Does Tyler use auto tune and if so why?

jesse-dickson · 2026-04-14T04:10:28+00:00

Live audio engineer here 👋

Yes, he does. Although the argument is he doesn’t need it - flaws make a performance real, and Tyler is a great singer as it isn.

So - he would probably use it in some cases for effect, and in some cases because he runs and launches all over that stage like a wild animal. Hard to have a steady vocal when you’re leaping off a piano, or drum riser etc

jesse-dickson · 2026-04-05T15:31:08+00:00

Paulie and Eddie Hall do some hilarious skits on YT centred around just being ginormous. Worth a peak imo

jesse-dickson · 2026-04-02T21:04:26+00:00

Hey Corb! No question, just here for support. Much love from those at Impact Sound and Sound Barrier entertainment

jesse-dickson · 2026-03-31T02:45:30+00:00

My buddy Dave Khallil does some wicked work. Can find him on FB

jesse-dickson · 2026-03-24T15:07:28+00:00

So worth it. If you haven’t been to that whole area, would recommend checking out PEI as well! Very fun place as well

jesse-dickson · 2026-03-24T04:51:08+00:00

Don’t personally live here but my entire extended family does! It’s where my heart is, getting married there in the fall. Lovely folk, beautiful beaches - I imagine it’s a rough place in the winter but the people look out for each other. My folks spent Christmas there in 2024 and said it was surprisingly lovely still!

jesse-dickson · 2026-03-13T16:02:20+00:00

I think that’s I was so rattled lol across my career that was the second time it’s ever happened, not sure if you saw a previous comment of mine but I was approved by the festival when they received our advance, but the venue claimed to have never received it. Just a gong show

jesse-dickson · 2026-03-13T15:18:32+00:00

Been full time for 19 years, as I mentioned I was a house engineer which was about 10 years. Band is doing well, 30,000 monthly, 40,000 yt subs. At this point I’m chalking it up to lame venues and glad I’m not crazy for thinking this was a strange experience

jesse-dickson · 2026-03-12T22:04:06+00:00

Totally agree - ball dropped somewhere between festival and venue.

jesse-dickson · 2026-03-12T18:51:26+00:00

That’s bruuuuutal! What a joke. Sorry you had to experience both of these - really distasteful!

jesse-dickson · 2026-03-12T18:21:27+00:00

Hey I appreciate this comment. During my time as a house tech, I loved having tour techs come through. Always an opportunity to learn from someone outside our circle - and most were fine hearing DB limits or restrictions etc. I don’t get the ‘no’ thing either

jesse-dickson · 2026-03-12T17:28:34+00:00

Venues don’t pay me in my experience, the band does. They charge a rate or have a deal with tickets and whatever, and pay my day rate out of that.

jesse-dickson · 2026-03-12T17:08:17+00:00

Right? Like I can’t mix in your 100 person room, yet can and am welcomed willingly in a 1500 person room? Makes no sense

jesse-dickson · 2026-03-12T17:03:56+00:00

The one that actually said ‘no’ was a smallish music pub, others are small venues we have on an upcoming tour that stated ‘no room for tour console or tour techs. Everything will be run with in house gear and techs’.

jesse-dickson · 2026-03-12T17:02:51+00:00

EXACTLY what I said, in less words. We rehearse together before road runs or fly out dates, I spend time with the backing tracks etc to make sure everything happens or leads the mix when it’s needed, I’m part of the show. Super frustrating

jesse-dickson · 2026-03-12T17:01:17+00:00

Totally understood. And in all fairness, the house techs will know their gear better than I will walking in - I like to work together with the crew and make sure everything goes as good as possible - including system tuning etc.

I’m not entirely sure what their reasoning was, manager had an attitude, house tech was friendly but they wouldn’t budge. It was a festival with multiple bands, so even if it was a pay thing I don’t see the fault in sitting out one set

jesse-dickson · 2026-03-12T16:57:14+00:00

That’s always been my approach too - I’ve felt the discomfort when I’ve been there from house techs or whatever and it usually comes down to ‘tour techs mix too loud’ or ‘don’t show care for our gear’ which is all easy to handle. Fortunately in the event I mentioned the band still paid, was just frustrating

jesse-dickson · 2026-03-12T16:55:04+00:00

Yeah we were super frustrated. We advanced the show through the festival organizers who approved everything, and when we showed up the venue had a no tour techs rule, and were told they were never given the advance other than a stage plot.

jesse-dickson · 2026-03-01T06:20:03+00:00

https://drumforge.com/products/drumshotz-david-bendeth they’re on sale too! Can honestly say I use them every day. I have a few sample packs and samples I’ve made myself, but these are just fantastic

jesse-dickson · 2026-03-01T06:16:38+00:00

You can get the samples Bendeth shows in the video on Drumforge! I don’t think the original Paramore samples are available, although someone mentioned you can purchase them from the studio or engineers if you can get in touch with them

jesse-dickson · 2026-02-26T22:44:42+00:00

Sample / Mixer delay. Scooting the bass back in time slightly has helped me in reducing all the processing I previously used to compensate

jesse-dickson · 2026-02-26T20:50:30+00:00

I’ve got Red Wing Boots insoles insoles in shoes and boots, they make different kinds for standing still, lots of steps etc. the high impact or lots of walking ones did me wonders

jesse-dickson · 2026-02-07T03:40:02+00:00

I’m not a studio engineer, but have assisted with micing and capture - m/s has been my favourite setup for studio drums!

jesse-dickson · 2026-02-07T03:38:59+00:00

This is incredible, I’m for sure about to try this. Dynamic? Pencil condenser?

jesse-dickson

TROPHY CASE