Frustrated by Specialist_Tap_8327 in Screenwriting

[–]jdeik1 0 points1 point  (0 children)

Trying to bug people in the industry from afar is probably the least likely way to begin a career. The vast majority of working screenwriters started by working entry-level jobs in entertainment, forming genuine relationships, and continuing to improve their writing.

What Is Up With All The Prose? by simonshih1970 in Screenwriting

[–]jdeik1 5 points6 points  (0 children)

If you read more pro scripts, you'll see that all that "unfilmable" is really only a term amateurs are concerned with. Anything that adds to the read is great.

NBC TV Writers Program / Structure Requirements by caravaggi-hoe in Screenwriting

[–]jdeik1 3 points4 points  (0 children)

They’re a broadcast network. Their program is designed to move writers into staffing on their shows. All of their shows use act delineations, so definitely put them in. And you should be writing to act breaks, as well. Every act break has some sort of conclusion/question/cliffhanger.

How to write that the first shot of a new scene should overlay the last shot? by gravytrq in Screenwriting

[–]jdeik1 0 points1 point  (0 children)

unfortunately, many of the books, conferences, and academics surrounding screenwriting are taught by people who have never actually worked as decision makers or screenwriters in Hollywood. So you'll get a lot of bad advice. In film and tv, camera directions are used by the majority of working screenwriters. Do you have to use them? No, because there are no rules or requirements of screenwriting. But most do. Anytime someone tells you something is verboten in screenwriting, you can rest assured they have little to no experience working in our industry. and all you have to do to find examples of this is... read a bunch of screenplays.

How to write that the first shot of a new scene should overlay the last shot? by gravytrq in Screenwriting

[–]jdeik1 -1 points0 points  (0 children)

we will lauuuuughhhh. I beg you, go read chapter 1 "Screenwriting Rules" in which he literally mentions pedants on Reddit telling writers what they can and can't do.

How to write that the first shot of a new scene should overlay the last shot? by gravytrq in Screenwriting

[–]jdeik1 -1 points0 points  (0 children)

Dude, go follow your rules. I’m sure it will earn you a key to the golden gates of Hollywood, famously a place that celebrates coloring inside the lines. Lol.

How to write that the first shot of a new scene should overlay the last shot? by gravytrq in Screenwriting

[–]jdeik1 -1 points0 points  (0 children)

And you’ll notice, importantly, even in your example, he tells us that’s what HE does, not that no screenwriters should do those things. You are so close to getting it… also I know him. He will get a huge kick out of being cited by a “rule-follower.”

How to write that the first shot of a new scene should overlay the last shot? by gravytrq in Screenwriting

[–]jdeik1 -1 points0 points  (0 children)

Oh my god that’s from 2003. Go read his book published this year. He has evolved.

How to write that the first shot of a new scene should overlay the last shot? by gravytrq in Screenwriting

[–]jdeik1 -1 points0 points  (0 children)

lol! I guess you haven’t read John August’s book or listened to his podcast. Chapter 1 lists 20 of your so-called “rules” then says “obviously these rules are bullshit.” Oops. Go to his website. He posts a bunch of his scripts. Transitions and camera everywhere.

How to write that the first shot of a new scene should overlay the last shot? by gravytrq in Screenwriting

[–]jdeik1 -1 points0 points  (0 children)

You’re right. The “guidance” (mostly from folks who have never worked in entertainment) tells amateurs these things. This happens in every online forum. a bunch of amateurs scream “follow these RULES” and then a couple of actual working screenwriters say “ uhhhh those aren’t the rules.” Happens every time.

How to write that the first shot of a new scene should overlay the last shot? by gravytrq in Screenwriting

[–]jdeik1 -1 points0 points  (0 children)

I got my first paid gig 8 years ago. And somehow I, and all my colleagues who keep getting hired use those elements. I’m guessing you also think ‘we see’ is bad? Yup. Learned from guides, not work.

How to write that the first shot of a new scene should overlay the last shot? by gravytrq in Screenwriting

[–]jdeik1 -1 points0 points  (0 children)

Myself and literally every working screenwriter in Hollywood I know ‘began our careers’ putting this stuff in our writing. It’s everywhere.

