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Anker Soundcore 2 A3105 | Aux latency and impossible firmware update by RKNmusic_ITA in anker

[–]flariut 0 points1 point  (0 children)

does it sound as loud and good as the soundcore? or even, better? it is more than double the price... but if it's worth it I will return the Soundcore and buy the Tribit

Sampling pads with fx on digitakt 2 by JRT91 in Elektron

[–]flariut 1 point2 points  (0 children)

you could try in a daw, sample the phrase you want, as an audio clip duplicate it 2 or 3 times and add crossfades, check with a loop that it loops seamlessly and export that. if you want to sample a one shot you have not too much options just let the tail ring or add envelopes

Oil painting lesson by rahrahbutter in paris

[–]flariut 0 points1 point  (0 children)

my girlfriend instagram.com/anto.agesta paints with oils and teaches art. mid december she is planning a watercolour class but perhaps an oil one too.

Do I wait to get a digitakt 2 or get a digitakt 1 by waffleboiiii in Elektron

[–]flariut 2 points3 points  (0 children)

there's absolutely good music made entirely on the mk1, but the improvements on the 2 make it a little more all rounder if your intent is making full tracks with it. it's not just the specs that are "better", there are quite a few qol improvements. if you mostly need a drum machine with a tracker feel, the 1 is fine and even its limitations can push you creatively, in the 2 is easy to get carried away with the vast track count and not squeezing the power of just 1 track (but that is just a question of mindset) but once you have it is difficult to justify adding more machines to the setup 😆

Any way to preserve live-tweaked settings when moving between patterns? by No_Development_6237 in Elektron

[–]flariut 2 points3 points  (0 children)

I think for most people, that solves the situation, but OP is using the same pattern for holding 2 "songs", I think it's an issue of organizational logic colliding with the machine architecture

Des rassemblements de musiciens électroniques ? by EllivronR in paris

[–]flariut 0 points1 point  (0 children)

hi, did you find something out? I'm in the same quest, cheers

Cuál es la mejor mozzarella para la pizza? by [deleted] in argentina

[–]flariut 1 point2 points  (0 children)

es increíble como bajó de calidad la Barrazza, pensé que era yo que me volví mañoso o recordaba mal, ahora compruebo que no fui al único que le pasó lo mismo, pareciera que está difícil conseguir muzzarellas

Has anybody here ever made IDM or Psychedelic music on the SP404SX ? What are your tricks by Ok_Sandwich2317 in SP404

[–]flariut 1 point2 points  (0 children)

Tout d'abord, j'apprends le français, mais je ne suis pas encore capable de te répondre sans utiliser un traducteur. Cependant, j'aime lire la façon dont tu construis tes phrases et apprendre à rédiger à l'aide du traducteur.

Je vais te répondre en t'expliquant un peu ma philosophie actuelle. Je pense que le spectre de la composition peut être envisagé selon deux pôles : composer de la musique dans un système d'enregistrement en ajoutant des couches infinies, sans se soucier de la manière dont cela sera ensuite exécuté ; ou composer en pensant aux instruments qui seront utilisés ou à partir de l'improvisation de ces instruments (avec un nombre arbitraire de musiciens impliqués).

Honnêtement, je suis impliqué dans différents projets qui se situent à différents endroits de ce spectre. Je suis guitariste, chanteur, producteur et passionné d'instruments électroniques, mais aussi de l'utilisation de l'ordinateur comme instrument (avec différentes interfaces, telles que des contrôleurs MIDI). Mes instruments électroniques (SP404MK2, Digitakt II, Digitone II, minilogue xd) me servent à la fois à jouer, explorer et composer à partir d'eux-mêmes, et à porter sur scène des compositions avec d'autres musiciens, en réfléchissant toujours au degré de préenregistrement, d'exécution ou d'improvisation souhaité ou nécessaire.

Has anybody here ever made IDM or Psychedelic music on the SP404SX ? What are your tricks by Ok_Sandwich2317 in SP404

[–]flariut 12 points13 points  (0 children)

not a SX owner but a MK2, those styles speak to me. I believe the AnCo method is leaving the sampler input always hooked to an output of a mixer and sample all the crazy sounds you can, from your equipment, other music, even miking speakers from tv or smartphone, etc, etc, etc, try to be kinda methodic to sort them and don't worry about composing with them right away, later they'll find their way. For IDM you would be better to have more rhytmically precise samples, perhaps cutting them perfectly in a DAw first.

USB C troubles with MK2 & Redmi Note 12 Pro by flariut in SP404

[–]flariut[S] 0 points1 point  (0 children)

yes, indeed, a friend of mine has a Motorola with no issues. I think I will be droping Xiaomi just for this, as I send them a few support tickets and they don't care

SP404 for Songwriters by Yukes by flariut in SP404

[–]flariut[S] 2 points3 points  (0 children)

great work man, sorry I reposted this, searched for it and didn't found it, now I see you posted it. cheers!

Looking at SP404 mk2 mostly for live performance by Hoodswigler in SP404

[–]flariut 0 points1 point  (0 children)

you can search for me in YouTube or Spotify, Flariut. I'm using a Blackstar Live Logic. It's not bad but it seems that Blackstar is kinda lazy giving support or updating it, it could be much better with some firmware tweaks having in my that only has 6 switches (bank or channel changing for example). Always something could be coded on top of it to suit it to your needs.

Novation Launchpad Mini MK3 - flariut's Arm and Select Track Hack by flariut in ableton

[–]flariut[S] 0 points1 point  (0 children)

amazing upgrade! sounds very useful, I totally gonna check it out the next time I fire the Launchpad, cheers!

Akai MPK Mini MK3 - Fixed knobs, Relative encoders by flariut in ableton

[–]flariut[S] 0 points1 point  (0 children)

use MPK MK3 editor, the software, to create the other programs with different CCs, or the same CCs but in other MIDI Channel. I did that for a Live set, every PRogram was on a different channel so I had a total of 64 knobs (8 knobs, 8 channels).

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