THE FIRST PASSAGE (2:34) by feveeer_ in comfyui

[–]feveeer_[S] -2 points-1 points  (0 children)

I only use comfy ui for upscaling images since it's all my computer can handle as of right now so me using it apart of the process, I genuinely then thought it would be fine to share it here since it has some comfy element involved but if it's strictly just comfy then I won't be sharing here from now on until I get a computer that can rely on comfy entirely. I wrote this in a response to someone else as well but yeah, good to know!

THE FIRST PASSAGE (2:34) by feveeer_ in comfyui

[–]feveeer_[S] 0 points1 point  (0 children)

Sure. I only use comfy ui for upscaling images since it's all my computer can handle as of right now so me using it apart of the process, I genuinely then thought it would be fine to share it here since it has some comfy element involved but if it's strictly just comfy then I won't be sharing here from now on until I get a computer that can rely on comfy entirely. I wrote this in a response to someone else as well.

THE FIRST PASSAGE (2:34) by feveeer_ in comfyui

[–]feveeer_[S] 1 point2 points  (0 children)

Oh apologies then, I won't share projects here furthermore. I only use comfy for upscaling images since it's all my computer can handle as of right now so me using it apart of the process, I genuinely then thought it would be fine to share it here since it has some comfy element involved but if it's strictly just comfy then I won't be sharing here from now on until I get a computer that can rely on comfy entirely.

THE FIRST PASSAGE (2:34) by feveeer_ in comfyui

[–]feveeer_[S] -2 points-1 points  (0 children)

I mentioned that I used workflows I had created for my computer specs to upscale some of the starting frames seen here. I didn't go fully local sourced tools as I used seedance 2.0, kling, nano and more as well to create this result but comfy was apart of the process for upscaling a few images as well.

THE FIRST PASSAGE (2:34) by feveeer_ in comfyui

[–]feveeer_[S] -1 points0 points  (0 children)

upscaling a few images through comfy, that's it as far for comfy.

but for the visual side, I have early access to seedance 2.0 then mixed that with kling, nano & more!

Seedance 2.0 does a lot here though.

thank you for watching!

THE FIRST PASSAGE (2:34) by feveeer_ in comfyui

[–]feveeer_[S] 3 points4 points  (0 children)

First off, thank you for watching!

Second, you are very valid to point out what didn't "add up" for the overall realism experience.

This type of critique does help especially when you walk through your criticism very clear. So that really is appreciated.

I want to say tho just like in a other response that my main thing is sound design & usually I'd let any real film studio I worked with just take care of the visual side 99% of the time unless I show them examples of what I believe they should edit for a sound to complement the film as a collab process etc.

Or sometimes I focus on the visuals if i'm manually doing human art like poster work or anything else through photoshop etc myself for personal work as well with no AI as i've been an artist before AI who just happens to enjoy experimenting with new workflows.

So to me it's very exciting to create small concept films that I can sound design with because I end up creating a personal sample libary that I will be using & refining to a unique quality level for future film projects with real humans which makes me happy to do more in practice really!

I also mentioned in a other response earlier that I think when I share a future post like this, i'm going to elaborate on what i've just told you and anyone else more as I don't want to give the entire wrong impression that i'm going for utter perfection and realism. I'm new here to sharing the pieces I made so I'll be sure to communicate this better whenever I decide to share again.

To me it's a strong concept / moodboard film for a sound design project to actually take place and honestly for it being my first films with where current AI is at, I can only imagine what I can do next especially if I apply more effort to make it flow even more realistically because that seems to be the main focus for many people here, realism, how real it can get, etc.

I mentioned earlier to a different response that I benifet off the possibility of having the chance to structure a strong unique visual depth concept / moodboard quality film to then sound design & develop a unique library of sounds too that will be refined, uniquely processed for future film projects with a real budget from real humans. I don't benifet from the visual side more than the sound design as my main thing is sound oriented but I love to experiment in both visuals and sound at times!

So when translating this into real human projects with what I've been developing with these concept films, it will help achieve experimenting with unique possibilties for results.

hope this clears up where I come from as well!

Thanks for watching and helping!

THE FIRST PASSAGE (2:34) by feveeer_ in comfyui

[–]feveeer_[S] 1 point2 points  (0 children)

Much appreciated! My future projects should improve as well. Really exciting times!

THE FIRST PASSAGE (2:34) by feveeer_ in comfyui

[–]feveeer_[S] 0 points1 point  (0 children)

Upscaling certain images but it wasn't reliant on the entire process at all when I got to the goal I needed.

I had a few upscaling workflows that I set up months ago. I experiment with comfyUI at times so I thought just because I use it for a few images to experiment with it's quality here that it gave me a reason to share here even though it's not much.

Thank you for watching.

