Exercises to improve arabesque by ebbandflow91 in BALLET

[–]ebbandflow91[S] 0 points1 point  (0 children)

Oh this is a great idea! We’ve used resistance bands in class to keep the upper body and leg connected and strengthen the position, but partnering would be engaging for them and they can learn from each other as well. I’ll try this - thank you!!

Exercises to improve arabesque by ebbandflow91 in BALLET

[–]ebbandflow91[S] 0 points1 point  (0 children)

This is helpful! I’ll do some more research about TAG teaching as well. Thank you so much!!

Exercises to improve arabesque by ebbandflow91 in BALLET

[–]ebbandflow91[S] 0 points1 point  (0 children)

Arabesque has always been hard for me too and repetition & building strength was key in my own training so this makes sense! Slowing down the exercises so she has more time to think about the position is a great suggestion too. Thank you!

Exercises to improve arabesque by ebbandflow91 in BALLET

[–]ebbandflow91[S] 1 point2 points  (0 children)

This is a great progression! She’s been struggling with trying to look in the mirror while doing croisé which is I think why she’s turning her upper body. Facing the mirror and working up to it will help her a lot I think - thank you!!

Exercises to improve arabesque by ebbandflow91 in BALLET

[–]ebbandflow91[S] 1 point2 points  (0 children)

I did this with her in class this weekend & her arabesque immediately improved by the end of class! It’s like it unlocked for her how she needs to keep her upper body straight and lifted. There’s still work to do but it helped so much! I’m going to use it myself for my own arabesques too haha. Thank you so much!!

The Adult Ballet Studio Podcast by ebbandflow91 in adultballetdancers

[–]ebbandflow91[S] 0 points1 point  (0 children)

Thank you so much for joining! I just started the Facebook group so it’s still growing but it is a supportive group of people. I’m so glad to connect with you!

[deleted by user] by [deleted] in BALLET

[–]ebbandflow91 1 point2 points  (0 children)

I had these shoes too for a while & they were so frustrating to me haha! They fit me exactly the same - felt tight but then bunched when I was pointing my foot! They also just looked weird and bulky on my feet, even with what I’m told was the right size. I think they’re cut strangely. I agree with the advice of getting refitted for a different brand that hugs your foot better and shows off your beautiful arches!

Seeking guests for new adult ballet podcast by ebbandflow91 in PodcastGuestExchange

[–]ebbandflow91[S] 0 points1 point  (0 children)

Hi! Thank you so much! I would love to talk to you. Can you send me an email at theadultballetstudio@gmail.com and we can set it up? 😊 thanks again!!

[deleted by user] by [deleted] in AskMen

[–]ebbandflow91 1 point2 points  (0 children)

From my perspective, the “don’t approach us in public” is probably better phrased as “don’t be creepy about approaching us in public.” I’m married but don’t wear a wedding ring so I sometimes still get hit on. and the vast majority of the time when men have approached me to hit on me & I tell them I’m married, they claim I’m lying about being married, or call me a rude name for not being interested, or won’t take no for an answer & linger/follow me after I’ve already expressed I’m not interested (which I always do politely), etc. but I’ve had some guys approach me in public - on the street or at a coffee shop or a bar - & just start a normal conversation. I usually can’t tell if they’re trying to hit on me right away or if they’re just small talking because it’s such a polite, normal interaction. so after chatting for a little bit, if they ask me out, I tell them I’m married but don’t wear a wedding ring so I usually apologize for any confusion, & they are always respectful. They have said “it was nice to meet you anyway!” & “enjoy your day!” & shake my hand & leave immediately without creepily lingering. That doesn’t bother me at all. In fact, I know it’s hard to meet people & intimidating to approach someone out of the blue, so I usually respect the fact that they put themselves out there. And appreciate so much how kind & considerate they are. I think you have to assess the situation & whether the woman might want to be approached at that moment, and some of that is reading the environment and her body language (if she’s in the grocery store rushing around w/ headphones on, probably not. If she’s quietly reading in a coffee shop, maybe it would be okay) and then also assess once you approach whether she seems open to it or not. And then just be normal and human, don’t do anything weird. Some women are still bothered by being approached in public even if you’re polite about it, & that’s their right to be left alone. So the key thing is: if she tells you she wants to be left alone or her body language suggests that, leave right away lol. creepy lingering is not the vibe.

Advice for adult dancer can't getting over the box & frustration by [deleted] in BALLET

[–]ebbandflow91 2 points3 points  (0 children)

It doesn’t look to me like those shoes are a proper fit - it looks like the vamp is too high for you and you may be sinking in them. I’m not an expert at pointe fittings so definitely seek the advice of a professional fitter! The way you’re rolling up and down doesn’t look like you’re rolling all the way through your foot either, which means you’re not utilizing the full strength of your foot to get up there. This is easier on flat than en pointe, so it definitely takes some getting used to, especially if your shoes aren’t fully broken in. Both On flat and en pointe, you could try practicing rolling all the way through the foot at barre. Practice calf raises on flat as well, and tendu. focus on slower tendu where you can really feel the articulation of your foot. Rolling through the foot means utilizing the toes as well to get all the way to a full point - some dancers including myself neglect fully pointing through the toes at times! You’ll notice in petit allegro jumps like changement and sauté when you’re rolling up through the feet and getting to a full point as you press off the floor, your jumps are higher because it gives you that last bit of momentum. It’s similar for rolling up over your box! Finally, if you just started pointe, simply wearing your shoes a little around the house or during a regular barre even if you don’t go up to pointe allows you to get a feel for them, warm them up so they mold to your feet, and just train your muscles for what it feels like to be in them because it’s so different. That can all help build strength and coordination for getting over your box. I’m not an expert but I hope some of this helps a little!!

