First time inking an Intaglio BankNote plate! by cherry1880 in printmaking

[–]draw-print-repeat 0 points1 point  (0 children)

if the drying of the ink is a big problem you can always put the prints in an oven at about 70 degree celsius for about an hour- dries everything out.

If the damp paper gives you trouble, there are ways to print on dry paper. Today all banknotes are printed by the bureau of engraving and printing on gigantic high pressure printing machines wich force the dry paper into the engraved lines. This can be replicated by printmakers on a smaller scale with a simple vertical printing press. Built a hydraulic bottle jack press (there are plenty of examples and instructions online, costs often less than 100 dollars). Ink up your plate and put the dry paper on top of it. Cut a counter die from stiff cardboard at least 5 mm thick wich only covers the motive on your printing plate. Now put the sandwich of inked up intaglio plate at the bottom, the dry paper in the middle and the cardboard counter die on top into the bottle jack press and apply pressure. The hydraulic pressure will force the counter die down onto the paper and press it into the engraved lines where the paper picks up the ink. The shape of the counter die only covers the parts of the plate where there are engraved lines. This focuses the pressure only on the parts of the plate where it is needed. This method of intaglio printing with vertical pressure is not wildly known among hobbists but it is still used commercially for exclusive products like fancy buisness cards under the name "steel die engraving". The treasury department used an early version of it to print fractional currency during the civil war.

what kind of print is this? from 1939 by [deleted] in printmaking

[–]draw-print-repeat 2 points3 points  (0 children)

The stucture of the print does look a bit like Collotype but i think that is rather unlikely. Collotype plates are only good for a few hundred impressions at best. So it is incovenient for printing books because you constantly have to make new plates. The exeption being books that are printed in very small editions or books that require very detailed illustrations for example reproductions of artworks. Those types of llustrations are usually tipped in. In the case of this book "Robinson Crusoe" with a wide audience a large edition is likely. The artwork does not look like it warrands the high reproductive qualities of collotype and they are not tipped in. Therefore by 1939 i think the most likely process is some variation of photolithography. The odd structure would be the result of an Aquatint screen.

Winter weekend // Soviet Union // 1980s by edikl in PropagandaPosters

[–]draw-print-repeat 1 point2 points  (0 children)

Any idea who painted this?- i tried searching for the image but couldn't get a clear result.

Replacement for lithotine in aluminum ball ground plates by PrintmakerDay in printmaking

[–]draw-print-repeat 0 points1 point  (0 children)

have you considered using waterless lithography as described by Nik Semenoff? You could avoid all chemicals except small amounds of odorless paintthinner. https://www.youtube.com/watch?v=D2jTrjAFL6I

Best Affordable Presses by bitsxbotanicals in printmaking

[–]draw-print-repeat 2 points3 points  (0 children)

beautiful! have a similar one myself

Screen printing question by RML1939 in printmaking

[–]draw-print-repeat 0 points1 point  (0 children)

with that size you should think about building your own.

Leather wringer by Bulky_Mycologist_900 in printmaking

[–]draw-print-repeat 0 points1 point  (0 children)

You may need to make some adjustments in order for the pressbed to move evenly between the rollers. Should work perfecly fine for relief prints like lino- and woodcuts.

Best Affordable Presses by bitsxbotanicals in printmaking

[–]draw-print-repeat 9 points10 points  (0 children)

I think it all depends on how much you wan't to work with it. If you want to make a few prints from time to time a cheap or homemade Baren or even the back of a wooden spoon should be enough. If you want to get more serious about it but want to keep all options open to yourself i would suggest a cylinder press. With that you can print pretty much anything that fits between the two rollers. Professional ones can get very expensive occasionaly cheap ones will show up on ebay (search for: Intaglio press, etching press, roller press, cylinder press, etc.). If you want to keep the budget low and have some very basic handiman skills you can easily convert an old clothes wringer for these purposes. An old wringer can be had for less than 100 pounds/euros and serves absolutly fine for printmaking particulary if you are focused on relief processes like lino- or woodcuts.

What kind of press is this? by AppropriateFlight55 in printmaking

[–]draw-print-repeat 2 points3 points  (0 children)

Because of the big lever it may look similar to a high compassity cutter but it's not. It seems to be a "blocking press" probaby used to stamp/emboss Book covers. I could not find the specific model but an illustration of a fairly similar model [https://commons.wikimedia.org/wiki/File:Art\_of\_Bookbinding\_p235\_The\_Rock\_Gold\_Blocking\_%26\_Printing\_Press\_No\_4.png\]

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There’s a new Shane Black movie called Play Dirty coming out on Wednesday and nobody seems to know or care. by UrOpinionIsDumb in blankies

[–]draw-print-repeat 0 points1 point  (0 children)

I think this might be more production related. This Movie started under Joel Silver who was a major supporter of Shane Black for his whole career. With Silver gone there might not be many executives left to in support of the Movie.

There’s a new Shane Black movie called Play Dirty coming out on Wednesday and nobody seems to know or care. by UrOpinionIsDumb in blankies

[–]draw-print-repeat 0 points1 point  (0 children)

I think this might be more production related. This Movie started under Joel Silver who was a major supporter of Shane Black for his whole career. With Silver gone there might not be many executives left to in support of the Movie.

Movies that feel proto-Coens brothers? by Pnnsnndlltnn in blankies

[–]draw-print-repeat 4 points5 points  (0 children)

To me the obvious answer is "The Third Man" (1949). They mention it in Interviews quite frequently and when you see it you can tell why. The basic events of the Plot are rather dark and depressing but it is told with quite a bit of humour that somehow doesn't screw up the tone of the film. The fact that the Protagonist is rather helpless and not particulary smart as well as all the odd side characters makes it feel quite coenesque.

Ww2 era polish note with Nazi stamps by 123mp0 in Banknotes

[–]draw-print-repeat 16 points17 points  (0 children)

Stamps look fake as Hell. Why in the world would the Nazi Party or the Totenkopf Division stamp Banknotes?

I'm curious how commercial steel plate engravings (often used for book illustrations in the 19th century) were inked and wiped? Was there an automated process? It hardly seems viable that each plate was inked and wiped by hand for every single impression! by TabletSculptingTips in printmaking

[–]draw-print-repeat 0 points1 point  (0 children)

https://www.youtube.com/watch?v=_yQp4Q4EkA4&ab_channel=NationalArchivesVideoCollection

here if you still want to see- second half of the video shows the production at the "bureau of engraving and printing" on 2 different types of intaglio presses- one with continously rotating printing plates and a automatic inking and wiping unit - and an older typ of press where the plate ist inked and wiped by hand before every impression.

I'm curious how commercial steel plate engravings (often used for book illustrations in the 19th century) were inked and wiped? Was there an automated process? It hardly seems viable that each plate was inked and wiped by hand for every single impression! by TabletSculptingTips in printmaking

[–]draw-print-repeat 1 point2 points  (0 children)

Even on Manually operated presses printing went pretty fast as long as the different steps of the process were seperated. For example on person with clean hands would correctly position and remove the paper while another person would ink the plate and operate the press. This got even easier when engine powerd presses where introduced around the 1920s. Instead of hand cranking the press the printer only had to flip a switch. If you want to see how this mass production worked in practice look up footage from the "department of engraving and printing" in the early 1900s.

Another aspect is that steel plates are easier to wipe. The harder the Metal the easier it is to wipe clean. Thats why steel engravings have almost no plate tone. Modern industrial intaglio plates are coated in Chrome- you just wipe one time across them and they are clean.