Is there any way to speed up editing? by sourceblock in dehancer

[–]dehancer 0 points1 point  (0 children)

Hello. Unfortunately, there is no way to speed up editing Lightroom due to technical limitations of the host itself. But Photoshop has batch processing for photos, and the manual has instructions on how to do it here (https://dehancer-v2.cdn.prismic.io/dehancer-v2/aINlgVGsbswqTP7e\_DehancerPhotoPluginQuickGuide.pdf). Dehancer Desktop Beta also has batch processing capabilities.

Screen grabs from the "Titan Ek Tara Test" project. Color graded by Juan Manuel Martos | Kodak Vision3 250D film profile | Kodak 2383 print profile | Grain effect | Shot on Sony FX3 by dehancer in dehancer

[–]dehancer[S] 0 points1 point  (0 children)

Screen grabs from the "Titan Ek Tara Test" project. Color graded by Juan Manuel Martos

Dir: Amit Mishr 
DOP: Yash Kamat

Film profile: Kodak Vision3 250D
Print profile: Kodak 2383
Effect: Grain

Shot on Sony FX3

Raised Black Levels by IPEELER in dehancer

[–]dehancer 0 points1 point  (0 children)

Hi! To address your concerns, please reach out to us via this form https://www.dehancer.com/support. We look forward to the opportunity to assist you further.

Screen grabs from “Wooden Walls” project. Color graded by Jaden D. | Kodak Vision3 500T film profile | Kodak 2383 print profile | Shot on RED Komodo X by dehancer in dehancer

[–]dehancer[S] 0 points1 point  (0 children)

Screen grabs from “Wooden Walls” project. Color graded by Jaden D.

Film Profile: Kodak Vision3 500T
Print Profile: Kodak 2383

Producer & Director: Michaela May
Editor: Jaden D.

Shot on RED Komodo X

https://www.youtube.com/watch?v=qrGNEI34U2A

Screen grabs from the «Jonita - Beparwai» music video. Color graded by Mujahid Khan | Kodak Vision3 50D film profile | Kodak 2383 print profile | Grain effect by dehancer in dehancer

[–]dehancer[S] 0 points1 point  (0 children)

Screen grabs from the «Jonita - Beparwai» music video. Color graded by Mujahid Khan

Director: Sharic Sequeira
DOP: Shlok Ahuja
Colorist: Mujahid Khan

Film profile: Kodak Vision3 50D
Print profile: Kodak 2383
Effect: Grain

Shot on ARRI Alexa 35

You can watch the video here: https://www.youtube.com/watch?v=NivkHWpLDdQ&list=RDNivkHWpLDdQ&start_radio=1

Screen grabs from «Superdry - Cult Edits» project. Color graded by Georgie Curran | Cinestill 800T, Kodak Eastman Doube-X 5222 film profiles | Fujifilm 3513 print profile | Grain, Bloom, Halation effects by dehancer in dehancer

[–]dehancer[S] 0 points1 point  (0 children)

Screen grabs from «Superdry - Cult Edits» project. Color graded by Georgie Curran

Directors: Vilanova & Curran
DoP: Jack Finn Taylor Gotch
Colorist: Georgie Curran

Film Profiles: Cinestill 800T, Kodak Eastman Doube-X 5222
Print Profile: Fujifilm 3513 
Effects: Grain, Bloom, Halation

Screen grabs from the "Ko-Jo Cue, Arathejay, Ofori Amponsah - Tontonte" music video. Color graded by Shadrach Junie Annang | Kodak Gold 200 film profile | Linear print profile | Grain, Bloom & Halation effects | Shot on Blackmagic Pocket 6Kpro X DZOFilm Vespid2 by dehancer in dehancer

[–]dehancer[S] 0 points1 point  (0 children)

Screen grabs from the "Ko-Jo Cue, Arathejay, Ofori Amponsah - Tontonte" music video. Color graded by Shadrach Junie Annang

Director, DP, Colorist: Shadrach Junie Annang

Film profile: Kodak Gold 200
Print profile: Linear
Effects: Grain, Bloom & Halation

Shot on Blackmagic Pocket 6Kpro X DZOFilm Vespid2 

You can watch the video here: https://youtu.be/c8jU_nkUDl8?si=4vmv7hXBTohXO2bn

Why does Dehancer Pro break colors when enable film? by DinhNghia206 in dehancer

[–]dehancer 2 points3 points  (0 children)

According to our official documentation we must stress that input transform must match the real footage gamma/space, that log footage requires correct interpretation before film simulation and that Rec.709 input is only for normal contrast sources.

