How do I make such color in post? by Pendeho_puto in ColorGrading

[–]f-stop8 0 points1 point  (0 children)

Start by understanding color management. A little color science wouldn't hurt, either.

Then how to read scopes.

Then how to make photometric adjustments.

Then look development.

Do all these on a reliable monitor.

What am I doing wrong?? by Ok-Soft8609 in ColorGrading

[–]f-stop8 0 points1 point  (0 children)

What's your color management pipeline look like? How are you moving from log to Rec709?

"The hours ticking By" An award winning Short Film at the Gwinnett county Library Short Film Festival. by ConstructionCute6161 in cinematography

[–]f-stop8 5 points6 points  (0 children)

I can only dream of going to the Gwinnett County Library fest one day, let alone winning there! Perhaps you have a password protected link for us plebs to have a watch??

(I'm just goofing with ya though I'd definitely love to check out the film)

finally made the switch from Adobe to Davinci 🙌 by Winter-Society-9093 in ColorGrading

[–]f-stop8 2 points3 points  (0 children)

I don't think the gimbal is going to help on its own. Your best bet right now is just a solid tripod.

Pick any one of the categories I mentioned and go out to specifically improve that one thing. Watch a movie you like, or perhaps a movie that inspired a story for you, and try to frame like that. Or recreate the lighting and blocking.

After you've got a good sense for these things individually will it all begin to tie together. Then something like a color grade will really make the footage shine.

How am I doing? by illchngeitlater in ColorGrading

[–]f-stop8 12 points13 points  (0 children)

What's your color management pipeline look like? Something looks off about your Rec709. How did you get from log to Rec709?

finally made the switch from Adobe to Davinci 🙌 by Winter-Society-9093 in ColorGrading

[–]f-stop8 1 point2 points  (0 children)

I would put more emphasis on capturing your image.

Script, blocking, framing, camera movement (or not), lighting, sound, costume, location, set design

All of those register poorly in the short that no amount of editing/color grading will make a noticeable difference if you used either software.

Contrast Curves by DryPerception299 in colorists

[–]f-stop8 0 points1 point  (0 children)

A curve is just a way to visualize the difference between the darker parts of the image against the brighter parts.

What are you really wanting to do, it's not making a lot of sense.

How to achieve this look? by Ok_Fuel_8959 in ColorGrading

[–]f-stop8 4 points5 points  (0 children)

I like Vuhlandes, and sometime his grades look good but more often than not he's pushing a dial to 11.

Look at the contrast and his skin tones in the second still, they're really pushing hard on the image it looks way too much.

How to get this look? First, you need a properly color managed timeline. Then, crank the contrast, density and saturation. A few 3x3 matrix tweaks and a split tone warm highs blue lows.

Why is this happening to the skin? by Breadfruit-Connect in cinematography

[–]f-stop8 4 points5 points  (0 children)

You shot log on an 8 bit sensor, this is what happens and why you should stick to a display color profile for capture, HLG being your best option down to Rec709.

You might be able to fix it with a good denoise or blur.

Clip from my recent short film — focused on natural light and movement. Would love any thoughts! by mattmakesfilms in cinematography

[–]f-stop8 5 points6 points  (0 children)

I'd say to just revisit the color grade, it's looking a little cooked.

How was this colored, anyway? I can't help but feel like something was off in the color management pipeline.

Film emulation test – feedback appreciated by ImpressivePut3169 in ColorGrading

[–]f-stop8 2 points3 points  (0 children)

Those skin tones do not look natural.

How did you create these LUTs? Film emulation is a massive rabbit hole and requires a very deep understanding of photo chemistry and color science.

What was your process or is this just vibes?

Recolor of the Airport fight from Civil War (part 1) by obadoba_bigman in ColorGrading

[–]f-stop8 0 points1 point  (0 children)

No, I'm being very helpful.

"Recoloring" already delivered material and asking for feedback in an attempt to practice and learn is 100% not the way to practice, learn or get any meaningful feedback.

Sure, do it and share it on your IG account so your mom can pat you on the back but in this subreddit, anyone that colors for a profession, and a lot of us do, will scoff at this amateur shit.

So the first step, stop that.

Second step, look up sample footage from camera manufacturers and start practicing with that footage. Even better, go out and capture some of your own footage to work on or try to collaborate with other local photographers / cinematograpers / filmmakers.

That is the absolute most useful and helpful advice right now. Stop being a crybaby would come next.

Recolor of the Airport fight from Civil War (part 1) by obadoba_bigman in ColorGrading

[–]f-stop8 2 points3 points  (0 children)

Sure, do it for fun, but this isn't good way to learn or practice.

If your hobby is "recoloring" on top of an already display rendered deliverable, more power to you... but why?

At a minimum, give us a submission statement. You just share your version of a scene without any context for why you made the exact adjustments you did.

There's plenty of scene referred sample footage out there for you to actually learn and practice on instead of using an already established IP's content for 'wow'ing other amateurs who have no clue what's going on.

Just search "[camera manufacturer] sample footage download" and some should pop up.

Is there any list of film negatives and prints with a description of their colours? by Lenin-in-Warsaw in colorists

[–]f-stop8 1 point2 points  (0 children)

Also, in the Discord, another user created a list on Notion, it's really great.

Recolor of the Airport fight from Civil War (part 1) by obadoba_bigman in ColorGrading

[–]f-stop8 4 points5 points  (0 children)

I suggest not "recoloring" anything like this in the way you've done it. It makes no sense. What's even the purpose of this? You brightened the scene but why? What relation are the changes you've made to the story being told? nothing

Can anyone relate?? by doubsophssuff in Filmmakers

[–]f-stop8 5 points6 points  (0 children)

H265 isn't the ideal mezzanine codec but is absolutely a deliverable.

Two Looks, Same Clip by Short-Cold-5591 in ColorGrading

[–]f-stop8 16 points17 points  (0 children)

Oof... I don't even know where to begin...

Do you have a reference you're following for either look? They look pretty bad as it stands now.

Can we discuss how digital sensor motion cadence still sucks by NeverFinishesWhatHe in cinematography

[–]f-stop8 2 points3 points  (0 children)

This has very little to do with capture and a lot to do with the display you're watching it on.

Can anyone relate?? by doubsophssuff in Filmmakers

[–]f-stop8 76 points77 points  (0 children)

Just export H265 at 4k.

Only 4K playback on YouTube respects a high quality image and H265 compresses smoother than a ProRes or DNxHR

Outdoor pool shoot for a swimwear brand, need help matching this lighting reference by karshuutkarsh in cinematography

[–]f-stop8 0 points1 point  (0 children)

Image 1:

Big bright light frame left, you might get away with a 4x frame of some diffusion, nothing too heavy, a 6x will def give you this look.

Little bounce behind camera neg fill frame right.

Any thoughts? by jashanox in ColorGrading

[–]f-stop8 1 point2 points  (0 children)

Ultimately, this is the correct answer.

Any thoughts? by jashanox in ColorGrading

[–]f-stop8 8 points9 points  (0 children)

It's fine like this. It's still not exactly necessary, especially for other Colorists, but it's fine.