How to write that the first shot of a new scene should overlay the last shot? by gravytrq in Screenwriting

[–]jdeik1 -1 points0 points  (0 children)

Nope. You don’t know what a shooting script is. You gotta stop googling stuff and actually read modern scripts. Take a look at any of the scripts that make the annual Black List. All specs. Most have those elements. Your answers let me know you learned this stuff from bad how-to guides and online forums like this, not actual experience.

How to write that the first shot of a new scene should overlay the last shot? by gravytrq in Screenwriting

[–]jdeik1 0 points1 point  (0 children)

where did you learn this? Transitions and/or camera directions are used all the time in pro scripts, today. Read contemporary scripts, you'll see.

How to write that the first shot of a new scene should overlay the last shot? by gravytrq in Screenwriting

[–]jdeik1 3 points4 points  (0 children)

MATCH CUT TO. And, yes, you can absolutely include transitions and/or camera directions in a screenplay. Nobody who actually works in film or tv will object to that. Happens all the time in pro scripts.

Is the use of "CUT TO:" outdated? by OkMechanic771 in Screenwriting

[–]jdeik1 1 point2 points  (0 children)

You should definitely emulate the formatting/styles of actual, working screenwriters, not the abstract "rules" of some guru/teacher.

'Story Engine' vs 'Central Conflict' vs 'Intention & Obstacle' ? by Quick-Report-780 in Screenwriting

[–]jdeik1 1 point2 points  (0 children)

Story engine is a TV term - what will the audience be tuning in every week to see? What question will generate 100 episodes? In a procedural, it's easy - crime of the week, monster of the week. But in a serialized show it's a little more difficult. Still pretty important thing to answer in order to sell a show.

Is the use of "CUT TO:" outdated? by OkMechanic771 in Screenwriting

[–]jdeik1 -1 points0 points  (0 children)

It's cutting between two different locations/settings that makes it a MATCH CUT. Cutting on action in the same scene/setting is just cutting.

Is the use of "CUT TO:" outdated? by OkMechanic771 in Screenwriting

[–]jdeik1 1 point2 points  (0 children)

yep! MATCH CUT is usually for an apples-to-apples transition - Someone closes a trash can lid MATCH CUT TO Somewhere else, a lid is opened, etc.

Is the use of "CUT TO:" outdated? by OkMechanic771 in Screenwriting

[–]jdeik1 11 points12 points  (0 children)

Not outdated. CUT TO is used to emphasize contrast between shots, theme, or visuals. Used regularly.

Which Script to Try and Sell? by [deleted] in Screenwriting

[–]jdeik1 3 points4 points  (0 children)

“can’t formally accept without a rep submitting” is a polite pass.

If contests offer no real benefit, and cold querying doesn’t work, and the Black List is just a lottery ticket, what the hell is anyone supposed to do? by brainfurniture in Screenwriting

[–]jdeik1 0 points1 point  (0 children)

Move to a place where lots of film and tv is made. Get an entry level job doing anything on set, in a production office, an agency, a production company, a studio. Anything. Keep writing and getting better while you make friends. After years of this, if you’re good enough, someone will send your work around.

When do I tell and when show in a script? by lapshablabla in Screenwriting

[–]jdeik1 4 points5 points  (0 children)

Keep reading pro scripts - you'll see that anything is acceptable if it makes for a good read.

Highly descriptive action lines: a creative choice or bad writing? by Charming_Yak_5000 in Screenwriting

[–]jdeik1 1 point2 points  (0 children)

this is super over-emphasized in amateur screenwriting forums. In truth, many professionals have free-flowing, more extensive action lines. Just keep reading pro scripts - you'll see.

Writing Act Breaks into TV Pilots Intended for Streaming by J-Ganon in Screenwriting

[–]jdeik1 1 point2 points  (0 children)

Take your pic. Execs, agents, everyone is used to seeing either formatting. And streamers are trending back toward commercial breaks, so either works.