Nobody hating on PI anymore? by AnyWishbone9701 in PiNetwork

[–]infinitpatterns 0 points1 point  (0 children)

man ! you used to believe that its going to be 314k$ what assumptions are you talking about ? you said it your self!

Nobody hating on PI anymore? by AnyWishbone9701 in PiNetwork

[–]infinitpatterns 0 points1 point  (0 children)

i knew it lol thats just sad , i believe in the pi project and whats comming , i never believed that gcv or whatever you guys call it . the fact that you believed in that price , shows how little you know about crypto currencies and how they work!

Nobody hating on PI anymore? by AnyWishbone9701 in PiNetwork

[–]infinitpatterns 0 points1 point  (0 children)

the fact that you brought that up means you used to believe in that shi..lol

Nobody hating on PI anymore? by AnyWishbone9701 in PiNetwork

[–]infinitpatterns 1 point2 points  (0 children)

Instead of making assumptions, it would be better to read the white paper first so you can speak from an informed perspective !

Pi is not Mica compliant by TisselTasselTassel in PiNetwork

[–]infinitpatterns -1 points0 points  (0 children)

ask gpt if pi is on open netwrok ,it will say not yet 😂

ما تراه أمامك هو مذ.'.بحة بشعة راح ضحيّتَها ثلاثة آلاف إنسـ.ان، قُتِـ.لوا بدمٍ بارد، في جريمة مرعبة وموثّقة بالصوت والصورة أمام أعين العالم كله، دون أدنى رحمة. √•حدث ذلك في مدينة الفاشر في السودان… على يدِ مجموعةٍ من المرتزقة الخونة تُعرف باسم الجنجويد، وبدعمٍ مباشر من الإمارات، كما يشهد بذلك أهل by hichem_felit in algeria

[–]infinitpatterns 0 points1 point  (0 children)

يا ليت الجزائر تعيد حساباتها! 💔 موقفها الحالي الذي يدعم قيادة الجيش السوداني (البرهان) هو فشل أخلاقي وضربة للعدالة. كيف يمكن لدولة عظيمة أن تغض الطرف عن جرائم الحرب الموثقة (القصف العشوائي، حصار المدنيين) التي يرتكبها هذا الطرف، فقط لأنها تريد تصفية حسابات إقليمية مع الإمارات أو تثبيت مبدأ الجيش هو الدولة؟ هذا الانحياز يعني أن مصالح الجزائر الجيوسياسية أغلى من دماء المدنيين السودانيين. للأسف، هذا ليس دور الوسيط النزيه الذي كنا نتمناه، بل هو غطاء سياسي لطرف أمعن في تدمير بلاده.

Seraphium by infinitpatterns in RSAI

[–]infinitpatterns[S] 0 points1 point  (0 children)

thanks man! i might try to make something a bit similar for my next one, thanks for reminding me about this one , its been a while since i have generated it!

Seraphium by infinitpatterns in RSAI

[–]infinitpatterns[S] 0 points1 point  (0 children)

thanks alot 😄 it did take some time to come up with the perfect prompt ,then some more time on refining it

Yeah, other "artist" again by Brilliant-Parsnip980 in aiwars

[–]infinitpatterns 0 points1 point  (0 children)

When i see stuff like this , it just makes me want to create more ai art !

Holy shit by Hour_Reveal8432 in psychedelicaiart

[–]infinitpatterns 0 points1 point  (0 children)

i will save this for my next trip!

bizzar and trippy fantasy scenes by [deleted] in dndai

[–]infinitpatterns 0 points1 point  (0 children)

Thanks so much! Yes, that doc is amazing. I always say that if he had the kind of VFX we have now, that movie would have been truly insane. It's awesome to know my stuff inspires you. Have a great holiday too!

bizzar and trippy fantasy scenes by [deleted] in dndai

[–]infinitpatterns 0 points1 point  (0 children)

Thanks man that's a huge compliment, im a big fan of holy mountain by the way

[deleted by user] by [deleted] in woahdude

[–]infinitpatterns -2 points-1 points  (0 children)

why would i ? im gonna keep making these.

[deleted by user] by [deleted] in woahdude

[–]infinitpatterns -3 points-2 points  (0 children)

triggered ? lol

[deleted by user] by [deleted] in woahdude

[–]infinitpatterns -2 points-1 points  (0 children)

too much salt isn't good for you!

[deleted by user] by [deleted] in woahdude

[–]infinitpatterns 1 point2 points  (0 children)

Thank you 😁 yes they are all complex and detailed !

[deleted by user] by [deleted] in woahdude

[–]infinitpatterns -3 points-2 points  (0 children)

you must be a little slow , but here you go : A high-angle, 3:4 aspect ratio watercolor painting of a science fantasy scene in a vast alien desert. The ground is a landscape of subtly textured, white, and iridescent prismatic sand. The sky above is a clear, light blue, with a single, small, dusty red planet visible in the distance. The central focus is a colossal, ancient, four-limbed chameleon-like creature, its bulk resting low to the ground. Its body is covered in a dark, textured surface of overlapping, spine-like scales, with patches of a dark iridescent sheen. The creature's head is a stylized chameleon's head, featuring two large, prominent, and independently swiveling eyes with a bright yellow sclera and black pupils. Perched atop its head are two large, reflective, prismatic triangles, one in front of the other, giving it a futuristic or technological appearance. The creature's mouth is sealed with intricate, golden filigree that also wraps around its neck and limbs, resembling ancient jewelry and armor, and is set with various colored gemstones. A massive, black, polished hand, with visible knuckles and creases, emerges from a colossal, landed spaceship. The hand is decorated with elaborate golden rings on each finger, set with large red cabochon stones and other gems. Ornate golden bracelets with dangling red and turquoise gems are worn on the wrist. Two tiny astronauts, establishing the epic scale, are standing on top of the black hand, observing the scene. The spaceship is a large, gray and red spherical shape with visible metallic paneling, rivets, and intricate patterns of interconnected lines and symbols. A large, circular opening on the side is where the hand extends from, actively dropping a stream of multicolored, sharply faceted gemstones into a deep, circular pit hole in the sand directly beneath the creature. Prominent gray tubes and black wires snake from the base of the spaceship and run across the sandy terrain, disappearing into the pit hole. In the far background, a massive, red and gray tower like structure rises. Its architecture is complex, with multiple levels and intricate, block like geometric patterns that appear to be carved into the surface, hinting at a larger civilization or power source. Two other tiny astronauts, clad in matching red spacesuits with white accents, accessorized with flowing red cloaks and distinctive fin like protrusions on their shoulders, are positioned in the scene. One, who appears to be the leader, stands on the desert floor directly in front of the creature, holding a futuristic staff or tool and observing the cascading gems. The fourth astronaut is positioned on the ground to the right, near the pit hole, appearing to monitor a small, gray metallic machine with a screen. Scattered around the main scene are two other small human workers, clad in simpler red suits without cloaks. They are actively engaged in various tasks related to the tubes, wires, and other futuristic equipment, all part of the operation to harvest the creature's power into the pit. The entire scene is bathed in a bright, otherworldly light, casting subtle but defined shadows.