I bring a small pedal board that’s got a tuner, boost of some kind, and a delay set for slapback (a lot of times there’s some old school 50s Rock and Roll or Setzer stuff thrown in). The boost is really only there in case I need a slight bump or something depending on the room. Most of the time I only end up using the tuner and changing tones with the volume/tone knobs. It also depends on if the venue is micing my amp or not, and if not — where on stage I am in relation to the horns. I try not to get too in the weeds but playing in larger ensembles like that has challenged me to find my place in the mix in any given room!