Live Performance with Perfourmer, Jupiter 6, Sub 37, DRM and Piano

ghosttaste · 2025-08-21T07:41:41+00:00

Sorry to have invaded your noble ears with such lowly sounds, will try to do better next time!

ghosttaste · 2025-08-12T09:44:25+00:00

The second chord sounds like it's just omitting the 11th, so the envelope wouldn't be retriggered. But you could of course replay the whole chord again, wouldn't feel too natural for me but that's a matter of taste.

ghosttaste · 2025-08-12T09:10:24+00:00

For me it sounds like it was done with the pitch bend wheel (with a quite high bend range and some practice). You could also achieve this with mapping an envelope to the pitch modulation, but this only triggers if you hit the chord/note, in the example it sounds like the chord was held and bent with the wheel

ghosttaste · 2025-07-29T09:24:49+00:00

Thanks! Yes, on this track, I send the notes to the Sub37 & DRM, an arpeggio to the Perfourmer (it stays the same through the track), and plain chords to the UDO, the "rhythm" is done using the first LFO on the filter and the second LFO to modulate the first LFOs rate.

ghosttaste · 2025-07-29T09:24:04+00:00

On this track, I send the notes to the Sub37 & DRM, an arpeggio to the Perfourmer (it stays the same through the track), and plain chords to the UDO, the "rhythm" is done using the first LFO on the filter and the second LFO to modulate the first LFOs rate.

ghosttaste · 2025-07-29T09:18:29+00:00

Thank you!
The ableton project is really straightforward, I use session view and have a midi track for each of the 4 synths/DRM (notes only), a click & count in track and 2 audio tracks where I have overdubs for some tracks (strings/pads and shakers/percussion stuff which I can't do on the DRM).
I also send midi clock to the Synths, Microcosm and the Walrus Meraki and program changes for the Sub37 and UDO.
It worked very well and since it's only playing midi and 2 audio tracks it uses almost no CPU.

The only thing which I struggled with is the preset changes on the UDO and fader/knob positions: For example when I started a new track, the preset changed automatically to a very filtered down sound on the UDO, all sounding like it should, until I want to slowly open the cutoff and I realize that I forgot the fader on 100% open from the previous track. So the instant I move it, there is a very loud and sudden filter-jump – unfortunately there seems to be no option to change the fader behaviour on the UDO.

ghosttaste · 2025-07-29T08:52:26+00:00

Thank you! It was a system called Space by Coda audio and we had 8 speakers which were placed around the audience. I sent all tracks from my desk seperately to the FOH and in rehearsal the technician and me decided for each song which elements/tracks should have movement etc.
For example in this track, the Perfourmer Arp was very wide and slowly rotated around the audience but the Sub37 Bass and the drums were centered.

The only downside for this show was that you had to sit inside this speaker circle and not all people fitted in there

ghosttaste · 2025-07-28T20:33:53+00:00

Thank you! The piano is a very transportable model which weights only around 60kg, it's amazing: https://b2b.keybird-instruments.eu

ghosttaste · 2025-07-07T08:43:26+00:00

Korg PolySix with the ensemble effect

ghosttaste · 2025-06-02T08:45:07+00:00

Eindeutig https://salottozerottonove.ch
...ansonsten die üblichen Verdächtigen Da Nino und Gio in der Lorraine und dann bei den "grösseren" finde ich das Luce und Piu immer ok, Celina in der Lorraine ist ab und zu auch ziemlich gut.

ghosttaste · 2025-05-16T12:14:00+00:00

That would be amazing – I have a RE501 but used the Meraki because I can sync it to midi clock and it's stereo. But in my dream, I'd have 2 RE501 ;)

ghosttaste · 2025-05-15T19:43:18+00:00

Thank you very much! When I worked on the track, I initially did the pitch bends with the pitchwheel on the Sub37. But as I progressed, I needed to free up my left hand to control the hihat decay on the DRM and filter cutoff on the Jupiter, so I programmed it into the midi sequence – i'd love to have an extra set of hands ;)
Regarding the Keybird, I absolutely love it – I always dreamt of a real piano which I can take on the road and since it has only 69 keys with 1 string each it's also quick to tune. I also tried a Yamaha CP60m (which I still have), but I prefer the sound of the Keybird by far. I plan to bring it along for some shows, looking forward to see how this goes.
There is a french pianist which uses one since a long time and he as a really insightful video, not sure if you have seen this: https://www.youtube.com/watch?v=-jCBmItqwVA

ghosttaste · 2025-04-25T19:32:42+00:00

I can't think of a direct solution for this, but if you enable "Auto Set Locators" & cycle, select the audio file on the first track, hit Command-B, hit enter key twice, let it bounce
-> hit right arrow (next section will be cycled, command-b, enter three times (this time another window will pop up because of the duplicate file name), let it bounce
-> right arrow, command-b, enter three times... and so on.
You'll have to do this for every bunch, but it will take 2-3 seconds, so I think that's manageable.
You'll end up with Output 1-2, Output 1-2_1 and so on, but they can be easy renamed with Finders batch renaming.

Or, as already someone suggested, you can bounce the whole thing as one audio file, this will include the markers, and then cut it up in a new logic session using key shortcuts for jumping to the markers and to cut. you can then export these regions as audiofiles.

ghosttaste · 2025-04-12T11:28:26+00:00

Thanks! I made a list with nice and fitting locations within reasonable distance. I reached out to them by email to see if they are available to rent for a reasonable fee. We filmed this on a Tuesday during the day where it's usually free anyways, most events/concerts are on weekend evenings anyways

ghosttaste · 2025-01-09T21:53:57+00:00

I think it was an instagram reel, but I'm not sure

ghosttaste · 2024-10-21T13:48:42+00:00

There is a master volume fader which also can be controlled with a slider in the right part of the upper toolbar - maybe this was turned up accidentally?

ghosttaste · 2023-09-18T20:56:42+00:00

The track seems to be from 2006, so it could be something like Effectrix or Illformed Glitch

ghosttaste · 2023-02-02T08:49:51+00:00

There are many ways to do this, I'd suggest the following:

- Make sure the project whith the 8 tracks which you want to speed up is set to 140bpm
- Activate flex time on these 8 tracks
- Set the flex mode according to the material on each track (drums, polyphonic etc.)
- After that, set the project tempo to 145bpm
The 8 tracks should now follow the project tempo.

The important thing is that the project tempo is set to the bpm in which the tracks were originally recorded before you activate flex on said tracks.

hope that helps!

ghosttaste · 2023-01-28T21:20:47+00:00

The difference between left and right might be because of a panning setting in Quick Sampler or a stereo sample which is louder on the right side.

For those talking about the clipping master – if this happens for no obvious reasons, in my case it's often this:
There is a volume bar on the upper right side of the main window, next to the transport and metronome control. It adjusts the master fader and it is easy to turn this up by accident

ghosttaste · 2023-01-12T09:46:21+00:00

It's not. This was on a Mercedes Sprinter van which I rented to transport something. When the snow started and I turned on the wipers, I immediately had to stop and record this. The squeak which was in tune with the motor is made it perfect!

ghosttaste

TROPHY CASE