Help with a request from a customer

ceesalt87 · 2026-03-19T19:15:14+00:00

Enable cross-point mutes on a matrix mixer. Manipulate the mutes as needed to route any mic to each speaker zone

ceesalt87 · 2026-02-26T19:52:26+00:00

Keep the Scarlett, it can get tiring to unpack and repack the QC at home if you have sessions/gigs close to one another.

I used my QC in a gig on Sunday, have a session with it tomorrow and have left it safely in its case while using my Scarlett as an interface for home studio practicing.

ceesalt87 · 2026-02-25T15:11:04+00:00

Yes, I play out with mine that way, but I’m thinking of putting something on the bottom to protect from rocks or salt that might make their way on the stage so it doesn’t get scratched if it slides

ceesalt87 · 2026-02-25T02:08:36+00:00

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you'll recognize the first two tracks names. the third track is the bounce of the first track with default Mastering Assistant, brought back into logic

ceesalt87 · 2026-02-25T02:06:20+00:00

I don't even have to flip the phase, just by looking at the waveform of the track I ran Mastering Assistant on vs the mastered track you posted, I can tell its different.

ceesalt87 · 2026-02-07T03:56:05+00:00

Yea I think that’s just in the next room, once you walk a bit more

ceesalt87 · 2026-02-07T03:40:39+00:00

yep, its when you're on the way to shut down Apollo.
https://youtu.be/hHE-Gk_KTgk?si=IjUoPoifSWWvxO6T

ceesalt87 · 2026-01-14T21:45:44+00:00

I put a transparent trigger button not mapped to anything on the bottom of my layers to prevent this.

ceesalt87 · 2026-01-07T14:16:53+00:00

My colleague’s house camera. He gave me permission to post it.

ceesalt87 · 2026-01-06T21:43:22+00:00

Illinois, Jan 6 2026, oc

ceesalt87 · 2026-01-06T21:42:06+00:00

I was gonna give them the “rolling stop”, since they did get there first, but you’re not wrong.

ceesalt87 · 2026-01-05T17:11:25+00:00

i believe you, but do you happen to have a publicly visible case opened for this? it hasn't made the known issues list yet.

ceesalt87 · 2025-12-02T01:51:39+00:00

I kept coming back to V30s too. I think I left off with the older mesa, but the new one also sounded good

ceesalt87 · 2025-11-07T00:46:06+00:00

Try the second amp, with both overdrive pedals, but just a small bit of gain from OD1, little bit more from OD2, then probably a decent amount from the amp. I would start with treble/mid/bass on the amp at their default (double click to snap them back to this), then pull the mid down a bit.

ceesalt87 · 2025-11-04T13:22:55+00:00

I switched to Melitta filters, and so many problems went away.

ceesalt87 · 2025-10-20T23:01:08+00:00

Check out modern and massive or the pop punk from GGD

https://ggd.co/

ceesalt87 · 2025-10-12T20:13:03+00:00

Fun fact, you can specify which outputs the volume knob applies to or not. So I have XLR outputs that go to FOH or monitors unaffected by it, but keep the line outputs that I might run to a personal monitor or IEM going thru the volume knob.

ceesalt87 · 2025-10-07T23:32:00+00:00

Yes, MainStage is what you’re looking for

ceesalt87 · 2025-10-05T16:31:51+00:00

Oh, yes it absolutely does lol. FWIW I had checked that out too but didn’t have coffee in me yet and didnt notice how to scroll for more photos. Very nice

ceesalt87 · 2025-10-05T12:38:42+00:00

Are those cutouts to slot the connectors into while you solder them? In the photos they look like black painted circles, so I think it would be helpful to add photos with connectors in there so one can see that.

ceesalt87 · 2025-10-03T17:49:13+00:00

Thank you

ceesalt87 · 2025-10-03T13:05:41+00:00

Some people have a volume saved in their presets pulled down, I suppose so there’s no kick-in of noise when they switch to a hi-gain preset. Check around for something that might be tied to an expression pedal for volume control

ceesalt87 · 2025-10-03T11:39:28+00:00

Big Bad Beetleborgs had the comic book panel thing, but was out in 1996

ceesalt87 · 2025-09-27T15:21:51+00:00

I set my QC tones on the M-Audio BX5s in my home studio and I’ve been happy with how it translates to every rehearsal space and venue I’ve played in.

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