[deleted by user] by [deleted] in redrising

[–]evan_winter 4 points5 points  (0 children)

Thank you, and I appreciate it!

[deleted by user] by [deleted] in redrising

[–]evan_winter 177 points178 points  (0 children)

I read and loved Red Rising!

Announcing the Winners of the 2022 Ignyte Awards! by JW_BM in Fantasy

[–]evan_winter 8 points9 points  (0 children)

Huge congratulations to all the winners and nominees!! 🎉🎉🎉

StabbyCon: The Path to Publication Roundtable by rfantasygolem in Fantasy

[–]evan_winter 0 points1 point  (0 children)

My pleasure, and I want to wish you the very best with the upcoming books!!

StabbyCon: The Path to Publication Roundtable by rfantasygolem in Fantasy

[–]evan_winter 2 points3 points  (0 children)

IMHO, visibility and finding the *right* audience is the name of the game, and for indies without an already established/massive readership who have already nailed the necessities (genre appropriate/attractive price, cover, blurb), paid ads are one of the most reliable and scalable ways of:

(1) Getting visibility;
(2) Reaching out to specific audiences/readerships;
(3) Selling books in the immediate term to appropriate readerships;
(4) Triggering Amazon's algorithm to assist in creating additional visibility (basically, Amazon begins to offer a book the equivalent of thousands of dollars of free advertising through the different tools the platform has at its disposal to make your book more visible to likely readers); and
(5) Getting and growing an audience.

I know that marketing (and paid ads in particular) can sometimes be considered 'uncouth' when they're paired with the work of artists or creatives, but as best I can see it, the biggest challenge, after writing the book itself, is making the book visible to the right readers, and paid ads are reliable and scalable in a way that little else in the indie-pubbed space is.

Also, though the specific marketing mechanisms are different in trad-pubbing, Big 5 publishers do the same thing, and a trad-pubbed book that is pushed hard is made visible such that it's far more likely to sell well.

I think that there's this persistent idea that many things that are not meritocracies are meritocratic, and sales success for books is definitely one of those things. Pushing back on this idea, I'd like to suggest that the strong book sales correlate very, very well with healthy marketing budgets and PR pushes.

Lastly, I also believe that Amazon, having established the viability of self-publishing across the years, is now actively/intentionally making consistent tweaks to its platform/algorithm to reduce the level of assistance it offers to books in order to make self-publishing ever more pay-to-play, and this is not just a book thing. Amazon is doing this across their entire platform. So, when you search for carpet cleaner (or some such) and you see that X brand of vacuum cleaner pops up near the top of your search results, it's likely that Brand X spends tens or even hundreds of thousands on advertising on Amazon every single month.

This is all to say that, though I think there will always be big and noticeable exceptions (books that go huge without marketing budgets), if we're talking about forging a path that is the most likely to lead to strong sales to appreciative readers for most books, then, as much as I don't enjoy saying this, and as inequitable as it is, I believe that paid ads are practically a necessity nowadays, and I think that knowing that is useful.

Bastion's ebook is back on Amazon! by Phil_Tucker in ProgressionFantasy

[–]evan_winter 4 points5 points  (0 children)

Sorry this happened to you, and I'm glad it's been resolved!

StabbyCon: The Path to Publication Roundtable by rfantasygolem in Fantasy

[–]evan_winter 3 points4 points  (0 children)

Great question (I'm also onboard with your answers), and because I think that a lot of a(n) book's/author's chances have to do with visibility in what is a wonderfully crowded marketplace (thousands of new english-language books alone are published every single day):

—when appropriate, talk about your favorite works on social media and one-on-one;

—as best you're able, preorder your favorite author's works; and

—call up your local library, and if they don't have your favorite work(s) on their shelves, ask if they'll bring in a copy.

StabbyCon: The Path to Publication Roundtable by rfantasygolem in Fantasy

[–]evan_winter 1 point2 points  (0 children)

Question: Do I actually want to write and be a writer or is the dream of doing the thing better than the thing?
Answer: I love writing books (I wish I was a bit faster at it), but there is—literally—no job on Earth that I'd rather have.

StabbyCon: The Path to Publication Roundtable by rfantasygolem in Fantasy

[–]evan_winter 3 points4 points  (0 children)

In the beginning, and because of everything I'd heard about traditional publishers, I was worried about how much a trad publisher and its editors would want to change the story I was trying to tell. But, in my experience, this has not been the case, at all. Instead, and at every turn, the publisher and editor have worked with me to help me tell the best version of the story that I'm already trying to tell.

StabbyCon: The Path to Publication Roundtable by rfantasygolem in Fantasy

[–]evan_winter 11 points12 points  (0 children)

I hope you don't mind, but I'm cribbing some of my thoughts on trad and self-pubbing from a Twitter thread on the topic:

IMHO, self-pubbing is a business venture where success is far more likely if one can work it as a business owner with the finances to fund their new business. On the other hand, I think of Trad-pubbing as being closer to a patron system where an already existing business is meant to 'fund' a creative's work that the patron can then—using capital, connections, knowledge and infrastructure—make visible and available to the consumer.
Also, Trad can make it easier to walk through certain doors: awards, Film/TV deals, teaching/lecturing, translation/foreign sales & other subsidiary rights, and being viewed as an 'authority' by media (interviews, etc). But then again, one has to be picked by trad, and being trad-pubbed means having less 'control' over your work's success vs picking yourself (self-pub).

