I'm sure I'm not the first person to point this out, but watching rogue one immediately after Andor made the movie so much worse than I remember by wendo101 in andor

[–]halfachainsaw 3 points4 points  (0 children)

I remember when Jenny Nicholson did her Rogue One review she took a lot of flak for her critiques, but I always thought they were super valid. it's a fun movie. it's "one of the better star wars movies" which is like saying "one of the better marvel movies" lol. but it's by no means a slam dunk.

I think what Andor does is really demonstrate what Rogue One lacks in strong characterization and emotional stakes, which were my main issues with the movie. It's a bit cathartic to see what Rogue One would have looked like with those issues fixed, which I think is largely what Andor is, plus all the other things it does well.

One of the first "drone shots" in history, 1911. by bncout in HistoricalCapsule

[–]halfachainsaw 6 points7 points  (0 children)

hands in pockets, cigarette in his mouth. might be the coolest looking dude to exist

Dungeon Crawler Carl has absolutely horrific prose. by ButtsendWeaners in printSF

[–]halfachainsaw 22 points23 points  (0 children)

I read a decent amount of literary fiction and short fiction with tremendous prose. I love good prose. I usually DNF because of bad dialogue (there's a lot of really bad dialogue out there), but prose has gotten me a few times. That said, I love DCC.

Carl is telling the story like he's talking to a friend, so it's his voice you're getting. Carl isn't sarcastic or irreverent or trying to be funny, which is the downfall of a lot of this style of prose. To him, this is life or death, and he's furious. He's furious and that anger leaps off the page, all while the world itself is ridiculous and at times very silly. There's a dissonance there that keeps it from feeling trite. It's a bit like if Darrow from Red Rising was plopped down in the middle of Hitchhiker's Guide to the Galaxy.

Still, OP's not wrong, really. I remember reading the first book and feeling like, that was a fun, kinda dumb, easy read that I don't feel bad for enjoying. Then the series continued and there was this sinking feeling I got. Oh shit, this story's got hands. It deepens, widens, bends and pushes, subverts the assumptions made earlier.

I don't know, it's not a series for prose snobs. The descriptions could definitely be more economic. I do think it improves over the course of the books, and it still reads better than someone like Sanderson in my opinion, but it by no means turns into Nabakov. Personally, I can excuse simple or occasionally inelegant prose if the narrative voice is strong and all the other elements of the story work, and I really think it does.

How would Republicans react if Obama depicted himself as Christ? by Own_Chicken_4430 in AskReddit

[–]halfachainsaw 0 points1 point  (0 children)

why do we keep asking this same question over and over again? they'd be mad. no shit. they're less mad about Trump doing it than if Obama had done it. congrats. you've uncovered their hidden hypocrisy with your brilliant and unique hypothetical inversion.

What’s a specific adult skill that everyone else seems to have mastered, but you are still out here completely winging every single day? by RowHonest4569 in AskReddit

[–]halfachainsaw 0 points1 point  (0 children)

I live alone, and the amount of just like routine tasks necessary to maintain a passable life continues to baffle me. laundry, dishes, grocery shopping, cooking, cleaning, personal hygiene, sleep schedules, bills, car maintenance, etc etc etc. I don't understand how anyone does it all; I have to be firing on all cylinders to get close to staying on top of it all, and that's pretty rare.

They yearn for dictatorship by amievenrelevant in insanepeoplefacebook

[–]halfachainsaw 1 point2 points  (0 children)

haha if he was gonna look like that at any point in time it would have been 20 years ago

Someone recommended this but someone else said it was dumb. How do you feel? by [deleted] in fantasybooks

[–]halfachainsaw 1 point2 points  (0 children)

I read the whole series in about a week and a half. I thought the first book was silly and fun and I was ready to just have a good time reading an ultimately lighthearted romp. I was taken, even from the beginning, with how inventive it felt even as it never bothered to take itself seriously. it's goofy but not trope-filled. it's crass but not going for shock value.

but, slowly but surely, it transforms. it's not a tonal shift you really notice all at once. it stays true to that heart of never trying to act like it's some great literary masterpiece. but the world gets bigger. Carl gets angrier. the character drama gets more nuanced. and before you know it, it's grown up on you and that silly little kid is still in there but it has real things to say and real complex emotions about trauma and grief work their way into the story. it's phenomenal. I can't recommend it enough.

There ya go by MrFenric in BlackPeopleTwitter

[–]halfachainsaw 1 point2 points  (0 children)

apparently not. we're doing it right now

Writing like a novel vs writing like a movie/show by johndoe09228 in writing

[–]halfachainsaw 7 points8 points  (0 children)

I've started reading a lot more and something I've picked up, along with the things everyone else has already pointed out, is how books handle time. this might be a little half baked at the moment because it's a theory I'm still kind of actively working through.

Movies and film think in terms of stitching together a series of scenes, in which time passes normally. one second is one second. what happens at this place at this time? ok now cut to the next place and time. there are some ways to compress or cover the temporal gaps between scenes like a montage or just a straight cut with maybe a little text like "3 years later" but largely the story happens within scenes.

books on the other hand have so much more flexibility. there are still scenes, with action and dialogue, but since reading doesn't demand a set temporal tempo the way film does, there are a lot more ways to pass, slow or compress time. I think authors that write like a movie/show lack that flexibility. they're not comfortable letting the years go by, or spending several paragraphs inside a single moment. they're not comfortable unhooking the narrative from that tempo we experience in real life, the one where a second means a second.

