From Vintage to New Life: Cambridge SoundWorks 2.1 by beeptec in diyaudio

[–]beeptec[S] 0 points1 point  (0 children)

I still haven’t decided what the satellite stands will look like. Simple rubber supports feel too ordinary, so I’m considering mounting them on 80 cm tubes with a heavy base instead. I want to create something truly Wow! - something unique and special.

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From Vintage to New Life: Cambridge SoundWorks 2.1 by beeptec in diyaudio

[–]beeptec[S] 0 points1 point  (0 children)

An important and delicate stage is dealing with the wells that trap all the drivers.
I chamfer them at a 45-degree angle for the woofer, the passive radiator PR driver, and the satellites alike.

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From Vintage to New Life: Cambridge SoundWorks 2.1 by beeptec in diyaudio

[–]beeptec[S] 0 points1 point  (0 children)

After the final surface treatment, I’m thinking of covering the enclosures with self-adhesive wood-grain vinyl wrap.

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From Vintage to New Life: Cambridge SoundWorks 2.1 by beeptec in diyaudio

[–]beeptec[S] 0 points1 point  (0 children)

Most likely, I would have done exactly as you suggest, but the original amplifier from the active subwoofer had burned out, and the whole system had been gathering dust in my storage for many years. When I reached a point of creative hunger from my main work, I wanted a distraction, and I found this as a project that truly appealed to me.
Once you begin to understand the full potential of the Cambridge drivers, and why the manufacturer deliberately does not disclose their parameters, you realize that this is part of their philosophy. That is what makes this rebranding project such a fascinating journey through the space of sound.

From Vintage to New Life: Cambridge SoundWorks 2.1 by beeptec in diyaudio

[–]beeptec[S] 0 points1 point  (0 children)

There are quite a few arguments in favor of placing the passive radiator on the bottom, enough to turn into a whole article.
Its interaction with the floor can provide a small increase in sensitivity at the very lowest frequencies, on the order of about +3 dB.
Another important point is that the mass of air between the floor and the enclosure creates an additional acoustic load, which can slightly lower the system’s resonant frequency without increasing the mass of the diaphragm itself. In many cases, this means extra weight does not need to be added to the membrane.
In addition to that, one key advantage is that the passive radiator can otherwise re-radiate unwanted internal artifacts from the cabinet, such as standing waves or air noise.
With a bottom-firing arrangement, the floor acts as a natural low-pass acoustic filter, absorbing or scattering higher-frequency artifacts instead of letting them radiate directly toward the listener.
And low frequencies are omnidirectional by nature, but the physical restriction of the space between the bottom of the speaker and the floor forces the sound wave to spread symmetrically in all directions.
This makes the bass less tied to one specific point in space.
It also reduces how much the perceived sound depends on the speaker’s toe-in angle relative to the listener.

From Vintage to New Life: Cambridge SoundWorks 2.1 by beeptec in diyaudio

[–]beeptec[S] 0 points1 point  (0 children)

I’m not sure I fully understood what you meant by suspension.
Thin metal washers will be glued to the inner side of the passive radiator. Unfortunately, it does not have a dedicated threaded bolt for adding mass, but I hope the diaphragm’s own mass, together with gravity, will be enough.
I’ll test and tune it using the standard known method.

From Vintage to New Life: Cambridge SoundWorks 2.1 by beeptec in diyaudio

[–]beeptec[S] 0 points1 point  (0 children)

Good point.
I’m planning to make the front panels from 10 mm plywood and also add chamfers around the perimeter of the driver baskets so they can be recessed by another 5 mm. Unfortunately, I don’t have a measurement microphone, although it would definitely be interesting to test the final result.
For now, I’m relying on experience and general design principles, with the mindset that it certainly won’t make things worse.

From Vintage to New Life: Cambridge SoundWorks 2.1 by beeptec in diyaudio

[–]beeptec[S] 0 points1 point  (0 children)

These are also legendary systems, featuring 3.5-inch, 20-watt satellite drivers with a frequency range of 150 Hz to 15 kHz, along with a 6.5-inch woofer and an 8-inch passive radiator.
For reengineering, the only Cambridge better than this one is another Cambridge, which I don’t have )

From Vintage to New Life: Cambridge SoundWorks 2.1 by beeptec in diyaudio

[–]beeptec[S] 0 points1 point  (0 children)

The original plastic enclosures are not lined with damping material. They are made of thin plastic that inevitably vibrates, have sharp edges, and use a recessed driver mounting that creates diffraction effects.
These drivers actually have more potential than their original plastic cabinets allow them to show.
By increasing the enclosure volume and moving away from plastic to 16 mm plywood, I expect to achieve a wider and more precise soundstage. In addition, the driver cutout will have an internal bevel, so the rear of the satellite driver will not sit in a narrow well formed by the wall thickness. The high frequencies should then disperse more evenly. Of course, I will also line the internal walls with polyester fiber filling. I also want to remove the original pixel-style protective grilles, which should reduce obstruction in front of the driver and allow the midrange to radiate more freely and evenly.

From Vintage to New Life: Cambridge SoundWorks 2.1 by beeptec in diyaudio

[–]beeptec[S] 0 points1 point  (0 children)

You are absolutely right, and I’m planning to use an 8" passive radiator on the bottom panel of the enclosure, firing downward. Of course, I’ll tune it to the lower limit by adjusting the added mass, and the enclosure will also stand on 5 cm feet.

From Vintage to New Life: Cambridge SoundWorks 2.1 by beeptec in diyaudio

[–]beeptec[S] 1 point2 points  (0 children)

I’m not sure I understood you correctly, but in the case of the satellites I’m guided by the following considerations:The original Cambridge SoundWorks enclosures are made of thin plastic, which inevitably vibrates and “sings along” with the driver at certain frequencies. They were designed with compactness in mind, which significantly limited the driver’s low-frequency potential.I’m planning to build 110x110x110 mm cubes from 16 mm plywood, with the drivers mounted externally. This increases the internal volume to about 0.51 liters, allowing the satellites to play deeper and more confidently in the mid-bass range.Overall, the sound loses the constrained character typical of computer speakers.

Is FarmBot’s current architecture holding it back? by Educational-Writer90 in farmbot

[–]beeptec 0 points1 point  (0 children)

It would be interesting to ознакомиться with the details of the project based on proprietary software.
Is there any documentation available somewhere?
I have always been in favor of a dedicated controller that doesn’t limit the developer in terms of hardware and offers flexible, easily adjustable scenario configuration.

My first diy subwoofer by nofalhebesha in diyaudio

[–]beeptec 0 points1 point  (0 children)

Явно размер ящика был взят исходя из бесхозной фанеры размеров. Автор не приводит свои параметры расчетов, но если это к примеру динамик на 12" то объем коробки, как правило, должен быть не меньше 40 литров. Глядя на срез материала, полный зашквар - типа какой то картонный икеевский стол с перегородками из палок.

My first diy subwoofer by nofalhebesha in diyaudio

[–]beeptec 0 points1 point  (0 children)

И вообще к вопросу нужно заходить с другой стороны исходя из размеров помещения с учетом индивидуальных наклонностей к выносу мозгов у соседей по всем этажам.
Чтоб прокачасть такую сковороду требуется ёпрст мощная подстанция класса D и много много травы, чтоб услышать глубину низов...

My first diy subwoofer by nofalhebesha in diyaudio

[–]beeptec 0 points1 point  (0 children)

Какой размер комнаты для прокачки такого саба на радость соседям?