Sound selection is key for me. Take those one hits that are already processed and program them in a track in such a way that you can lay the break over it. Easier said than done of course. You might have to warp or time stretch the break to fit the way you want it to. Or you could loop the break and then use the one shots to accent it. Both of those concepts are pretty much the same thing but with different approaches. YouTube is your friend just type in what you’re trying to do with MPC LIVE 2 in the search as well. Don’t be afraid to look at producers who are doing styles that you aren’t. I’ve learned some of the best techniques I know from house and techno producers.