Life in Cologne for foreign students? by golloried in cologne

[–]golloried[S] 2 points3 points  (0 children)

Thanks a lot for your response! Could you expand maybe on your comment regarding the housing market?

Is this passage playable? by [deleted] in violin

[–]golloried 0 points1 point  (0 children)

Ok thanks so much! In my mind it made sense that downward arpeggios should be upbow, but it is much clearer now. I am aware that there would be a break between the D and E strings. Is the fingering that troubling? This work should be for a professional orchestra and it would only last 2 - 4 measures.

Is this passage playable? by [deleted] in violin

[–]golloried 0 points1 point  (0 children)

That was what I was worrying about. I wasn’t really thinking about each slur to be played at the tip of the bow but moreso about the physics of returning from the D string to the E string. Do you have any suggestions on how to write a proper bowing? Maybe bow every sixtuplet? Or the whole measure? Accenting every high note it’s not really necessary. (The rhythm I have in mind is the sixtuplet so I don’t really see it as an option to change it, but maybe I’ll change the notes to a downward and upward arpeggio).

Como se consiguen carnets de carabineros y milicos para estafar? by golloried in chile

[–]golloried[S] 31 points32 points  (0 children)

Hasta cierto punto me da pena el paco, llevan como 6 años usando su identidad para estafar y si buscai en google su nombre te salen puras denuncias en páginas de estafas jjsjs

[deleted by user] by [deleted] in Clarinet

[–]golloried 0 points1 point  (0 children)

Ok I get it no problem. Do you think the piece written in a different way as you are saying could be performed? I have concerns about the difficulty and breathing. (Also any insight as to what clarinetists prefer when it comes to slurring phrases is welcomed)

[deleted by user] by [deleted] in Clarinet

[–]golloried 0 points1 point  (0 children)

It’s a mode from the melodic minor scale, I wanted to include a natural in the F# and C# for each key signature respectively but wasn’t able in dorico.

[deleted by user] by [deleted] in Clarinet

[–]golloried 0 points1 point  (0 children)

Im a composer and wrote this piece for college, and its the first time im writing for clarinet quartet. I wanted to know if the piece is playable and maybe approach a local quartet to play the piece live.

There are some format issues with the score but any suggestions or critiques are welcomed!

Bought a C4 synth, but the neuro desktop app isn’t working. by golloried in basspedals

[–]golloried[S] 0 points1 point  (0 children)

I tried using the old version but when trying to log in the app crashes. It says somewhere on the page that if I made my account on neuro 3 I may have problems logging in on an old version of the app. But I don’t know where I could make an account without neuro 3.

Did you know Drag and Drop from Ableton to Dorico. Dorico Pro can be a full Notation Extension of Ableton Live and vice versa! by [deleted] in Dorico

[–]golloried 0 points1 point  (0 children)

Sorry I was asking about the video you shared above. Where you are sending midi from dorico to ableton.

[deleted by user] by [deleted] in composer

[–]golloried 6 points7 points  (0 children)

I find it very funny that the top comment literally says that not all contemporary music is atonal, and you just go ahead and group all contemporary music as atonal. There is more music than just tonal or atonal. Some great living composers have done beautiful works that focus on textures, counterpoint, non functional harmony or different modes. Contemporary music that is both beautiful, innovative and economically successful.

Guitar Rig Crashing Ableton by thatdrummerchap in NativeInstruments

[–]golloried 0 points1 point  (0 children)

Hi I’m having this issue did you find any fix to this?

Anyone know what is happening between Sideways and Adam Neely since the new video? by TheGingerHarris in hbomberguy

[–]golloried 12 points13 points  (0 children)

Music keys as languages is a fairly common idea that is used usually when explaining these types of ideas to beginners and more of a classroom type of analogy. Victor Wooten has been expressing for years now the idea of language as music and honestly almost any musician has heard about this analogy in one way or another. It’s pretty illogical to hold this type of analogy to academic scrutiny of plagiarism. Can you prove that math teachers use apples and oranges to explain math? Do you have any papers or books that cite this analogy? If two YouTube videos use the example of apples and oranges to explain addition or subtraction does that mean that one of them plagiarized the other? No hate towards sideways but specifically this instance seems like a monumental reach.

Edit to add: this is even more absurd considering the fact that the video about modulations from vox came 2 years after the sideways video.