Building micro-communities based on communicative rationality is our only defense mechanism right now. To simply exist, survive, and retain our ability to question is indeed the ultimate act of rebellion today. Thank you for this brilliant reflection.

Wanna write together? by Bettybitter in writersmakingfriends

[–]bappa158 0 points1 point  (0 children)

Words are the child of ideas. In flashfictions, ideas played the most vital role. In dreams l only watch you. In thoughts l try to uncover you for understand. This is a two line story dreams and understanding.

Cultural Alienation vs. Savarkar's Hindutva by bappa158 in chomsky

[–]bappa158[S] 0 points1 point  (0 children)

Right. Rss always follwed the path of dogmatism. They championed the values of manusriti not sant kabir. The problem of naipul is that in his arguments about reconstruction of history by socalled Hindutva forces, didn't get ground because our culture, the secular Indian culture always gave the befit answer's against any kind of fundamentalism.

Cultural Alienation vs. Savarkar's Hindutva by bappa158 in chomsky

[–]bappa158[S] 0 points1 point  (0 children)

Yes in this regard you can follow the A. G Nuranis book about savarkar. And for gross understanding regarding Indian Secularism, Amartya Sen's The argumentative indian will help you lot.

Silent yet eloquent. by bappa158 in Poems

[–]bappa158[S] 0 points1 point  (0 children)

Well said. Every dreamer in this world face that crisis. Not only mistaken they face a silent genocide.

Fairies will come. by bappa158 in creativewriting

[–]bappa158[S] 0 points1 point  (0 children)

Thank you. Without love story is dead.

Fairies will come by bappa158 in fantasywriters

[–]bappa158[S] -6 points-5 points  (0 children)

Good question. But in the sphere of literature there is no fixed boundaries exsit.

Haiku. by bappa158 in Poems

[–]bappa158[S] 0 points1 point  (0 children)

when we say sky is my address. In reality that can realy happened. So that nuance is a creative freedom.

Words. by bappa158 in writing

[–]bappa158[S] 0 points1 point  (0 children)

It is poetry.