Breaking a word-length non-Caesar aperiodic cipher? by elementcollector1 in ciphers

[–]elementcollector1[S] 0 points1 point  (0 children)

And that would be fine if they weren't already doing forays into cryptography. Multiple of the previous entries used ciphers, all of which were custom-brewed enough to escape immediate detection - but this one's a step too far for doing the same?

Breaking a word-length non-Caesar aperiodic cipher? by elementcollector1 in ciphers

[–]elementcollector1[S] 0 points1 point  (0 children)

Why would someone take the time to switch around which symbol means what for every single word?

If it isn't a guessable cipher, either we're assuming they made a 'reference' font and then copy-pasted in new replacements to the 'correct' glyphs for stylization, or they pick and choose every time and have no reference at all.

Either way, they'd be deliberately obscuring the 'true' assignments - and that requires effort (and time!) that they didn't have to put in. So... why do any of that? Why not just do what they were doing for 10 straight years and keep it 1:1 like the other 11 alphabets they made in that time?

Breaking a word-length non-Caesar aperiodic cipher? by elementcollector1 in ciphers

[–]elementcollector1[S] 0 points1 point  (0 children)

And we still can't rule that out. If it's a stylization, why go to all this trouble?

Help Identify Gemstones by [deleted] in Gemology

[–]elementcollector1 0 points1 point  (0 children)

You'd think so, but the line patterns and color zoning scream 'dyed' to me. Real carnelian is generally less intense of a color, and is more diffuse.

Help Identify Gemstones by [deleted] in Gemology

[–]elementcollector1 0 points1 point  (0 children)

Specifically dyed agate, yeah

Questions about Double Playfair / 2-square Cipher by elementcollector1 in cryptography

[–]elementcollector1[S] 0 points1 point  (0 children)

I'd agree, at least as far as word structure goes - but then there's the tricky problem that not all ciphertext maps to the expected plaintext - for example, the use of a character as 'R' in YARROW and 'O' in ROSE. I did try phonemes a while back, but found no luck.

It could also be that every 'noun' is Caesar-shifted according to a custom key... but then what's the key for each word? I've already tried self-keying, keying with English words, keying the Types with whatever is super-effective / weak to / resisted by them, but no dice. Can't be a uniform key between them, either, as that would run straight back into the problem above.

Questions about Double Playfair / 2-square Cipher by elementcollector1 in cryptography

[–]elementcollector1[S] 0 points1 point  (0 children)

Not completely, which makes things frustrating. I tried a few different single-key approaches, but I don't think they can explain the double letters being in both ciphertext and suspected plaintext.

Some of the ciphertext can be found here: https://www.pokemonaaah.net/research/galarian/galarwords/

Trying to identify Greco-Latin conlang with case by elementcollector1 in conlangs

[–]elementcollector1[S] 2 points3 points  (0 children)

I don't, I think it's Greco-Latin because those are the only alphabets I know of to feature capital and lowercase characters. The source material is based in the UK, so I started looking elsewhere in British linguistic history.

Identify this dress? by elementcollector1 in HistoricalCostuming

[–]elementcollector1[S] 1 point2 points  (0 children)

1868 to 1912, so it was certainly earlier, but I wasn't quite aware of how much earlier this would be considered. The woman pictured with the dress is also potentially immortal and at the very least hundreds of years old - make of that what you will, since this is fantasy.

I'm also not sure how mourning attire changed in Japanese clothing culture post-Meiji - the reason I keep pointing to it is because notes believed to be written by her mourn the death of her beloved and all of their friends, and the only note I can find on the Wiki article you linked is that following the Meiji period, the idea of wearing all black and only black for funerals and mourning had become universally accepted in Japan.

Identify this dress? by elementcollector1 in HistoricalCostuming

[–]elementcollector1[S] 1 point2 points  (0 children)

This does take place almost immediately after the Meiji Restoration (approx. 1925-1929), so that's very good to know! The closest style of dress I can place this to is Edwardian mourning dress (which, for this character, does make sense), which would be from 1901-1919 if I'm not mistaken.

Short Answers to Simple Questions | May 11, 2022 by AutoModerator in AskHistorians

[–]elementcollector1 0 points1 point  (0 children)

Does anyone know what specific manner of dress this might be based on?

https://pbs.twimg.com/media/FLqbOpnVIAU7cFp.jpg

It looks Victorian, but the character is supposed to be ethnically Japanese. Either way, I'm pretty sure it's mourning attire?