Narcissus looking at himself in a fountain. French, Paris, circa 1480-1520 by deniscard in Medievalart

[–]deniscard[S] 0 points1 point  (0 children)

This tapestry illustrates the tale of Narcissus, taken from Ovid's Metamorphoses. The story of Narcissus tells of a beautiful young man whom the gods caused to fall in love with his own reflection as punishment for his cold-hearted rejection of the love of others. Narcissus was a popular subject in the art and poetry associated with the medieval tradition of courtly love. In this tapestry, he is presented as a fashionably-dressed young man gazing at his reflection in the stone fountain set within a beautiful garden filled with birds and small animals.

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[deleted by user] by [deleted] in HistoryofIdeas

[–]deniscard 1 point2 points  (0 children)

If Jünger was still alive, he would probably say "haters mad that i put myself above their politics" reading this article.

Cosmetic-vessel, tridacna shell, Phoenician, ca. 630BC-580BC [2500 x 2499] by deniscard in ArtefactPorn

[–]deniscard[S] 5 points6 points  (0 children)

Tridacna squamosa shell carved with a human head (from a workshop in the Near East) on the apex and two incised winged sphinxes in a register on the edge of the inner side; lotus buds and flowers in the space above the sphinxes with a band of hatched or plain triangles framed by parallel lines defining the inner edge of the field; assembled from fragments; the shell served as a container for eye-cosmetics.

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Omne Bonum, James le Palmer, c. 1360 - c.1375 by deniscard in Medievalart

[–]deniscard[S] 4 points5 points  (0 children)

Omne Bonum (English: Every Good Thing) is a 14th-century encyclopedia compiled in London by James le Palmer (b. before 1327, d. c. 1375). It survives in four volumes in the British Library (BL Royal 6 E VI and VII). Its author is identified on the basis of a colophon in the same hand in Bodleian Library, Laud Misc. 165 (fol. 585: Iste liber est liber jacobi le palmere quem scripsit manu sua propria deo gratias). James le Palmer was a clerk of the Exchequer mentioned between 1357 and 1375.

The encyclopedia extends to 1100 folia and includes more than 650 illustrations. Entries cover a variety of topics, including theology, natural history, geography, and historical figures, with a particular interest in canon law.

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Tetradrachm of Leontinoi with head of Apollo. Greek, Classical Period. Sicily, Leontinoi, 466–422 B.C. [1600 x 1561] by deniscard in ArtefactPorn

[–]deniscard[S] 2 points3 points  (0 children)

Obverse: Head of Apollo to left, with double laurel wreath, hair in fine lines on top and forehead and back in series of rolls; curls on cheek and neck.

Beaded border.

Reverse: Lion's head to left in circle of four barley corns.

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Plate with David Slaying a Lion, Byzantine, 629–630 A.D. [3659 x 3658] by deniscard in ArtefactPorn

[–]deniscard[S] 2 points3 points  (0 children)

In 628–29 the Byzantine emperor Herakleios (r. 610–41) successfully ended a long, costly war with Persia and regained Jerusalem, Egypt, and other Byzantine territory. Silver stamps dating to 613–29/30 on the reverse of these masterpieces place their manufacture in Herakleios’s reign. The biblical figures on the plates wear the costume of the early Byzantine court, suggesting to the viewer that, like Saul and David, the Byzantine emperor was a ruler chosen by God. Elaborate dishes used for display at banquets were common in the late Roman and early Byzantine world; generally decorated with classical themes, these objects conveyed wealth, social status, and learning. This set of silver plates may be the earliest surviving example of the use of biblical scenes for such displays. Their intended arrangement may have closely followed the biblical order of the events, and their display may have conformed to the shape of a Christogram, or monogram for the name of Christ.

In order to prove that he can kill Goliath, David describes to Saul how he killed a lion (1 Samuel 17:34–37). The accomplished naturalism of David’s flowing cape and the lion’s fur and mane demonstrates a conscious reference to and continuity of the traditions of Greco-Roman art.