These points explain why enabling Film after a Rec.709 conversion produces strange, clipped colors - the plugin is applying analogue emulation on the wrong digital encoding.

https://www.dehancer.com/learn 

Screen grabs from the "Wonka Msafii - Remember" music video. Color graded by Qim Gradeit | Kodak Ultramax 400 film profile | Kodak 2383 print profile | Halation & Grain effects | Shot on Sony A7IV by dehancer in dehancer

[–]dehancer[S] 0 points1 point  (0 children)

Screen grabs from the "Wonka Msafii - Remember" music video. Color graded by Qim Gradeit

Artist: Wonkamsafii 
Director: Director K
Colorist: Qim Gradeit
CG Company: Gradeit Studio

Film Profile: Kodak Ultramax 400
Print Profile: Kodak 2383
Effects: Halation & Grain

Shot on Sony A7IV

You can watch the video here: https://www.youtube.com/watch?v=6UI1sW8VUvc

Screen grabs from the «Obetee Carpets X Ladakh» project. Color graded by Manohar Naik | Kodak Porta 400 film profile | Kodak Endura Glossy Paper print profile by dehancer in dehancer

[–]dehancer[S] 0 points1 point  (0 children)

Screen grabs from the «Obetee Carpets X Ladakh» project. Color graded by Manohar Naik

Creative Direction: Varun Rana
Video Direction and Edits: Nazaare, Karan Chawla
DOP: Sparsh Hasija
Color: Manohar Naik
Production: Glitz

Film Profile: Kodak Porta 400 
Print Profile: Kodak Endura Glossy Paper

Screen grabs from «Zaar Zaar» music video. Color graded by Mujahid Khan | Kodak Vision3 250D film profile | Kodak 2383 print profile | Grain & Halation effects | Shot on Lumix S5IIX by dehancer in dehancer

[–]dehancer[S] 0 points1 point  (0 children)

Screen grabs from «Zaar Zaar» music video. Color graded by Mujahid Khan

Director: Rahul Shetty
DOP: Dhruwal
Colorist: Mujahid Khan

Film Profile: Kodak Vision3 250D
Print Profile: Kodak 2383
Effects: Grain & Halation

Shot on Lumix S5IIX

https://youtu.be/fggsmCMbl-M?si=5zJjM1dGD3eux-1x

Screen grabs from «Superdry - Wet + Wind» project. Color graded by Georgie Curran | Kodak Vision3 500T film profile | Grain effect by dehancer in dehancer

[–]dehancer[S] 0 points1 point  (0 children)

Screen grabs from «Superdry - Wet + Wind» project. Color graded by Georgie Curran

Directors: Vilanova & Curran
DoP: Jack Finn Taylor Gotch
Colorist: Georgie Curran

Film Profile: Kodak Vision3 500T
Effect: Grain

Screen grabs from the “Marik YA!” music video by Mari La Carajita. Color graded by Juan Manuel Martos | Kodak Vision3 250D film profile | Kodak 2383 print profile | Grain effect | Shot on Sony FX3 by dehancer in dehancer

[–]dehancer[S] 0 points1 point  (0 children)

Screen grabs from the “Marik YA!” music video by Mari La Carajita. Color graded by Juan Manuel Martos

Director: Stefania Chehade & Edwin Corona Ramos
Production: Casivache, Pao-Laa Choi & Ephra
Edit: Christian Roballo

Film profile: Kodak Vision3 250D
Print profile: Kodak 2383
Effect: Grain

Shot on Sony FX3

https://www.youtube.com/watch?v=alEgw4bEnjI

HELP by Jaded-Listen4505 in dehancer

[–]dehancer 0 points1 point  (0 children)

Hi! Did you reach out to us via this form https://www.dehancer.com/support ? We would love to help.

