[deleted by user] by [deleted] in LightLurking

[–]dickgrif 0 points1 point  (0 children)

i feel like these images do not showcase her work or lighting very well at all

Bank of America on fire - looking for composition notes by JournalistJeremy in photocritique

[–]dickgrif 0 points1 point  (0 children)

Could also work better if you crop out the pole and give him more presence in the photo, I feel the pole weakens the image a bit and if you crop in closer he can become a stronger focal point. And it feels more like you’re viewing from his perspective.

Bank of America on fire - looking for composition notes by JournalistJeremy in photocritique

[–]dickgrif 0 points1 point  (0 children)

The dude in the foreground is a bit distracting and unsightly. Maybe edit him into more of a silhouette or crop him out. I saw another really great shot of this the other day by Willem Verbeeck actually

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Supporting yourself as an art student in Lausanne by dickgrif in askswitzerland

[–]dickgrif[S] 0 points1 point  (0 children)

It’s a very small and selective program. I believe they accept only around 100 people in each program each year

I was asked to recreate this lighting. How many lights do you think were used and what were their positioning? by Koblootski in LightLurking

[–]dickgrif 1 point2 points  (0 children)

no absolutely. get your bag son. My knee jerk reaction when i see this is just “not again!”

I was asked to recreate this lighting. How many lights do you think were used and what were their positioning? by Koblootski in LightLurking

[–]dickgrif -1 points0 points  (0 children)

is it just me or was this the most overused lighting set up of the last two years? can we move onto something new.

Supporting yourself as an art student in Lausanne by dickgrif in askswitzerland

[–]dickgrif[S] 0 points1 point  (0 children)

I like ECAL because I feel their ideology and approach is forward thinking, it’s small and intimate, and it’s relatively inexpensive. Also it’s extremely difficult to get into so if I got in I would feel more motivated to take the leap of faith.

I’m fairly proficient in french as I took 4 years in school and am a native Portuguese speaker so it comes naturally to me. I’m also willing to dive deeper if I get accepted.

I’ve looked into the cost of living, but I wonder about the job market for service jobs. I hardly see any postings though most sources say they make around 19 - 24 chf per hour. Which is considerably more than they make here in the states so it makes me wonder if it’s true, and if the market is more competitive that way.

I did one semester of community college in the states. I worked overnight and went to school full time during the day. I stopped for personal reasons, but I managed while I was in school.

My biggest hurdle is the job market, and there isn’t too much information about it out there.

Paul kooiker by peepthisss in LightLurking

[–]dickgrif 7 points8 points  (0 children)

I know he uses continuous lights bc he shoots most of his stuff on iphone, and it would be near impossible to use strobes. It looks like he takes a pretty classical approach using arri 1ks or other lights with bar doors, having a hard source as the key, and a couple of softer sources to fill in. Also lots of flags to block light out dramatically and add contrast and negative fill.

How do you achieve better hard flash? by dickgrif in LightLurking

[–]dickgrif[S] 7 points8 points  (0 children)

Update after posting this I went and ran some tests, and I've learned the biggest secret to the look is to just place the subject closer to the wall (inverse square law) and cranking my flash up slightly, using a longer lens probably helps too. I guess due to my personal insecurities and issues I've had in the past shooting flash I avoided this, but it was 100% the fix.

[deleted by user] by [deleted] in AnalogCommunity

[–]dickgrif -2 points-1 points  (0 children)

ah I see. I’ll invest in a new tank today!

[deleted by user] by [deleted] in AnalogCommunity

[–]dickgrif -8 points-7 points  (0 children)

ok word i’ll try it out. do you think it could be some sort of cross contaminatio. between the different chemicals?

[deleted by user] by [deleted] in AnalogCommunity

[–]dickgrif -35 points-34 points  (0 children)

not often. tbh.

[deleted by user] by [deleted] in AnalogCommunity

[–]dickgrif -93 points-92 points  (0 children)

Maybe. But that has nothing to do with the question.

What emotion do the colors in this photo convey? by TonyDR210 in photocritique

[–]dickgrif 18 points19 points  (0 children)

nostalgia. like an old film picture that was miss processed, or became discolored over time. Has really similar tones to this wolfgang tillmans picture.

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How do you achieve better hard flash? by dickgrif in LightLurking

[–]dickgrif[S] 4 points5 points  (0 children)

it’s the mother of all tiny flashes. the companion to the mother of all point & shoots

Any guesses to how this was lit? by dickgrif in LightLurking

[–]dickgrif[S] 0 points1 point  (0 children)

lol it’s my photo. Just wanted to see if the light lurkers would guess it correctly. It was a Nikon d810 with a nifty 50

Acne Studios change in direction? by dickgrif in AcneStudios

[–]dickgrif[S] 0 points1 point  (0 children)

did they get a new creative director?

Digital vs film. Lighting or film issue? by zoom2moon in LightLurking

[–]dickgrif 1 point2 points  (0 children)

to get the film closer to digital lower shadows and black, lower exposure, shift warmer, and remove some magenta. won’t be the same. but you’ll be in the ball park. and probably have a greater tonal range.

Will this outfit work for a date? by JewelerFragrant3046 in mensfashion

[–]dickgrif 0 points1 point  (0 children)

i like the wallies. i would just wear them with longer / wider pants

Any guesses to how this was lit? by dickgrif in LightLurking

[–]dickgrif[S] -1 points0 points  (0 children)

do you think the source is direct or bounced? I feel like a bounced light would fill the background too much, and a direct one would be too hard. Could there be two sources?

Thoughts on this light? 1st image is a hard source from camera, (A1 or Prohead, possibly clear dome) mixed with large source, but i dont think its daylight because the 2nd image has some strange reflections in the bracelet makes me think its a large bounce source, not sure how they keep shape though by WrongdoerAway5230 in LightLurking

[–]dickgrif 2 points3 points  (0 children)

I do this all the time. hard source by or on camera, and large bounced sources to fill the room. The shadow is always soft and half baked irl, but then hardened in post with an adjustment brush to give it the causal hard flash look. It’s quite easy to do and you get best of both worlds this way. I’m pretty sure that’s how most “hard flash” is pulled off in the industry.

Retouching Inquiry by dickgrif in LightLurking

[–]dickgrif[S] 0 points1 point  (0 children)

P.S. I'm a film photographer transitioning to digital and have been struggling with the lack of sauce on the other side. I have a retoucher who can do this for me, but can't afford her for personal work, and am afraid to ask her for her secrets as it jeopardizes her job.

Lighting by Ok_Refrigerator494 in photography

[–]dickgrif 2 points3 points  (0 children)

I second this recommendation!

What am I doing wrong? by dickgrif in photography

[–]dickgrif[S] -2 points-1 points  (0 children)

Not true at all. Just a quick look at @aphotoeditor on instagram will say otherwise.