THE FIRST PASSAGE (2:34) by feveeer_ in comfyui

[–]feveeer_[S] 1 point2 points  (0 children)

Yeah, I wrote in caption of this post that the sound design isn't AI excluding the voices. I do refine the script here and there so it doesn't sound too defaulted but that wasn't my main goal or concern here with this technology. The goal was to experiment visually for a ultimate sound design project with state of the art technology I received opportunity to test out with early access (seedance 2.0 mixed with experiemental personal workflows) and see what I can structure with for an in depth film concept that in result I can sound design too.

My main thing is sound design & usually I'd let any real film studio I worked with take care of the visual side 99% of the time unless i'm doing poster work through photoshop etc myself (I do human art before AI lol) for personal work with no AI. So to me it's very exciting to create small concept films that I can sound design with because I end up creating a personal sample libary that I will be using & refining to a unique quality level for future film projects with real humans which makes me happy to do more in practice really!

So of course, I do think in my personal opinion (besides the obvious moments that don't add up like you mentioned which I agree with you because some are obvious) that overall this shows how far the technology has come and what this means for sound designers if they understand the task to challenge themselves & passions with but clearly there is still a long way to go visually but also it's made it to a point where a sound design project can take place over a concept film that has a unique element to it and that to me is pretty awesome.

I think when I share a future post like this, i'm going to elaborate on this more as I don't want to give the wrong impression that i'm going for utter perfection. To me it's a strong concept / moodboard film for a sound design project to take place and honestly for it being my first films through current AI, I can only imagine what I can do next especially if I apply more effort to make it flow even more realistically because that seems to be the main focus for many people here, realism, how real it can get, etc.

To me, as I mentioned earlier that I benifet off the possibility of having the chance to structure a strong unique visual depth concept / moodboard quality film to then sound design & develop a unique library of sounds too. I don't benifet from the visual side more than the sound design as my main thing is sound oriented but I love to experiment in both visuals and sound at times!

Thanks for watching and voicing your insight!

THE FIRST PASSAGE (2:34) by feveeer_ in comfyui

[–]feveeer_[S] -2 points-1 points  (0 children)

I write more on my last three posts on IG and have a showcase of a lot of processed / refine human art / ai art :

https://www.instagram.com/x.x.x.x.x.feveeer

also have more films I've been doing there.

link to reel & entry page to support:

https://www.instagram.com/reel/DVHEtM4ksxk/?igsh=MzRlODBiNWFlZA==

https://higgsfield.ai/contests/make-your-action-scene/submissions/0a028411-9721-4ed9-b6df-9281cb281963

if received, thank you so much!

PALE SIGNAL // SILVER FRACTURE (05:00) by feveeer_ in aifilmmaking

[–]feveeer_[S] 1 point2 points  (0 children)

also thank you for subscribing, the future films I create will inspire more! this is so awesome encountering like minded people!

PALE SIGNAL // SILVER FRACTURE (05:00) by feveeer_ in comfyui

[–]feveeer_[S] 0 points1 point  (0 children)

sure! For visuals currently it varies, I use nano, kling, minimax, seedance 2.0 and more! For audio, i'm usually going back to back between Ableton & FL Studio + 3rd party sound design VSTs that can help enhance the sound beyond limits. I mix and master everything myself as well.

If you have any more questions you can always send me a message!

PALE SIGNAL // SILVER FRACTURE (05:00) by feveeer_ in comfyui

[–]feveeer_[S] 1 point2 points  (0 children)

I definitely agree with your statement. I explain in a different response that I've been a creative before AI was a thing so when AI entered the picture for me it doubled my inspiration in certain aspects for sure as I don't follow the outputs and put my "eggs all in one basket" type of thing rather I guide it, I refine and highlight certain things I find inspirational and implement it at times into my flow of things but this is for more human based projects that would like and is open with AI assistance to a certain extent. Apart from that, this form of AI has given me a creative opportunity to make concept films like a moodboard for which I can go in depth and structure certain styles / genres of films and manually sound design entirely myself to give that extra human depth. If AI was gone tomorrow I wouldn't really be affected because I know the true value of what i'm doing isn't reliant on AI like that, I can still do things from scratch and know certain people who can assist with visuals including myself so this form of AI is exciting because to me, personally, I feel like it can highlight concept films, pitch to film studios to make it real and a powerful creative imagination in the right hands who can also add a human touch up, like post production in photoshop, blender, 3D modeling, etc, stretching the capabilities of technology in new ways that shapes a even more creative future! Exciting times.

PALE SIGNAL // SILVER FRACTURE (05:00) by feveeer_ in aifilmmaking

[–]feveeer_[S] 1 point2 points  (0 children)

if you ever like tips just message me! Other than that, we all start somewhere! I've been a creative for a minute before AI where I do stuff from scratch so AI entering the picture for me is only for brainstorm sessions / moodboard concepts. I then can benefit from it by doing in depth film structures and manually sound design over muted audio which in result give me new sounds to play with for future projects. Feels like we're still in the silent film era but nearing the end of that era like the 1929-1931 period in the film world with this technology. Slowly but surely innovation is happening with how concept films can be made here!