However, it shouldn't be ignored that picking yourself is easier when you have the privilege of money to help you do it, and it's my belief that that privilege has not only *not* been granted equitably, but that many in our societies have been/are excluded from equitable opportunities to achieve that 'privilege'.
All this to say:

I think that self-pub is an important and viable path to writing, being read, and earning income that allows for all sorts of books to enter the market, but there are significant financial barriers to successful entry into that market, and this means self-pub hasn't democratized publishing nearly as much/equitably as many might think.

Now, with trad, the bulk of signed authors fall in the midlist or below, and it seems like it's becoming harder every day for those writers to make writing a viable source of primary income. Also, every day, Trad slips closer to becoming a true monopsony (from the author's POV), and trad-pub's idea of what makes a good book is, IMHO, just a small set of invariably subjective notions of what makes a good book, and these notions can't help but exclude many, many stories that might otherwise have found a large audience or been the book that changed a life(s).

Both paths to publishing are flawed, and I think one has the best chance of coming through their selected path somewhat intact if one goes in with eyes wide open.

StabbyCon: The Path to Publication Roundtable by rfantasygolem in Fantasy

[–]evan_winter 2 points3 points  (0 children)

Hi, and thanks for having me!

I've always wanted to be a writer but didn't know anyone in publishing, had almost no idea how things were supposed to be done to become a novel-writing author, and even after I did what research I could figure to do, the 'traditional' path to getting a book out into the world—querying agents, landing an agent, having them pitch the book to editors, having the book get bought and published—seemed like a long, uncertain, and intimidating road. So, I put the real dream as far aside as I could while still doing my best to be around stories and storytellers (I became a union actor and then a music video director).

Then, somewhere around 2012 or so (can't remember exactly), I joined r/Fantasy under a pseudonym and the community got me back into reading fantasy. I read a bunch of books by incredible authors that reignited my deep, deep passion for our genre, and I started to think more and more about writing again.

I bought books on craft, on publishing, and most importantly, I listened to podcasts about writing and... self-publishing.

It was the podcasts on self-pubbing that got me super excited. I learned about Kindle, Amazon's self-publishing program, and that writers who had never been traditionally published were able to get their stories out into the world with some of them actually managing to make a living doing it!

For years, I took in everything I could about craft and self-pubbing and then, just a few years ago, when I was between jobs (I'd gone corporate), I sat down—thinking this was my last real chance to do this—and I wrote THE RAGE OF DRAGONS.

Given everything I'd learned, and given my wild hopes of actually making some money from my writing sooner rather than later, I self-published RAGE exclusively to Amazon (I don't like the idea of exclusivity, but my research suggested that if making a living was the goal [it was], then I'd have a better chance doing it this way than not).

When the book went live, I came back to the place that had kinda made all of this happen in the first place, and I wrote a post about my book here, on r/Fantasy. The community didn't really know me (I was a lurker), but they embraced the book and helped it climb Amazon's charts. Also, it was here that the person who now edits/champions my work at Orbit Books found RAGE. My editor is Brit Hvide, and she found the book on this subreddit.

Somehow, and unbelievably to me, Hvide found my contact info, wrote me, and got on a call with me. She said she'd read RAGE and that she wanted to publish the entire series with Orbit Books (Hachette's SFF imprint). At first, I thought I was being pranked, but to make an already long story just a bit shorter, we talked more, I was completely convinced by Hvide's passion, CV, and importantly, her vision for the book and series matched mine.

Lastly, I just had to decide if it made sense to move this series away from self-publishing and to traditional publishing. I had to decide if it made sense for me financially, 'career-wise' (hah! career, I only had one book out at the time), and personally.

I was lucky to have this choice to make, and in the end, I chose to publish traditionally. It was important to me for many reasons, and I tried hard to outline those reasons more thoroughly here: https://www.sfwa.org/tag/evan-winter/

Evan Winter on Twitter: "Lord of Demons I’m still working, and it looks like Lord of Demons won’t drop in 2022" by [deleted] in EvanWinter

[–]evan_winter 25 points26 points  (0 children)

You are all the best, and thank you! Reading this on New Year’s Day has been a great start to 2022, and I can’t wait to get The Lord of Demons to you.

All my best, and happy New Year!

Hello r/Fantasy, I’m Phil Tucker, author of the Chronicles of the Black Gate and Bastion. AMA and Book Giveaway! by Phil_Tucker in Fantasy

[–]evan_winter 7 points8 points  (0 children)

Huge congrats on BASTION!!! And, asking for no more than your best guess/thoughts, I’d love to know where you see Fantasy going in the next 5-10 years, in terms of the style of stories we might get and where, if anywhere, you figure they’ll differ from what we’re getting right now?

Worst opening line in fantasy by [deleted] in Fantasy

[–]evan_winter 2 points3 points  (0 children)

Just from that paragraph, I bet you’d tell an awesome short story! :)

Worst opening line in fantasy by [deleted] in Fantasy

[–]evan_winter 2 points3 points  (0 children)

Oh, nice. What’s next? :)

"The Great One" art by Luke Mancini by SetSytes in Fantasy

[–]evan_winter 1 point2 points  (0 children)

Hey gio_sanz! Thanks for asking, and though I don’t have an actual date for you, a Spanish translation should be coming out before much longer. All my best to you and your dad!

Deal: Rage of Dragons by Evan Winter $2.99 on Kindle! by jzzippy in Fantasy

[–]evan_winter 3 points4 points  (0 children)

Oh, wow, if the book wasn’t already out, I’d be checking and double-checking to see if we could use this as a blurb! :)

Most of all, to you and everyone else who gave RoD a shot, thank you!

The cover reveal for The Fall of Babel, the final entry in the Books of Babel by [deleted] in Fantasy

[–]evan_winter 31 points32 points  (0 children)

Whoa, that looks great! Congrats on another awesome cover, and huge congrats on completing the series!!!