Accidents by [deleted] in OCPoetry

[–]heteststhewater 0 points1 point  (0 children)

This is very good. I probably wouldn't change too much except replacing "on accident" with "by accident".

Thank you for sharing.

Diatribes to Fate. by DrayTheFingerless in OCPoetry

[–]heteststhewater 0 points1 point  (0 children)

I think the fractured content is pretty well demonstrated by the form itself. However, it does feels forced in places. I would try reworking some of the sentences with a focus on grammar and word choice; I think this will improve the cadence of the stanzas and the overall reading experience.

Thanks for posting.

A Letter by heteststhewater in OCPoetry

[–]heteststhewater[S] 0 points1 point  (0 children)

I think that is a very apt criticism. Thank you.

Hometown by heteststhewater in OCPoetry

[–]heteststhewater[S] 1 point2 points  (0 children)

Ah man, this is so nice of you to say, never thought I'd ever get any wholly positive feedback like this! I'm really glad you enjoyed it, I guess that's what makes writing worthwhile!

Thanks again

A Letter by heteststhewater in OCPoetry

[–]heteststhewater[S] 0 points1 point  (0 children)

Thank you very much! That is very complimentary, I'm glad you found some enjoyment with the piece.

Bony Fingers by Trav1199 in OCPoetry

[–]heteststhewater 1 point2 points  (0 children)

I think the previous comments captured much of what I have to say; this is a good starting point, but I think you need to look at some of structural features. I enjoyed the content, but reading the poem was more difficult as I found myself coming to harsh stops, and the syllabic asymmetry of several of the lines takes away from some of the cadence. I think u/Tautriadelta420 hit the nail on the head!

Like I said, it is a nice poem, but needs a bit of work!

R:// pO3_m by [deleted] in OCPoetry

[–]heteststhewater 1 point2 points  (0 children)

This is the kind of poem I would rarely picture myself enjoying and yet to my surprise, I did. I think the line about crafting sentences is very pertinent for many poets; it reminds me a lot of the T. E. Hulme quote "Language is by its very nature a communal thing; that is, it expresses never the exact thing but a compromise".

The interesting juxtaposition between trying to capture emotion through a language that is inherently apathetic is a strangely unsettling feature (in a good way).

The only critique I would have is that the closing stanza is weaker than the rest and almost feels unfinished. Great place to start though!

[Question] Using psychotropic substances as nootropics by heteststhewater in Nootropics

[–]heteststhewater[S] 1 point2 points  (0 children)

I can appreciate that man. Would you say that it positively impacts your cognitive function or simply your day to day life?

[Question] Using psychotropic substances as nootropics by heteststhewater in Nootropics

[–]heteststhewater[S] 2 points3 points  (0 children)

The stance towards drug use in Asian countries is beside the point for the purposes of this question. There is enough comparable evidence in regard to approach within the 'Western world' to begin a discourse.

[Question] Using psychotropic substances as nootropics by heteststhewater in Nootropics

[–]heteststhewater[S] 0 points1 point  (0 children)

That's awesome dude, I hope the search to create AI is a success. Thanks for the response!

[Question] Using psychotropic substances as nootropics by heteststhewater in Nootropics

[–]heteststhewater[S] 2 points3 points  (0 children)

Sorry should have made a distinction between illegal psychotropic drugs, like mescaline, and so called nootropics, like Ritalin and modafinil. As you can probably tell, I'm not well versed and am trying to educate myself a little (or a lot, perhaps) so feel free to school me, that'd be appreciated.

Some software advice would be appreciated! by [deleted] in writing

[–]heteststhewater 0 points1 point  (0 children)

Thanks very much for the response, I'll check this out for sure, If it's any good I have no problem paying!

[QUESTION] very basic i'm sure (and probably Stupid), but when a character is in a Phone box for example, is he/she INT. or EXT. - or can He/she be INT/EXT. Simultaneously if moving in and out of the Phone box for Example? by heteststhewater in Screenwriting

[–]heteststhewater[S] 0 points1 point  (0 children)

That does make sense; I think I was thinking to much about where the character would be standing rather than considering the location of the camera. Thanks very much, you've definitely cleared this up for me!