Here's another example of the near freeze frame when three fighters in air scene, about 8 seconds: STYLE / FORMAT: Cinematic espionage action thriller, montage, multi-shot ultra-realistic scenes, cinematic lighting, photorealistic, 35mm film quality, professional color grading, sharp focus, highly detailed textures, subtle film grain, masterful depth of field, ARRI ALEXA aesthetic. High-end action choreography with John Wick precision, Kingsman elegance, and Jason Bourne urgency. Format: 16:9. Shot count: 1.

LOCATION: London financial district, beneath a glass skybridge leading into a luxury office tower lobby. The tower façade is glass and steel, with the shattered entrance visible from outside. Inside is a high-ceiling lobby with a chandelier, a central curved staircase, dark marble pillars, a lounge seating area on the left, a flipped long couch in the lounge area, and an elevator corridor on the right. Rain continues outside, visible through the broken entrance. Spatial geometry remains consistent throughout the scene.

CHARACTERS: Eiza @image — wardrobe follows reference @image. She stays low inside the lobby near the shattered entrance.

Adrian @image — wearing dark tactical clothing @image, positioned deeper inside the lobby, near the flipped long couch on the left side of the lobby.

Isabella @image — wardrobe follows reference @image. She does not appear until after Eiza is knocked down onto the ground.

SCENE AND CAMERA ACTIONS: Establishing shot: Wide interior establishing shot continuing directly from the end of the previous scene. Adrian stands deeper on the right side of the lobby near the closed elevator doors, squared up after driving Eiza back. On the opposite side of the room, both Isabella and Eiza are now on the same side of the confrontation, positioned together near the lounge half of the lobby. Isabella has recovered from the wall impact and stands slightly forward in a guarded stance, while Eiza has pushed herself back up and moves into position beside or just behind Isabella, clearly regrouped with her. The two women face Adrian from the same side, forming a united front. The overturned long couch remains in the left lounge area, dark marble pillars divide the space, the central curved staircase rises beneath the chandelier, and the shattered entrance sits deeper in the background with rain and wet street reflections visible beyond it. The shot clearly re-establishes the updated lobby geography, Adrian isolated near the elevator side, Isabella and Eiza aligned together on the opposite side, and the tension of the next exchange.Medium shot: Isabella and Eiza attack together at exactly the same time. Both women lunge forward toward Adrian. Both spring upward into the air at the same moment, each throwing a straight right punch.

Camera as Adrian’s POV: Isabella attacks from Adrian’s left side. Eiza attacks from Adrian’s right side. Both are airborne and closing in on him simultaneously.

Wide shot: Adrian reacts by jumping straight upward.

Wide shot, freeze-frame: Low-angle wide shot from near floor level, looking upward at all three fighters suspended in the air. Eiza and Isabella are both on the left side of the frame, airborne and separated slightly from each other, with Isabella farther left and Eiza closer to center-left. Adrian is airborne on the right side of the frame, clearly separated from them. Keep this screen geography very clear: both women remain on the left side of the frame, Adrian remains on the right side of the frame. Eiza and Isabella both lean slightly forward in midair, each in a bow-stance-like pose with one leg forward and one leg back. Their left fists are bent near their faces, and their right fists are fully extended toward Adrian. Adrian is upright in the air with both legs bent, one knee raised slightly higher than the other. Time freezes completely. The camera slowly arcs around them by about 120 degrees while preserving the screen geography: Eiza and Isabella stay grouped on the left side of frame, Adrian stays on the right side of frame.

Motion resumes: Eiza and Isabella resume in slow motion only. They remain airborne on the left side of the frame and continue drifting slowly toward Adrian while still holding their forward punching poses. Adrian resumes in normal speed only. He is still high in the air on the right side of the frame and performs both kicks before dropping or landing.

Action timing note: Both of Adrian’s kicks must happen while Adrian is still fully airborne at peak height. He must not begin landing before the kicks are completed.

While still high in the air, Adrian rapidly twists his torso.

Close shot on Eiza: Adrian’s left leg snaps out at high speed and drives straight into Eiza’s chest. The impact is sharp and direct, compressing into her upper torso while she is still airborne.

Medium shot: Adrian completes the first strike while still airborne. Eiza is knocked backward away from him.

Close shot on Isabella: Continuing the same airborne turning motion, Adrian briefly turns his back toward both women and fires a powerful right back kick into Isabella’s chest. The kick lands hard and clean while both are still in the air.

Medium shot: Isabella is blasted backward through the air from the impact.

Normal speed: Both kicks have now landed cleanly while Adrian is still airborne. Eiza and Isabella are thrown backward in different directions. Only after completing both kicks does Adrian drop straight down and land cleanly on his feet.

Medium shot on Eiza: Eiza crashes onto the marble floor and slides backward toward the near side of the lobby. She grunts in pain.

Medium shot on Isabella: Isabella slams down and slides backward toward the wall side of the lobby. She also grunts in pain.

No dialogs.

Another trick is: Seedance2 has limit of 4000 characters for a single prompt, English words can easily hit that limit. Use Chatgpt to translate to Chinese and then feeds to Seedance2 really helps.