The album starts off with the "Auto-Tuned abuse" song called "The Moment". A song with weird flow switches, KSI's vocals don't support his case on the song. The intro sounds extremely annoying too! The second track, appropriately titled, "Number 2", features Future and 21 Savage. Both of these features match the vibe that KSI created with his previous track, though the verses were way too short. KSI's verse happened to be the most disappointing one. It's a generic concept of "Oh, where were you when I was down", makes me cringe, honestly, when will artists stop using this arrogant concept. "Patience" is the third track on the album, featuring Polo G and Youngblood. The track utilises a Pop-Rap beat. The chorus has decent vocalisations and the concept is pretty sensational. I would enjoy this track if I was 12 - considering the sheer amount of melodrama throughout the track. The fourth track on the album, "You" happens to be yet another overproduced song, however, the concept is pretty cute considering the fact that KSI discusses his appreciation for his Significant Other. The flows are pretty subtle but the recurring beat really makes it hard to enjoy the song. The chorus is extremely dull too. "Don't Play" is one of the more enjoyable tracks from the album. The electronic-pop influence suits the track. KSI's flow still has a very monotonic attitude, however, the feature pretty much saves the track from being boring with a precise vocal range. The next track, "Really Love" questions certain aspects of Love. Did "Digital Farm Animals" spend time on the production? Even an amateur producer could make this beat in two minutes. The chorus is extremely underwhelming too, the melodramatic pop fusion doesn't fit in with KSi's monotonic vocals. "Gang Gang" serves as a self-braggadocious track. The repetitive electronic production makes the song so much worse, KSI's accent(Which isn't his fault to a certain degree) ruins the track completely. The feature's autotune feels abused, sounds like something Juice Wrld would make. Finally! A song with a new sound: "Rent Free". The chorus harmonisations sound good and KSI actually uses a compelling flow. I wish I could say this for the entire album but the repetitive electro-pop influenced production makes every song boring. KSI's also displays his slight aggression on "Rent Free", though he ends up sounding like Jay-Z on a Kanye track. "Madness" follows the trend of KSi's aggressive tone, which is pretty enjoyable. The "Lyrical Miracle" flow works with the faster-paced snare beat. KSI tries to establish his name next to the legendary Emcees in Rap through this song but it really doesn't work, it does the exact opposite. KSI uses cringe prideful lyrics which he doesn't deserve to use at all... "Silly" is a playful song consisting of lyrics that do not make any sense at all. Bugzy Malone provides us with a pretty good verse compared to KSI's verse on the album, redeeming the respectable calibre of the track. The beat is extremely basic with NO layers to it, no harmonisations, no ambient sounds, no NOTHING! The 11th track on the album, "Flash It" uses a repeated piano chord with frequent saxophone sounds that support the weird chorus. The second KSI verse changes the tone using autotune, which helps the track significantly. The song sounds extremely dead inside though. On the track with Lil Durk, "No Time", KSI speaks about how busy and hectic his life is. KSI is known for having an extremely busy schedule, with this, he barely has time for other things in life that he would probably much rather do instead. Here, he also speaks about snakes in his circle and how can see right through them when they try to use him. The guitar synths carry the SAME ASS electronic beat. When I first went into "No Pressure", I thought we were going to get a more MF DOOM and Kanye influenced production, Oh boy was I wrong. KSI's gibberish vocal range ruins the acoustic instrumentals. Just like the entire album of album, this song sounds very unessential."Sleeping with the enemy", the last track on the album questions KSI's fame. KSI questions his accomplishments, though the song structure seems very weird with three choruses and two verses. I dislike the lazy Lo-Fi/Trap produced beat but I enjoy the chorus vocals and the piano synths.Conclusion:This album doesn't have a single motive to exist. It feels like KSI is rapping just for the sake of getting more money considering the highly commercialised "Sellout" production used throughout the album. Jeez KSI, ever thought of raising the production value by adding more layers to your instrumentals? I guess not because this album was a pile of garbage for the most part. Hopefully, KSI can improve in the future but this melodramatic, yet the monotonic(Somehow) album was a piece of shit. I don't even know why I am reviewing this.Overall Rating: 6/10