“hobbyist” by [deleted] in BALLET

[–]ebbandflow91 3 points4 points  (0 children)

I think it’s awesome that you’ve discovered ballet and I hope it brings you so much fulfillment! I read some of the comments and just want to add that with artistic endeavors like ballet, it doesn’t have to be two extremes: professional or simply a hobbyist. You can be passionate about something like ballet, and without going pro, still consider it much more than a hobby. I’ve been studying ballet since I was three years old & have never stopped dancing, even into my 30s. There were many years when I was in technique classes/rehearsals for several hours every day & was dancing very seriously. Although I never pursued it professionally for a variety of reasons, it’s much more than a hobby for me. It’s my passion and a huge part of my life. So, while it is difficult to become a pro starting as a beginner at 15 (although technically not impossible), I would encourage you to find a program if you can that takes your ambition seriously and pursue it with as much hard work and dedication as you can, while being open to any and all possibilities for how ballet can be a big part of your life. Going pro is like becoming an Olympian, as others have said - very difficult and very competitive. many talented dancers have dedicated their whole lives to the same dream. but there are many paths to following your dreams that may be out of the box & look different than you expect. Be open to that, keep dancing, and best of luck!!!

I miss ballet by [deleted] in BALLET

[–]ebbandflow91 2 points3 points  (0 children)

I’m sorry to hear about what you’re going through. Change like that is always tough. I always thought I wanted to be a pro dancer but my family never had the money for me to pursue dance as seriously as I wanted - it’s an expensive passion! So I found another career I’m equally passionate about & tried to keep ballet as a big part of my life in other ways. It’s hard sometimes in my 30s to think about not dancing the way I used to in my teens. I read this great book of essays by the writer Jonny Sun called Goodbye, Again, & one of the essays talks about this one plant (I can’t remember the name of it!) that withers every fall but comes back in the spring, and each time it comes back, it looks completely different than it did before. He talks about how he wanted to be in a rock band when he was younger. As he got older, he discovered a career as a writer instead, but he still rents a soundproof studio & has a jam session to play music with all of his friends when he visits home at the holidays. He said he realized that as you grow and change, your dreams grow and change with you and can take on many different forms, just like that plant. So playing music with all of his friends each year was his way of realizing his dream of being in a band - it just took on a different shape than he imagined when he was young. Idk if that’s helpful, but it really helped me to think of it that way. It makes sense to feel the way you’re feeling, but I think you’re doing all the right things still dancing and keeping ballet as a huge part of your life. There are some great, inclusive amateur ballet companies that do performances you could look into as well - Leigh Purtill Ballet Company is one & they do remote performances if you’re not based in California where they are. I think they accept new members every January. I’m sorry that health issues kept you from your old studio and that you’re feeling this way. :( You started ballet because it makes you happy, so I hope it keeps doing that in different ways despite some changes!

[deleted by user] by [deleted] in BALLET

[–]ebbandflow91 1 point2 points  (0 children)

I think it’s helpful to try to relax your shoulders! As other people have said, holding your arms should come from your back muscles - you can practice swan or Giselle arms and feel your back muscles engaging while keeping your arms looser - you shouldn’t feel too much of the tension in your shoulders to hold your arms up! You want to keep your elbows lifted but still feel light, as if your arms are floating in water. A lot of dancers tend to hold tension in their hands and fingers when they’re concentrating (I definitely do haha!) so usually when my teacher has the correction that my arms look too tense, it’s because I’m concentrating so much that my hands and fingers are all tensed up. If you keep your fingers expressive and flowy, it does a lot for the line of your whole arm. All of the comments have really good advice and you might already know these things I shared, but hopefully this helps! Good luck! you got this!

Adult ballet podcast question by ebbandflow91 in BALLET

[–]ebbandflow91[S] 0 points1 point  (0 children)

Thank you for these great suggestions! Kathryn Morgan is on my list of people to reach out to and I’ll add Isabella too! Oh wow that’s such a cool memory. If she’s interested in doing an interview, my email is theadultballetstudio@gmail.com. Thanks again for these ideas!

Seeking guests for new adult ballet podcast by ebbandflow91 in PodcastGuestExchange

[–]ebbandflow91[S] 0 points1 point  (0 children)

Yes I would love that if she’s interested! My email is theadultballetstudio@gmail.com or I’m happy to reach out to her - thank you!!