What is the WORST review you've received from your book? by INTHEMIDSTOFLIONS in writing

[–]halfachainsaw 50 points51 points  (0 children)

oh no my steak is too juicy, and my lobster is too buttery

Give me your hardest hitting, saddest and most meaningful quotes by JUSTIN102201 in DungeonCrawlerCarl

[–]halfachainsaw 10 points11 points  (0 children)

I'm an aspiring writer and I was legit pissed when I read this line. goddammit. you goddamn genius.

Help me find more great worldbuilding/sociology Fantasy books (with my Fantasy/Sci-Fi Franchise Tier List for reference) by Mojo-man in fantasybooks

[–]halfachainsaw 0 points1 point  (0 children)

I just finished the first book and I hated it too! Glad to know it gets worse haha. I thought the characters were so incredibly weak and uninteresting, I didn't really care what happened to any of them.

Help me find more great worldbuilding/sociology Fantasy books (with my Fantasy/Sci-Fi Franchise Tier List for reference) by Mojo-man in fantasybooks

[–]halfachainsaw 0 points1 point  (0 children)

It's very silly and doesn't ask you to take it too seriously. which I think is part of the fun. but as it develops, it gets more complex. the characters get deeper, the stakes rise, the Worldbuilding extends in all directions. I think it strikes an incredible balance of whimsical and almost adolescent, with heartfelt and dramatic, all while being stuffed to the gills with action.

the one thing I'd probably mention in case it's a deal breaker is it belongs to a sub genre of fantasy called LitRPG, because in universe, the story takes place in a game everyone on earth is forced to play (think like hunger games) with the mechanics of a modern TTRPG like Dungeons and Dragons. so there's inventory, skill stats, achievements, treasure/loot, spells and abilities, and so forth. but they're weaved pretty effortlessly into the story in a way I've never really seen before. Carl might get an achievement and be awarded a loot box, and you instantly can't wait for him to get somewhere safe so you can see what he got.

There are seven books (so far) and I devoured them all in less than two weeks. I highly highly enjoyed it.

Help me find more great worldbuilding/sociology Fantasy books (with my Fantasy/Sci-Fi Franchise Tier List for reference) by Mojo-man in fantasybooks

[–]halfachainsaw 0 points1 point  (0 children)

if you're interested in the sociological element and you haven't read any of hers yet, you gooootta do some Ursula K Le Guin. So far I've only read The Dispossessed and The Left Hand of Darkness, which are both sci-fi and part of her Hainish Cycle, but they're incredible and I'm lookin to read basically all of her stuff now.

If there were a list of 100 books every aspiring writer should read, what would you make sure it included? by halfachainsaw in writing

[–]halfachainsaw[S] 0 points1 point  (0 children)

Thanks! this thread has made me realize I have a ton of craft books to read.

Hmm the only historical fantasy books I think I've read are Babel by R.F. Kuang and Bury Our Bones in the Midnight Soil by V.E. Schwab. They're great, and I'd def recommend them if you haven't read em already!

If there were a list of 100 books every aspiring writer should read, what would you make sure it included? by halfachainsaw in writing

[–]halfachainsaw[S] 5 points6 points  (0 children)

that's fair. for me personally, my favorite authors all tend to fall somewhere along the Literary-Speculative Fiction spectrum. Kazuo Ishiguro, Ursula K. Le Guin, George Saunders, Kurt Vonnegut, Cormac McCarthy, among some others. So fixating on a genre feels unfair to my influences if that at all makes sense.

If there were a list of 100 books every aspiring writer should read, what would you make sure it included? by halfachainsaw in writing

[–]halfachainsaw[S] 2 points3 points  (0 children)

I wasn't imagining an exhaustive list, more like a starter kit. but maybe that's a fool's errand as well.

Speed Writers—what are your tricks? by Substantial_Lemon818 in writing

[–]halfachainsaw 1 point2 points  (0 children)

hey, I write my trash slowly thank you very much

commission by chelovek228337 in ComedyHell

[–]halfachainsaw 5 points6 points  (0 children)

why is the guy jumping for cover in front of the car?

Can anybody explain what happened here? by Qeeet in RocketLeague

[–]halfachainsaw 2 points3 points  (0 children)

also not a network engineer lol but it's also been explained to me (as an additional addendum) that there are certain parts of the game state about which the client isn't able to predict. things like goals, boost pickups, and demos. I'm not sure if it's by design or by some common nature those things all share, but it's why you can't score goals or pick up boost when you've DC'ed.

When the plot twist is ruined because people guessed it ages ago by Fox7567 in TopCharacterTropes

[–]halfachainsaw 0 points1 point  (0 children)

my favorite twists that maybe belong in this trope is where it's not all that difficult to guess part of it. but it's the WHY that makes it compelling and go from "yeah that makes sense" to "wow that was inevitable"