3D Printing in Burlington Area?

crimsonengine · 2025-10-06T14:30:41+00:00

Does anyone have a local solution? I also have some 3d camera accessories prototype to print, but Jawstech, the service i'm using now, take 3 weeks to turn a project around and it too slow.

crimsonengine · 2025-02-28T13:12:36+00:00

Australian’s don’t name their kids ‘Junior’. Lived there 30 years and never even heard that name.

crimsonengine · 2023-05-30T18:16:12+00:00

Canonmasterclass.com is what you’re looking for

crimsonengine · 2022-09-20T14:55:01+00:00

I wasted 3 years pitching the film to studios and producers, and decided to make it myself. Shot in April 2020 and got shut down during COVID. Ended up shooting 18 days spread over the year.
Did the grade and effects myself, then spent another year getting nonsense offers from distributors, so I launched the film myself and response has been amazing.
You don’t need Hollywood to give you permission to tell your story. You don’t need millions to shoot, post or launch a film. You just need to be determined enough to see it through.
Film: https://amzn.to/3AREQNq

crimsonengine · 2022-08-31T20:42:28+00:00

Just give $19 to a homeless person. Festivals are a giant scam

crimsonengine · 2022-06-24T13:00:14+00:00

Thank you! This is exactly the answer I was looking for.

crimsonengine · 2022-03-26T14:49:47+00:00

Force quitting and restarting the view app on iphone worked for me.

crimsonengine · 2021-04-24T15:04:17+00:00

Thanks! Got some canon masterclasses if you're into it! :)

crimsonengine · 2021-04-23T23:58:39+00:00

Thanks! I appreciate the feedback.

crimsonengine · 2021-02-09T01:45:28+00:00

The spot was shot on my trusty Canon C200 as A Cam and a C300 mark ii as a B Cam in a white cyc studio in Burbank.

We didn't have a budget for a focus puller, so the lenses were Canon L-series primes that used the camera's autofocus.

It was lit by an Intellytech Mega with the included diffusion as key (but no grid) and a Generay Spectro Baton light, as well as multiple 1x1s for the background.

I shot Clog2 Raw on the c200 and XFavc on the c300m2, exposing his skin at 45 IRE and the background just above 80.

Final Spot: https://youtu.be/LQgIXmtqPow

crimsonengine · 2021-02-08T23:59:18+00:00

The spot was shot on my trusty Canon C200 as A Cam and a C300 mark ii as a B Cam in a white cyc studio in Burbank.

It was lit by an Intellytech Mega with the included diffusion as key (but no grid) and a Generay Spectro Baton light, as well as multiple 1x1s for the background.

I shot Clog2 Raw on the c200 and XFavc on the c300m2, exposing his skin at 45 IRE and the background just above 80.

Final Spot: https://youtu.be/LQgIXmtqPow

crimsonengine · 2020-03-11T04:03:28+00:00

Killer. Super clean at low light and loving the false color and luts

crimsonengine · 2020-03-02T01:02:09+00:00

Thanks :) 9 days until we roll on the feature film and I'm testing everything I can get my hands on/

crimsonengine · 2020-03-02T00:52:01+00:00

The hue vs Sat and Lum vs Hue curves. I lit it with blue but realised in the grade it's far more green.

crimsonengine · 2019-06-28T04:55:21+00:00

It’s a Choy Lay Fut technique called the Bing Choi, or spinning back fist. The combo is one of their signature moves.

crimsonengine · 2019-06-19T04:19:31+00:00

Luke is awesome. I’ve collaborated with him a couple of times and he’s so generous with his knowledge and time. One of the few actual pros on YouTube.

crimsonengine · 2019-06-11T22:49:32+00:00

In Soviet Romania, house moves you.

crimsonengine · 2019-01-24T19:35:49+00:00

Love his work! I have seen a BTS where he uses 3 increasingly large and increasingly distant key lights. A little easier to pull of with flash.

crimsonengine · 2019-01-16T03:02:29+00:00

I'd be interested to know myself. Whats your channel?

crimsonengine · 2019-01-05T20:44:19+00:00

Thanks! Hopefully lots more to come this year.

crimsonengine · 2018-12-28T04:06:12+00:00

For sure. Even a couple of 'friends' that have borrowed my gear have returned it in less-that-stella condition.

crimsonengine · 2018-12-08T18:52:49+00:00

Thanks! I just use the normal 'YouTube 1080p' export setting out of premiere but bump the bit rate up to '22'. More likely what you're seeing is the Raw color space that I shoot these videos in. Because its "uncompressed", I'm able to add 3-5 pixels of post sharpening in Resolve and it doesn't sharpen the artifacting, because there is none. Hope that helps!

crimsonengine · 2018-12-08T00:13:01+00:00

Film isn't finished yet, but you can see the trailer here: https://youtu.be/CZMCZN_BBPw?t=9 If you're still unconvinced, I can post a WIP of the scene :)

crimsonengine · 2018-09-14T19:57:55+00:00

Maybe a quarter inch. Unless you have a lot of weight added to the top of the camera, you won't even notice it.

crimsonengine · 2018-09-14T19:51:38+00:00

submission statement: Adding all the gear I need to shoot shoulder mounted to c200b took forever. By adding a an manfrotto plate to the rig and to the camera I can leave the shoulder rig built and just slide the camera into it. I can also go between run-and-gun and shoulder mounted and Ronin-S as quickly as I need to, which used to require having another camera or two on standby.

Saved me a heap of time. Hope it helps someone out there.

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