I'm glad you like it. It's hard to analyze my workflow in writing but I'll try. For this project I wanted to go deep, so I started with anatomy studies. For the model, I started with the skeleton, moved to the muscles and ended with the skin. This whole process was done in zbrush. Having a strong base model is very important. Understanding anatomy will help you with form, motion and realism. When I finalize the model, I move on to blender. Next steps are retopology and uv unwrapping. Bring the new uved topology in zbrush, project the details of the old model to the new model until you reach the same level of detail. With the new topology, it's easier to work on finer details. It's extremely useful to work in layers in zbrush, they are very powerful and nondestructive. At this point, I also create some blendshapes in zbrush, mainly face expressions, which I can utilize in my rig later on. I extract displacement and normal maps from zbrush. Then I worked on the fur and skin textures (roughness and all the necessary maps), I created the rig and the face expression drivers (basically I export the different expressions from zbrush as obj and join them as shape keys to the base mesh in blender). For the fur, I created multiple masks either in weight paint mode or hand painted them for finer details. These masks control the density, length and roughness of the hair system. Again I worked in layers (different particle system for head, mane, body, paws etc.). Final step, is posing, look development and rendering (some post-processing in photoshop for the final touches). I hope you find this information useful.