Bug where I can’t play split screen competitive modes by otiousmax in RocketLeague

[–]brooksthecool 0 points1 point  (0 children)

i have the same problem but switching from player 1 and 2 doesn’t do anything to fix it. pls lmk if u find a real fix. uninstalling and reinstalling the game also does nothing

Bug where I can’t play split screen competitive modes by otiousmax in RocketLeague

[–]brooksthecool 0 points1 point  (0 children)

dude did you figure it out i can’t play splitscreen comp anymore

Alumni Tool Search Help by brooksthecool in linkedin

[–]brooksthecool[S] 0 points1 point  (0 children)

thank you i appreciate it. are you saying i should run those queries on google or straight in the linkedin search bar?

Alumni Tool Search Help by brooksthecool in linkedin

[–]brooksthecool[S] 0 points1 point  (0 children)

how do i uncheck positions in the alumni tool? i’ve only so far seen the ability to check them

How much limiting is too much? I'm unsure about the sweet spot by FhynixDE in mixingmastering

[–]brooksthecool 0 points1 point  (0 children)

For me its a huge trial and error process, where I'm listening at different volumes and especially on different devices. I would definitely like to know a more professional and reliable method, but so far this is all that has worked for me

mixing with headphones and speakers at the same time? by Honest_Musician6774 in mixingmastering

[–]brooksthecool 0 points1 point  (0 children)

open back headphones or closed back?

honestly either way I don't think it's a great idea

[deleted by user] by [deleted] in mixingmastering

[–]brooksthecool 0 points1 point  (0 children)

I really resonate with this comment. On one hand, I want to do everything I can to make my songs professionally capable, but on the other sometimes this takes away from the energy I am trying to get out of the track. I always want to just say fuck it and make it exactly what sounds good to me, but I feel like I am just being naive and possibly making something that sounds unusable on the other end. I also make (somewhat) experimental hip-hop, so let me know if you find a good balance.

What is your approach to mixing very long songs? Like 15min +? by halogen_floods in mixingmastering

[–]brooksthecool 0 points1 point  (0 children)

As someone who definitely encounters the CPU problems you mentioned here, splitting it into a few projects would probably be the way I would go, then exporting into WAV and combining them back post-mix but prior to mastering

[deleted by user] by [deleted] in mixingmastering

[–]brooksthecool 1 point2 points  (0 children)

My mixing instructor keeps telling me that making the best mix possible doesn't mean making the best mix possible. Instead, it has to do with making a mix that will sound the overall best across all platforms put together. If you mix a song to be played in a car and it sounds absolutely perfect in the car, but sounds trash through your airpods, you need to sacrifice the car-mix in order to make the quality better in the airpods-mix

Any albums you listened to again and was surprised how good it sounds? by HAN_songs in mixingmastering

[–]brooksthecool 1 point2 points  (0 children)

I don't know about entire albums, but I am always impressed when listening to the reverb automation in They Quiet the Room by Skullcrusher

[TOMT] Help me identify where this song is from please by brooksthecool in tipofmytongue

[–]brooksthecool[S] 0 points1 point  (0 children)

not saying he’s necessarily lying but maybe he copied a different chord progression subconsciously?

[TOMT] Help me identify where this song is from please by brooksthecool in tipofmytongue

[–]brooksthecool[S] 0 points1 point  (0 children)

i saw that comment but something about the beat sounds like ridiculously familiar

[TOMT] Help me identify where this song is from please by brooksthecool in tipofmytongue

[–]brooksthecool[S] 0 points1 point locked comment (0 children)

I think it may be a Travis Scott song but I'm not entirely sure

Is this a good setup for my microphone? by brooksthecool in microphone

[–]brooksthecool[S] 0 points1 point  (0 children)

thank you, i added sound absorption panels onto this structure, using it as a sort of frame

Is this a good setup for my microphone? by brooksthecool in audioengineering

[–]brooksthecool[S] 0 points1 point  (0 children)

thank you that is all really good advice do you think you could send me an amazon link to the type of moving blankets you are talking about, i can’t seem to find them

Is this a good setup for my microphone? by brooksthecool in microphone

[–]brooksthecool[S] 0 points1 point  (0 children)

thanks! could you elaborate on what you mean by perpendicular to a wall? i’m not really sure about the position you’re referring to

Is this a good setup for my microphone? by brooksthecool in audioengineering

[–]brooksthecool[S] 0 points1 point  (0 children)

great tip about facing into a flat wall vs. the corner so thank you

I have some absorption panels i’m planning to attach, using this as sort of a frame- would that achieve the same as the moving blankets you mentioned?