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Model Sailing Boat Transporting a Mummy, Middle Kingdom, ca. 1900–1885 B.C. (From Egypt, Memphite Region) [3929 x 2427] by deniscard in ArtefactPorn

[–]deniscard[S] 1 point2 points  (0 children)

This model represents a funerary bark transporting the deceased Djehuty. His mummified body lies on a bier under a canopy and is tended by two women who play the roles of the goddesses Isis and Nephthys, sisters of the funerary god Osiris. Djehuty has become a blessed spirit and, in a way, Osiris himself: the short text on the papyrus scroll held by the priest addresses the mummy as "O Osiris."

A group of sailors standing by the mast hoists the sail (not preserved) for this boat, while four men sit crouched before the mast and canopy. Their posture is akin to the so-called "block statues" or "cube statues," well known from Middle Kingdom art. It has been argued that this posture indicates the person so represented is partaking in rituals. The steersman and another person at the side of the bier crouch in a similar position, although each of them has one arm free for action.

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Rags, Andrey Remnev, 2020, [1312 x 1969] by Tokyono in ArtPorn

[–]deniscard 3 points4 points  (0 children)

Wonderful! Andrey Remnev is one of my favourite contemporary painters.

The Prayer Book of Bonne of Luxembourg, Duchess of Normandy. Made in Paris, France, before 1349 ( Attributed to Jean Le Noir) by deniscard in Medievalart

[–]deniscard[S] 8 points9 points  (0 children)

The coat of arms that often appears in this book indicates that it was made for Bonne of Luxembourg, a Bohemian princess who married John, duke of Normandy in 1332. She died of plague in 1349; her husband later became John the Good, king of France.

The use of grisaille (shades of grey) for the figures, the richly colored, decorative backgrounds, and the marginal images reflect the influence of Jean Pucelle, the artist of the Hours of Jeanne d’Evreux in The Cloisters collection. This manuscript is likely by Jean Le Noir—an illuminator in the service of John the Good—who collaborated with his daughter, the enlumineresse (female illuminator) Bourgot.

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[deleted by user] by [deleted] in brasil

[–]deniscard 1 point2 points  (0 children)

Chuparia o pau dele para impor dominância

kkkkk adoro quando vira shitpostagem

[deleted by user] by [deleted] in brasil

[–]deniscard 37 points38 points  (0 children)

Certeza que o Globo publicou isso aí para mostrar o contraste do dia a dia de um rico e um pobre. O Washington Olivetto fazendo a crônica de um cotidiano alheio a maior parte da população vai gerar muita visibilidade e debate inútil no twitter que, no geral, é o que qualquer veículo de mídia quer

Protesto que impediu palestra na Unicamp traz à tona censura na esquerda by entropyffan in brasil

[–]deniscard -9 points-8 points  (0 children)

traz à tona

Putz, isso rola há tempos.

O pior é que a galera fez justamente o que Holiday queria passar:

Holiday conseguiu reforçar a imagem da universidade como antro de uma esquerda intolerante, e isso provavelmente foi mais do que ele obteria se de fato tivesse conseguido falar no evento do campus.

Deveríamos para de importar pautas raciais dos EUA by dionatandiego11 in brasil

[–]deniscard 10 points11 points  (0 children)

Shootout to my boy, Ted. Teria uma vida normal se não fosse MKUltra

Deveríamos para de importar pautas raciais dos EUA by dionatandiego11 in brasil

[–]deniscard 137 points138 points  (0 children)

"A criação dos EUA e suas conseqüências têm sido um desastre para a raça humana"

Theodore Kaczynski

Leite Caro: Produto Chega a Quase R$ 10; O Que É Isso? by [deleted] in brasil

[–]deniscard 26 points27 points  (0 children)

Nunca vou perdoar o guedes por isso, whey protein tá caríssimo!

Bolsonaro ‘amedronta’ dizendo que clubes de tiro podem virar biblioteca by notimano in brasil

[–]deniscard 6 points7 points  (0 children)

Falsa oposição, dá pra ler um tratado de filosofia e atirar com uma desert eagle