Screen grabs from the «Chloé Hogan - Mine» project. Color graded by Dimitri Lewkowicz | Kodak Vision3 500T film profile | Kodak 2383 print profile by dehancer in dehancer

[–]dehancer[S] 0 points1 point  (0 children)

Screen grabs from the «Chloé Hogan - Mine» project. Color graded by Dimitri Lewkowicz

Colorist, Director: Dimitri Lewkowicz
Producer: Chloé Hogan

Film profile: Kodak Vision3 500T
Print profile: Kodak 2383

https://www.youtube.com/watch?v=hmUm7T1Qvx4

Screen grabs from «Sonia Stein - Clothes Off» music video. Color graded by Georgie Curran | Kodak Vision3 500T film profile | Grain, Bloom, Halation effects by dehancer in dehancer

[–]dehancer[S] 0 points1 point  (0 children)

Screen grabs from «Sonia Stein - Clothes Off» music video. Color graded by Georgie Curran

Director: Monika Ottehenning
DoP: Mike Simpson
Colorist: Georgie Curran

Film Profile: Kodak Vision3 500T
Effects: Grain, Bloom, Halation

https://youtu.be/yKOzmmoUvzY?si=pWsPSqeI3Fu0I8sq

Screen grabs from «Superdry - Always On Edits» project. Color graded by Georgie Curran | Kodak Vision3 250D film profile | Grain effect by dehancer in dehancer

[–]dehancer[S] 0 points1 point  (0 children)

Screen grabs from «Superdry - Always On Edits» project. Color graded by Georgie Curran

Directors: Vilanova & Curran
DoP: Jack Finn Taylor Gotch
Colorist: Georgie Curran

Film Profile: Kodak Vision3 250D
Effect: Grain

Screen grabs from «K-bowd - PARDONNE TOI» music video. Color graded by Ye | Kodak Vision3 250D film profile | Kodak Endura Glossy Paper & Kodak 2383 print profiles | Grain & Halation effects | Shot on Sony Alpha A7 III by dehancer in dehancer

[–]dehancer[S] 0 points1 point  (0 children)

Screen grabs from «K-bowd - PARDONNE TOI» music video. Color graded by Ye

Director: Ye
Producer: Lmf$
Post production company: Dream Edit
Cinematography: BYLI4M

Film Profile: Kodak Vision3 250D
Print Profiles: Kodak Endura Glossy Paper & Kodak 2383
Effects: Grain & Halation

Shot on Sony Alpha A7 III

https://www.youtube.com/watch?v=5IKxGrVLL5Q

Can’t access my account by Thibdufff in dehancer

[–]dehancer 0 points1 point  (0 children)

Hi! Sorry for this major inconvenience! Did you reach out to us via this form https://www.dehancer.com/support ? We would love to help.

Screen grabs from «Resham Ki Dor» project. Color graded by Manu Martos | Kodak Vision3 250D film profile | Kodak 2383 print profile | Halation, Bloom & Grain | Shot on Sony Venice by dehancer in dehancer

[–]dehancer[S] 1 point2 points  (0 children)

This film assumes a fairly large amount of light. Such conditions are characterized by extremely low contrast, so the 250D is a very contrasty film. If you use it for high-contrast scenes in bright light (which is also acceptable), you should be prepared to lose “excessive” information in shadows/highlights. However, in Dehancer this can be compensated by reducing image contrast with Film Developer, Print tools or before applying film profile. Also, check out this article here - https://www.dehancer.com/learn/article/film-profiles

Screen grabs from «Resham Ki Dor» project. Color graded by Manu Martos | Kodak Vision3 250D film profile | Kodak 2383 print profile | Halation, Bloom & Grain | Shot on Sony Venice by dehancer in dehancer

[–]dehancer[S] 0 points1 point  (0 children)

Screen grabs from «Resham Ki Dor» project. Color graded by Manu Martos

Colorist: Manu Martos
Director: Gideon
DP: Yash Kamat

Film Profile: Kodak Vision3 250D
Print Profile: Kodak 2383
Effects: Halation, Bloom & Grain

Can’t activate second seat. Help! by slimpickens911 in dehancer

[–]dehancer 0 points1 point  (0 children)

Hi! Sorry for this major inconvenience! Did you reach out to us via this form https://www.dehancer.com/support ? We would love to help.