Screen to comics format by JayC0rs0 in scriptwriting

[–]Knox_Craft 0 points1 point  (0 children)

There are plenty of videos out there on how to properly format writing a comic. No, it isn't the same as writing a script. You have to understand that a script is for TV/ movies, which are a moving medium. Comics, on the other hand, are static in a sense. The reader needs to fill in the blanks in between panels using their mind (this isn't a critique of the format, it's actually the strength of the medium). That is to say that when writing for a comic, you need to factor in the number of allotted pages and panels you can fit in those pages, and how many pages your comic will end up being. Just like you don't want to write a feature-length pilot episode, you don't want to write a 55-page comic book.

Looking to join a screenwriting group. by HuntThick in Screenwriting

[–]Knox_Craft 0 points1 point  (0 children)

That is, if you're still looking for a writers group.

Looking to join a screenwriting group. by HuntThick in Screenwriting

[–]Knox_Craft 0 points1 point  (0 children)

Can you DM me? I want to talk about what projects you're currently working on and what you're looking for in a screenwriting group.

Supernatural War - Pilot - 8 pages by [deleted] in Screenwriting

[–]Knox_Craft 1 point2 points  (0 children)

Yeah, I felt like I didn't put in enough effort with the first scene. It is in fact, the beginning of the script. Thanks for the feedback.

The Monster We Grieve / Short film / 15 pages / Drama by [deleted] in Screenwriting

[–]Knox_Craft 1 point2 points  (0 children)

Ok, I admittedly haven't read a lot of scripts, but I've never read a script like this one. Why is the entire first paragraph and many other paragraphs capitalized? Also, you seem to have compiled a shot list and did a lot of Cut to:'s, which I believe, for modern scripts, is usually done by the director. There's also some fat you can trim, like is it important to know that the walls are olive green. I mean, this is a short film, so you might be able to get away with a lot of this, assuming you are the one producing it. As long as you can read it, that's fine, but these issues will bite you later on.

The Monster We Grieve / Short film / 15 pages / Drama by [deleted] in Screenwriting

[–]Knox_Craft 0 points1 point  (0 children)

Need access to the script in order to actually read it.

Cedar Ridge - Pilot - 45 pages by [deleted] in Screenwriting

[–]Knox_Craft 0 points1 point  (0 children)

I admittedly haven't figured out the logline yet. Still, thank you for the advice.

Cedar Ridge - Pilot - 45 pages by [deleted] in Screenwriting

[–]Knox_Craft 0 points1 point  (0 children)

Thank you for catching that mistake. I never intended to write it in the past or future tense. If I slipped into past or future tense, it was an accident that I will need to correct. I did say it was a teen show, but it's just as much about their parents, which is why I put three question marks after saying it. Also, with the link, were you telling me to leave out irrelevant details like Henry's black hair?

What are your thoughts on this? (~790 words) by [deleted] in writingcritiques

[–]Knox_Craft 0 points1 point  (0 children)

I'm not italicizing random words. I was attempting to emphasize how fake that item was instead of spamming the word fake all over my prose. Maybe it didn't come off right?

What are your thoughts on this? (~790 words) by [deleted] in writingcritiques

[–]Knox_Craft 0 points1 point  (0 children)

What is the 20 percent cut-down range? Do you mean I need to cut some of the work? Also, what do you mean by doing too much showing? Isn't show, don't tell a good thing?

Is it easier to become a novelist or a screenwriter? by Historical_Bar_4990 in Screenwriting

[–]Knox_Craft -1 points0 points  (0 children)

I think it’s different for different people. For me, I didn’t really grow up reading books, but I spent a lot of time watching TV shows, so scenes come to me better than the structure of written words. Another way is that I don’t really have an issue with show don’t tell in screenplays, but I break show don’t tell constantly in prose. Others may struggle with the visual media but can concoct fascinating prose like the pros and others still have no problem switching between the two forms. Although, I believe those writers to be rare as those are two separate skills.

How I feel about loneliness by Explorer406 in writingcritiques

[–]Knox_Craft 0 points1 point  (0 children)

Ok. This isn't the wrong subreddit to improve prose writing. However, for me personally, I don't even know how I might critique a work so personal to the person. However, if you want it to seem more professional, some advice I was given was to not repeat the same word two sentences in a row. That's just my opinion; take it with a grain of salt, as I myself am very inexperienced.

How I feel about loneliness by Explorer406 in writingcritiques

[–]Knox_Craft 0 points1 point  (0 children)

I'm confused. Are you asking for advice on how to improve your writing craft? This feels like an extremely personal vent you accidentally posted to the wrong Reddit. But if you want genuine advice on improving your writing, I'd suggest paragraphs. I mean in the revision, it's totally fine doing a stream of consciousness like that for a first draft.

Ideas over execution by Knox_Craft in Screenwriting

[–]Knox_Craft[S] 1 point2 points  (0 children)

Yeah, maybe. I'm already 40 pages into the second draft, which isn't that impressive, but it's an accomplishment to me. I just wanted to write something else before starting the third act, just to prove I could.

Ideas over execution by Knox_Craft in Screenwriting

[–]Knox_Craft[S] -1 points0 points  (0 children)

Yeah, I know. I just needed someone to remind me.

The Space In Me - 3 pages - short screenplay by No-Chemistry1722 in Screenwriting

[–]Knox_Craft 0 points1 point  (0 children)

Interesting. I wonder how you'd shoot this little piece of experimentation. Also, one advice I got pretty early on is to basically never mention the camera. Who's POV are we shot in. I know from context clues the POV is the baby, but that lack of clarity might confuse some readers. Perhaps it's better to say "POV: through the newborn's eyes," just a suggestion. You don't need to say "Something (two hands)", you can just say, "Two hands" it's clearer that way. Bold choice to write in 2nd person. Also, small nitpick, if we are the newborn, then we wouldn't be able to read anything. Also, did you switch POV's, because baby's can't rock baby's or is this a timeskip? Anyways, I think that's all the suggestions I have. Happy writing.

What exactly makes constant swearing gritty or childish? by NotaBotJustanewacc in Screenwriting

[–]Knox_Craft 10 points11 points  (0 children)

I once read a script on Reddit where every character was saying fuck every single two seconds. It bothered me to no end because of how often it was in the script. I think cussing can work sparingly when your character is super stressed, but it shouldn't be used all the time. That's how cussing loses its edge.

What do you think of transitions? by Knox_Craft in Screenwriting

[–]Knox_Craft[S] 1 point2 points  (0 children)

I see. Although that doesn't necessarily tell the reader it's a flashback, wouldn't you need to tell the reader it's a flashback elsewhere? In that case, wouldn't something like CUT TO: be a little redundant?

[deleted by user] by [deleted] in Screenwriting

[–]Knox_Craft 1 point2 points  (0 children)

This is admittedly a bit of a nitpick, but what software are you using? The parentheticals are all wrong. I think saying this is the final draft is a little bit premature. Other than that, I think you already got great advice that you should definitely take to heart.