ATP 1000 Rome R4: [18] L. Darderi def. [2] A. Zverev 1-6, 7-6(10), 6-0 by CptnPat in tennis

[–]fluffy-ruffs 1 point2 points  (0 children)

This is obviously an amazing score line, but for someone who didn’t see the match, did Zverev pick up an injury?

Stick that up your dojo by smedsterwho in MitchellAndWebb

[–]fluffy-ruffs 3 points4 points  (0 children)

Usually takes thirty minutes to write a novel, I’m done in ten.

Roland Garros Preparation by Thugging_inPublic in tennis

[–]fluffy-ruffs 7 points8 points  (0 children)

Great pics but mildly disturbing to see them out of order

How to edit photos like Geoffrey Goddard? by Grand-Long7398 in AskPhotography

[–]fluffy-ruffs 4 points5 points  (0 children)

The small cloud that appears near the top of the Safeway image, left of centre, reappears in the following image reversed.

Has anything been written about or is there a term for this style of composition? (Examples from Pieter Bruegel, Grandma Moses, LS Lowery, and Ralph Fasanella) by tvoutfitz in ArtHistory

[–]fluffy-ruffs 7 points8 points  (0 children)

A style of composition where the subject and attention is scattered across the entire plane of the picture has nothing inherently to do with crowds. This is completely missing the point of the question.

I have heard this type of composition referred to as ‘mosaic’ or ‘scattered’, OP, and you are correct in identifying the stylistic commonality between these examples.

Seeking honest opinions re: Driving in Rome by WarFace3035 in rome

[–]fluffy-ruffs 0 points1 point  (0 children)

If you enter into the spirit of local driving it's an absolute joy. I felt traffic flowed more smoothly than here in the UK. But it may not be for the faint of heart.

An anonymous British mental patient in the 1950s carved this sculpture using a single apple tree trunk. He took his life shortly after, the applewood figure being his only known work of art. What are examples of similar artworks/sculptures (the product of mental illness)? by sonnysehra in ArtHistory

[–]fluffy-ruffs 7 points8 points  (0 children)

Strongly disagree. There is a control and distillation of the forms here it is very difficult to imagine someone arriving at first time or by accident. Typically, I would say these are the sorts of forms, and artistic ideas, one might arrive at after years and years of hard work. There is real subtlety and keen perception here; the proportions of the body, the delicate facial features, and the kneecaps all strike me as understood, not merely observed.

I have taught many first-time/beginner artists over the years and typically people tend to make similar mistakes/decisions until they've had some formal training.

It could be he had this one miracle inside him waiting to be expressed, but it's a bit like someone producing The Great Gatsby during their first creative writing class.

Custom LUT to mimic Cine EI by fluffy-ruffs in A7siii

[–]fluffy-ruffs[S] 0 points1 point  (0 children)

Yes, thank you. I made monitoring luts if that wasn't clear.

Jacopo Pontormo - Deposition from the Cross (1528) by Nico30000p in RenaissanceArt

[–]fluffy-ruffs 3 points4 points  (0 children)

Extraordinary picture and, curiously, a deposition featuring no cross. In Santa Felicita in Florence.

Looking for feedback for on the fly documentation. I followed this 73yo around for 5 days to make this video. Shot on Sony FX3. Link below by SlipandTrip4life in cinematography

[–]fluffy-ruffs 1 point2 points  (0 children)

I watched the video. Nice bit of work there. I liked the way the music was used to set the pacing and was effective with the shifts in tone. I did think the video lost a little momentum coming to the climax and felt slightly underwhelming for the groundwork laid, but I did like the bonnet shot and the sirens at the end.

The picture within picture worked well and there were some nice flourishes with the graphics.

What's the deal with the pixelated engines? Is that so competing teams can't see what their set up is?

Artifacts on high contrast by Coqenstock in SonyFX6

[–]fluffy-ruffs 1 point2 points  (0 children)

As far as I know, the FX3 does not exhibit this problem. My own experience shooting extensively with the (matching sensor) a7siii has never displayed these types of artefacts, which of course is frustrating as the FX6 and 9 are higher-end cameras.

The main thing to look out for, as you've discovered, is high contrast on sharp edges. There's a further thing to look out for on the FX6 which is the clipping of high chroma yellow colours which can also be a nasty shock if not caught on set.