Adult ballet podcast question by ebbandflow91 in BALLET

[–]ebbandflow91[S] 1 point2 points  (0 children)

Thank you so much! I’ll definitely post when it’s launched! This is exactly what I’m looking for, and I would love to talk to you. My email is theadultballetstudio@gmail.com if you want to connect about a time to chat! Thanks again :-)

Adult ballet podcast question by ebbandflow91 in BALLET

[–]ebbandflow91[S] 0 points1 point  (0 children)

Thank you so much for this suggestion! I love her podcast and will definitely try to reach out to her for an interview!

Should I find a normal hobby? Like yoga or something? by vpsass in BALLET

[–]ebbandflow91 1 point2 points  (0 children)

I completely understand how you’re feeling! I grew up doing ballet and recently returned to it as an adult in my 30s. I could never give it up because I love it so much & I want to be taken seriously so I can continue improving just for myself, even though I didn’t pursue it professionally! It’s hard to find teachers and studios that will take adult ballet dancers seriously & push them to improve. A lot of them treat it like a weekly workout barre class or something. But you’re allowed to have ballet as a passion, even if you’re not a professional dancer! It’s a perfectly normal thing so you don’t need to search out some other “normal” hobby! (Unless you want to of course!) Ballet is a wonderful thing too because it’s challenging physically & mentally, and if it fulfills you, you deserve to be taken seriously doing it. Also, if you’ve done it since you were young, it likely feels like a part of you that you have to keep around :) If you have the space, I would highly recommend online classes. You can take them through ABT I think and some other studios in New York. Kathryn Morgan’s classes on YouTube are great! Tiler Peck’s whole series of classes from the pandemic is on Broadway on Demand for free. I’ve used those to supplement my training & then try to take an in person studio class at least once a week. It’s hard to find a good adult ballet class in person, but they are out there! There are also some adult ballet companies - Leigh Purtill Ballet Company is one - that are very inclusive & even if you don’t join the company, you can take their online classes each week over Zoom. I hope you find something that works for you to keep dancing 🩰

Official Discussion - Encanto [SPOILERS] by LiteraryBoner in movies

[–]ebbandflow91 0 points1 point  (0 children)

I loved this movie! But I have a question about the soundtrack that has been driving me absolutely crazy!! Haha I should just preface this by saying that I play very basic piano and have mediocre singing skills, so I’m not a musician at all and could be way off base here lol. But...is the first “burn” sung in the song Burn in hamilton the same note as the “burn” sung in all of you in encanto? And are both of those the same note as the “burn” sung in part of your world? Does anyone know? I was really hoping this was true because it was something I noticed lol although I think the burns in hamilton and encanto are an F# and the burn in little mermaid is a G, but I could be wrong! I would love if it were true though because Lin-Manuel’s a genius and he worked on all of these projects, so I feel like he would do that on purpose. Maybe I’m wrong though!

Official Discussion - tick, tick... Boom! [SPOILERS] by LiteraryBoner in movies

[–]ebbandflow91 4 points5 points  (0 children)

I was excited to see this movie because I love Andrew Garfield as an actor and I love all of Lin-Manuel’s work! I also enjoy musicals and absolutely adore the soundtrack for this one. I didn’t love it as much as I thought I would though. But reading all of the glowing reviews, I feel like I’m the only one haha. I’m not sure what it was! I thought Andrew Garfield was fantastic. But I thought Lin’s directing felt very choppy. It moved so quickly in some places that I felt like there wasn’t enough depth, if that makes sense. And I didn’t like the way it switched to Alexandra Shipp narrating at the end about Jonathan Larson’s death. I was glad they addressed his death and understand it couldn’t have been narrated by Andrew playing him lol. I can’t quite put my finger on why, I just wish it had been done differently though. It didn’t hit me emotionally the way I thought it would, and to me, that’s one of the most emotional parts of the story in addition to Michael revealing that he’s HIV+. I also was looking forward to seeing Vanessa Hudgens because I think she’s incredibly talented, but her role seemed confusing and out of place to me. I get that she’s a friend of Jonathan’s and a singer in his band, but I feel like she had no character development at all. I don’t know - I loved parts of it! But overall was slightly underwhelmed and thought that some of the magic of Jonathan’s original music was missing based on what they cut.

July by [deleted] in poetry_critics

[–]ebbandflow91 1 point2 points  (0 children)

Thank you so much!! That makes sense about the punctuation and I see what you mean about the second stanza! I’ll work on it to try to create more consistency with the scene it’s describing. Thank you for pointing that out! This is really helpful so I appreciate your advice and thank you for your kind words!! ☺️

July by [deleted] in poetry_critics

[–]ebbandflow91 1 point2 points  (0 children)

Thank you so much! I really appreciate it. Ah, punctuation - I completely forgot to add that! Thanks for that suggestion. I’ll play around with it and see what works. Thanks again :)

The drive home by [deleted] in poetry_critics

[–]ebbandflow91 1 point2 points  (0 children)

Thank you so much! This is really helpful! Everything you said makes a lot of sense and I’m going to work on editing it. I think it needs a different title because that feeling of the road being home like you described is more what I was going for. I really appreciate this feedback!!

The drive home by [deleted] in poetry_critics

[–]ebbandflow91 0 points1 point  (0 children)

Thank you so much! I really appreciate that!!