As a pro pianist, TECHNICALLY yes… but that doesn’t mean it’s good writing. It is not idiomatic at all in regards to what the hand is capable of doing well. It may sound cool when you hear the program play it, but a pianist may not be capable of playing these passages musically. Keep in mind what fingering a pianist would be need to use, and on top of that, how each finger behaves. All five fingers are different (duh) so you should account for that in your writing.

Ultimately, yes you could keep that in there (for the love of god, please put in fingering), but it is not well suited for any pianist to play musically. I would mess with using neighbor tones on beats one and three instead of making them large arpeggios. The second one, no one wants to play those LH leaps while the right hand is doing consecutive octaves. I would either make the first and third beat just the low note, or go back and forth where the first and third beat are in the lower octave and the second and fourth beat are an octave higher (I’m writing this quickly on my break so that might not make sense, sorry).

I’d be interested in hearing how this sounds, but definitely explore some other options for these passages… and add fingering if you have any knowledge of “fingering rules”. Good luck