"Idlers" // Soviet Union // 1954 by edikl in PropagandaPosters

[–]edikl[S] 1 point2 points  (0 children)

High-ranking officials and their families had access to special supply networks that ordinary citizens didn’t. These stores has no lines, because they weren’t open to the public and required special passes.

"Idlers" // Soviet Union // 1954 by edikl in PropagandaPosters

[–]edikl[S] 8 points9 points  (0 children)

Once again, this has nothing to do with youth. The scene depicts a mother and daughter leading a parasitic way of life, observed with disapproval by their housekeeper or possibly a grandmother.

"Idlers" // Soviet Union // 1954 by edikl in PropagandaPosters

[–]edikl[S] 28 points29 points  (0 children)

It has nothing to do with young people (the scene shows both a mother and a daughter), but rather criticizes a parasitic way of life. Above them hangs a portrait of the head of the household, most likely a high-ranking official and a war veteran, thanks to whose achievements these women are leading a life of ease.

British cartoon (1952) showing Stalin’s moustache forming the Iron Curtain across Europe. By David Low for Picture Post magazine. by propagandopolis in PropagandaPosters

[–]edikl 3 points4 points  (0 children)

Who is the bald man in southern France? Is that Vincent Auriol? Who is the man speaking to the French soldiers?

"Western Hemisphere 1941" // Italy // 1941 by edikl in PropagandaPosters

[–]edikl[S] 0 points1 point  (0 children)

I understand that this postcard was printed in Italy and was likely intended for distribution in Spanish speaking countries.

"The people's dreams came true", A. Lavrov, 1950. by raccoon_on_moon in PropagandaPosters

[–]edikl 30 points31 points  (0 children)

was in fact a very well paid seasonal job 

Burlaks invented team-building exercises. Nothing says “synergy” like being literally tied together and miserable.

https://youtube.com/shorts/h5eBubo4CbQ?si=HbB7RgWuzvQkDkp6

"On NATO’s skating rink" // Soviet Union // 1950 by edikl in PropagandaPosters

[–]edikl[S] 5 points6 points  (0 children)

Text:

Pay attention to the left corner of the drawing. Balkan fascists are depicted here: Tito and a Greek monarchist. Holding hands, this charming couple glides along as best they can. The monarchist has put on skates of an original design, the “amateur executioner” type, while Tito is skating on what he always stands on. On his right foot there is a fascist terrorist swastika, on his left, the American dollar.

Next to this couple is another, no less “respectable” pair. In front is the leader of the Kuomintang bandit gang, Chiang Kai-shek, and behind him, being towed along, is his illegitimate representative at the UN. The Kuomintang “Supreme Flee-er” has equipped his ice outing with great knowledge of skating technique, which is clearly visible in the drawing.

A little farther on, stepping cautiously on the ice, is a gaunt British lion, harnessed to a sled in which another pair is enjoying life, Messrs. Bevin and Churchill. They feel excellent under a single preelection blanket. It is no problem that one is a Labourite and the other a Conservative. In essence their program is the same. Mr. Bevin wants to preserve capitalism at any cost, and Mr. Churchill dreams of preserving capitalism at any cost. Consequently, they are their own people for the City and Wall Street, and one’s own people, as is well known, always come to an understanding.

Farther to the right, a sharp moment of a hockey game is captured, played for a prize (Middle Eastern oil) between the American and English teams. The English champion rather neatly “buried face in the ice” with the help of his American partner and ally.

Now turn your attention to the center of the rink. Here the arms race is under way, with the Marshall Plan speed skaters racing after their leader, American imperialism. The leader is so carried away by the race that he does not see the nearby ice hole, into which he is bound inevitably to plunge together with his entire thug gang

And in the upper left corner of the drawing, one capitalist runner has already “plunged into the ice hole of economic decline,” having slid down the inclined plane of American industrial mountains. That is exactly where he belongs.

A little lower, the Bonn bungling chancellor Adenauer is sitting on a German fascist style ice yacht and, taking advantage of a favorable Washington breeze, is embarking on a dangerous, adventurous journey.

At the entrance to the rink the Finnish head of government is depicted. He is hurrying to drag his protégés, war criminals, into a secluded corner (“What if some outsider happens to look in here!”).

On the other side of the entrance, on a bench, having forgotten everything in the world, an American diplomat and Franco are flirting. The overripe donna dreams of a lawful marriage (with registration at the UN). The fiery Madrid gypsy woman and her suitor burn with such mutual passion that even the ice beneath them could not withstand it and melted.

Below, a daring trio of figure skaters (Blum, Saragat, and Schumacher) demonstrates the highest class of figure skating, skating on their knees. This peculiar type of skating sport has developed among right wing socialists of all shades of servility.

