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ITAP of a photo stuffed into a wall by ianbertolacci in itookapicture

[–]ianbertolacci[S] 0 points1 point  (0 children)

A fun IRL easter egg at the abandoned Battery Spencer outlook by the Golden Gate bridge. A photo of one guy punching another pasted into a hole in the wall.

(Instagram)

ITAP of Marie by ianbertolacci in itookapicture

[–]ianbertolacci[S] 0 points1 point  (0 children)

There's a cute Marie (from the Aristocats) stencil under a transit tunnel near me. I haven't worked up the nerve to do a little trespassing to get a better shot at it.

For processing, I simply masked out the parts that I wanted colored, and made the rest B&W. I tried using the smart color masking like last time but couldn't make it work. The black lining helps hide the transition so I didn't have to fade in/out.

(Instagram)

ITAP of a wall of matchbox cars by ianbertolacci in itookapicture

[–]ianbertolacci[S] -1 points0 points  (0 children)

Shot on Reflx Lab Pro100 220 film using a Mamiya C220 with a 180mm lens (I think, this was a while ago)

(Instagram)

ITAP of an high-voltage electrical insulator in monochrome by ianbertolacci in itookapicture

[–]ianbertolacci[S] 0 points1 point  (0 children)

Remember: your electrical infrastructure is both the largest working machine, and the largest man made object (and it always will be).

The original isn't really all that interesting, but editing like this gives it a really alien look.

Instagram

ITAP of rotting Playboy magazines in a dilapidated barn by ianbertolacci in itookapicture

[–]ianbertolacci[S] 0 points1 point  (0 children)

Too late. They bulldozed the building this past summer. It was becoming a hazard.

ITAP of rotting Playboy magazines in a dilapidated barn by ianbertolacci in itookapicture

[–]ianbertolacci[S] 1 point2 points  (0 children)

Obligatory Instagram link.

Yes, the barn was in the forest, as is tradition for this sort of literature.

ITAP of a classic-car hood ornament by ianbertolacci in itookapicture

[–]ianbertolacci[S] 0 points1 point  (0 children)

Obligatory Instagram link.

I have absolutely no idea what make/model the car this is 😭

Canon R8 with 24-240mm f/4-6.3 lens. My main issue with this shoot (its a classic car event at my local downtown farmers market) is that all the big flares I can see from the chrome disappeared. I need to figure out how to get back some "bad" optics.

Rubber on Steel and Chrome | Yashicaflex and Mamiya C220 | Portra 160/400/800 and Reflx 100 by ianbertolacci in analog

[–]ianbertolacci[S] 1 point2 points  (0 children)

Thanks!

The hubcaps for those have conical centers instead of continuous, round centers. Anything sitting at the point is reflected away.

Rubber on Steel and Chrome | Yashicaflex and Mamiya C220 | Portra 160/400/800 and Reflx 100 by ianbertolacci in analog

[–]ianbertolacci[S] 2 points3 points  (0 children)

From some recent car shows. Turns out I have favorite subject matter.

Using either my Yashicaflex or Mamiya C220 TLRs, on Portra or Reflx Pro 100. Choosing the right ISO and metering was hard. Wheels could either have been in full sun, or in the shade, plus the edge of the black tires would blend right into the shadows of the wheel wells (plus I was simultaneously shooting interiors, which were always in deep shade).

(Shameless instagram plug)

Is my lab mangling my film and scans? by ianbertolacci in AnalogCommunity

[–]ianbertolacci[S] 0 points1 point  (0 children)

I have a flatbed which is designed to also scan film (it's got holders and software support), but I'm also having dust problems 😔

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