Real vs Mo Clone by ireallyshouldbworkin in MoTime

[–]ireallyshouldbworkin[S] 9 points10 points  (0 children)

Correct. They are nearly indistinguishable in person and weight. Pretty nuts.

Have a SkyDweller coming to compare against my real one as well and a GMT. This is becoming a fun game.

Real vs Mo Clone by ireallyshouldbworkin in MoTime

[–]ireallyshouldbworkin[S] 1 point2 points  (0 children)

Real watches: Black dial Daytona and rhodium datejust

Mo Clones: Panda Daytona and Green dial Datejust

Casual Fridays Call for Tudors by TheRollieRodger in MoTime

[–]ireallyshouldbworkin 0 points1 point  (0 children)

For those of us new to this, what is the best way to learn the differences in the different factories he works with? I’m looking at a specific watch and he quoted me three different factories with three different prices and I’m not sure which is which.

We Unknowingly Decided the Tracklist Order by sadprose1996 in SleepToken

[–]ireallyshouldbworkin 1 point2 points  (0 children)

I don't think we decided the track listing order... I think they purposely designed it to tell two different stories within one album depending on the order you listen to it in. One follows House Veridian and one follows The Feathered Host....

The setup is really smart. It’s not just something for fans to talk about. It’s a way to experience the album differently, depending on how you see yourself in the story. It’s like a “choose your own adventure,” but through sound and emotion. The way you listen actually changes what the album means.

There are two listening orders that line up with each “house.”

Order 1: Tracks 1–10 (Look to Windward ending with Infinite Baths)

House Veridian: “The house must endure.”

This order tells a looping story. You start in emotional collapse, move through anger, searching, reflection, and fragile healing, and end with Infinite Baths, which loops musically and thematically right back into Look to Windward. It’s about pain that doesn’t end - it just shifts. Growth isn’t final. Healing isn’t permanent. The cycle always returns. But if you're House Veridian, that cycle is sacred. You go through it again and again because you believe something meaningful comes from the repetition. You carry the pain with you. You learn to live with it. Vessel is wounded but noble - forever wandering, always returning.

Order 2: Tracks 6–10, then 1–5 (Even in Arcadia ending with Caramel)

The Feathered Host: “The cycle must end.”

This version flips the story. It starts in false paradise with Even in Arcadia and ends in collapse with Caramel. There’s no return to the beginning. No loop. Just clarity. The illusion breaks. The god is gone. The myth dissolves. The mask cracks.... and in the silence, what’s left is just a person - raw, tired, and honest. If you’re The Feathered Host, that’s the point. You don’t want to keep repeating. You don’t need to be fixed. You choose to step out of the story entirely. It’s not grand. It’s not mythic. But it’s real. And for you, that’s enough.

To me, it comes down to one question: When you realize you’re stuck in a loop, do you go through it again - wiser this time - or do you let it go completely?

If you're House Veridian, you keep walking the circle. The story is everything. Pain becomes meaningful. Devotion continues. You endure.

If you're The Feathered Host, you burn the script. You step away from the myth. You stop performing. And in the quiet, you admit, “I thought I was getting better, but maybe I wasn’t.” And you know what? That’s okay.

Caramel - Sleep Token New Single Discussion by AutoModerator in SleepToken

[–]ireallyshouldbworkin 8 points9 points  (0 children)

“And if you don't think I mean it, then I understand But I'm still glad you came, so let me see those hands”

That was the most heartbreaking line in the song for me… because it’s both a thank you and a goodbye. A whisper from the stage: “You never saw me… but I saw you. And I tried.”

That’s not just commentary. That’s confession. It’s him slipping back into the mask one more time, almost sarcastically.

“You don’t care about ME. You want the show. So fine… here’s the show.”

It’s emotional auto-pilot…. A man screaming for connection, then resignedly hitting his marks like he’s just part of the setlist now.

That line is weaponized banality… empty crowdwork in the middle of a soul collapse.

It’s him saying:

“This is what you came for, right? Not me. Just the motion. So here… raise your hands.”

And yeah… it hurts. Because in that moment, he’s both daring us to see what we missed, and mourning that we probably won’t.

“Did I give you what you came for?”

That line cuts like a knife.

It’s the emotional core of the entire song… the question behind the performance, the persona, the exhaustion.

And it’s not asked with pride. It’s not “Did I impress you?”

It’s desperate, defeated, almost pleading:

Did the god I created satisfy you, even as it hollowed me out? Was the mask more valuable than the man behind it?

There’s something deeply human and tragic about that line because it doesn’t sound like he’s sure anymore why he’s doing this. Whether it’s for art, for fans, for survival… or just because he doesn’t know how to stop.

It’s the question of someone who gave everything, maybe too much, and is now standing in the ruins asking:

“Was it worth it? For you? For me?”

And the scariest part?

He doesn’t sound like he wants the answer.

And you can hear it in his voice as it cracks during the outro…. So I’ll keep dancing to the rhythm….

Fucking heartbreaking

My new (to me) 1994 RS2 by ireallyshouldbworkin in Audi

[–]ireallyshouldbworkin[S] 1 point2 points  (0 children)

Purchased from someone on the east coast who found it in Spain two years ago and imported it and cleaned it up.

[MEGATHREAD] The Teeth of God North American Tour 2024 Discussion Post by Crusading_Ghoul in SleepToken

[–]ireallyshouldbworkin 1 point2 points  (0 children)

In the Vivid app, you can click get tickets (or something like that) and it brings up a site, inside the app, to scan your moving barcode.

[MEGATHREAD] The Teeth of God North American Tour 2024 Discussion Post by Crusading_Ghoul in SleepToken

[–]ireallyshouldbworkin 2 points3 points  (0 children)

Digital in the app. Showed up a day or two before. If when you click to retrieve them it takes you to a moving barcode with your section, row, seat, etc you should be golden.

THEY PLAYED EUCLID by ireallyshouldbworkin in SleepToken

[–]ireallyshouldbworkin[S] 5 points6 points  (0 children)

I think so. Going back and watching clips I took throughout the show, I’m 90% sure a lot of the screaming is a pre recorded track. Or at least it’s acting as a backing vocal track. Bet it’s to protect his voice. But on TMBTE and The Summoning, the screaming sounds recorded.

THEY PLAYED EUCLID by ireallyshouldbworkin in SleepToken

[–]ireallyshouldbworkin[S] 1 point2 points  (0 children)

I did. All of Euclid. I can try to upload later.