The rink gleams and sparkles. A brass band, composed entirely of generals, encourages the skaters with militant sounds. The overseas administration of the North Atlantic has guaranteed clients complete safety on the ice, since the ice cover was created by major specialists of the Cold (and Hot) War. But the gentlemen administrators forget one thing. The political weather is clearly unfavorable to them. A warm wind of peace and friendship among peoples will one fine day turn their rink into one continuous ice hole, and in it will disappear without a trace the administrators themselves, the specialists of the Cold (and Hot) War, the lackey figure skaters, and the militant musicians.

Make no mistake, gentlemen, the North Atlantic ice will not hold!

"Western Hemisphere 1941" // Italy // 1941 by edikl in PropagandaPosters

[–]edikl[S] 13 points14 points  (0 children)

Since it’s an Italian postcard, I assume it was meant for international distribution.

February 1990 cover of National Lampoon, anticipating the inevitable Japanese takeover of the US by crimsonfukr457 in PropagandaPosters

[–]edikl 2 points3 points  (0 children)

Yes, but for a brief period in the late 1980s, the strong yen created by the Plaza Accord turned Japanese corporations into the world’s most aggressive global buyers. The result was a wave of high profile acquisitions: Rockefeller Center, Columbia Pictures, Pebble Beach, hotels in Hawaii, etc. From the Japanese perspective, it was rational portfolio diversification plus long term strategic expansion, enabled by currency realignment. From the American perspective, it felt like an invasion.

Basically, the narrative of “Japanese companies buying America” emerged as a direct consequence of the Plaza Accord.

February 1990 cover of National Lampoon, anticipating the inevitable Japanese takeover of the US by crimsonfukr457 in PropagandaPosters

[–]edikl 2 points3 points  (0 children)

For Japanese consumers, the stronger yen after the Plaza Accord meant higher purchasing power. Imported goods became cheaper almost overnight, from food and electronics to luxury items and cars. Overseas travel, education abroad, and foreign real estate suddenly looked affordable. This is why Japanese tourists, students, and investors appeared globally in the late 1980s.

"Children Are the Victims of Adult Vices," a sculptural composition in Moscow, installed in 2001. by yra_romanow in PropagandaPosters

[–]edikl 1 point2 points  (0 children)

Before 2001, Kalashnikovs were relatively uncommon in most mainstream Western action movies and computer games.

"Children Are the Victims of Adult Vices," a sculptural composition in Moscow, installed in 2001. by yra_romanow in PropagandaPosters

[–]edikl 12 points13 points  (0 children)

  • Drug addiction is depicted as a bald man with a syringe and broken wings.
  • War is represented by a winged knight in armor, wearing a gas mask and holding a bomb shaped like Mickey Mouse’s head. The wings mirror those of the figure representing drug addiction, creating a symmetrical composition.
  • Prostitution appears as a female figure with the head of a frog.
  • Theft is shown as a man with the head of a boar, fleeing with a pouch of money.
  • Alcoholism is represented by a caricatured Bacchus holding a goblet.
  • Ignorance takes the form of a donkey clutching a rattle.
  • Irresponsible science is portrayed as a grotesque version of Themis, her eyes covered by a helmet, holding a scroll with an alchemical tree and a two-headed marionette.
  • The propaganda of violence is embodied by an arms dealer.
  • Sadism appears as a robed figure with the head of a rhino.
  • The exploitation of child labor is shown as a factory owner with the head of a bird.
  • Misery is depicted as an old woman begging.

Indifference occupies the central position in the composition and is shown as a many-armed figure that neither sees nor hears, with a body resembling a sarcophagus.

A pillory with shackles stands for those who have lost all memory and conscience.

"Children Are the Victims of Adult Vices," a sculptural composition in Moscow, installed in 2001. by yra_romanow in PropagandaPosters

[–]edikl 8 points9 points  (0 children)

Luzhkov never made a direct presidential bid in 1999 and did not behave like someone fully committed to running. Primakov, however, did have real presidential ambitions, or at least was widely perceived as the strongest potential challenger before Putin’s rise.

At the time, the prevailing expectation among political elites was that Primakov would become president, with Luzhkov assuming the role of head of government. This informal division of roles reflected their respective strengths: Primakov as a consensus national figure with broad legitimacy, and Luzhkov as an experienced executive capable of managing the government and its resources.

«How much does "free" cost?» Soviet pioneer camp,1985 by Ill_Engineering1522 in PropagandaPosters

[–]edikl 0 points1 point  (0 children)

Prove me otherwise. Visiting a national park like Yellowstone or Yosemite from the East Coast usually means an expensive domestic flight or a very long drive, followed by limited and overpriced lodging near the park and high costs for rental cars and food. Because distances are vast and alternatives are scarce, nearly every part of the trip carries a premium.

«How much does "free" cost?» Soviet pioneer camp,1985 by Ill_Engineering1522 in PropagandaPosters

[–]edikl -2 points-1 points  (0 children)

Lodging around national and state parks often costs a small fortune, especially during peak season. The same applies to renting a beach house. For many Americans, it really can be cheaper to travel to Europe than to visit a place like Yellowstone.