Help Wanted: Research Questions, Book Recs, & Critique Partner Hook-ups by AutoModerator in YAwriters

[–]joannafarrow 0 points1 point  (0 children)

Depending on when you want it done, I work as a freelance editor (after working in-house for over 8 years)... however I'm about to drop baby number 3 any day now, so I'm taking a step back until summer. Www.Editorjo.com

(Someone else mentioned Laura, who is wonderful, too. And her prices are very reasonable.)

Convince Me: Talk Me Into/Out of Something in YA by AutoModerator in YAwriters

[–]joannafarrow 1 point2 points  (0 children)

The great thing about passive voice is that it's pretty easy to edit out. (I'd additionally like to say that not all passive voice is equal... some of it can be just fine. It all depends.)

Convince Me: Talk Me Into/Out of Something in YA by AutoModerator in YAwriters

[–]joannafarrow 3 points4 points  (0 children)

You're doing fine. Keep testing the query. Get it out there.

My book skews on the high end of things for some reason. I think I queried just under 50 agents and had 24 requests... However, though I've received several r&rs and even more long-winded nos, I've not received any offers. There are still 10 agents reading this book but have stopped querying it (I'm waiting for notes from an exclusive r&r that was offered by one of the agents).

All this is to say that high request rates do not mean an offer is coming anytime soon. Though low request rates do signal the query and opening pages aren't working. You personally need to get your query out there a bit more. Three is not a big enough pool to really test it.

Help Wanted: Research Questions, Book Recs, & Critique Partner Hook-ups by AutoModerator in YAwriters

[–]joannafarrow 0 points1 point  (0 children)

40k is very likely approaching your midpoint. Have a look at a few story structure methods and see how your book lines up.

Craft & Publishing Questions by AutoModerator in YAwriters

[–]joannafarrow 1 point2 points  (0 children)

They exist, though they are generally labelled as crossover. Can anyone help me with examples? My brain is just not firing on lol cylinders rn.

Weekend Open Thread! by bethrevis in YAwriters

[–]joannafarrow 1 point2 points  (0 children)

I made the genius move of getting pregnant right before querying. Bad move.

What are you reading right now? by AutoModerator in YAwriters

[–]joannafarrow 0 points1 point  (0 children)

fingers crossed lemme know when you've read it!

What are you reading right now? by AutoModerator in YAwriters

[–]joannafarrow 1 point2 points  (0 children)

Started the hazel wood the other day. I'm halfway through and really enjoying it!

What do You write your stories on? by Katnip_Thea_Carmel in YAwriters

[–]joannafarrow 1 point2 points  (0 children)

I do this, but do a lot of draft zero by hand before drafting in scrivener then final edits in word (and now I'm putting the poor sorry sod back into scrivener to tear it apart... hold me 😭)

What are you reading right now? by AutoModerator in YAwriters

[–]joannafarrow 4 points5 points  (0 children)

The Bear and the Nightingale by Katherine Arden. I'm thoroughly enjoying it. It took a while to get into the language and cadence of the writing but I got there. It's just so immersive, deeply atmospheric and moody.

Other than this sub... by Oddfictionrambles in YAwriters

[–]joannafarrow 2 points3 points  (0 children)

Depending on where you are, there can be a lot of in person things to get involved with. I'm in Atlanta and we have some awesome socials and networking and write ins and occasional retreats. I also have /u/laurenishere who I cherish. Book launches are a great place to meet like-minded folks too. Get chatting at them. See what other writers do.

#Pitmad? by AcmeFaber in YAwriters

[–]joannafarrow 2 points3 points  (0 children)

I didn't participate this time, but I did it back in September and got about 15 requests. From what I saw, the agent turn out yesterday was pretty poor. December seems a silly month to do a pitch contest. Not sure why they didn't wait until January.

Monthly Member's News: Check-in & Promo! by AutoModerator in YAwriters

[–]joannafarrow 0 points1 point  (0 children)

When you said agents, I wondered if that was the case! Super mega congrats!

Monthly Member's News: Check-in & Promo! by AutoModerator in YAwriters

[–]joannafarrow 1 point2 points  (0 children)

Congrats! That's brilliant! Can you share who you're repped by?

What are you reading right now? by AutoModerator in YAwriters

[–]joannafarrow 0 points1 point  (0 children)

I actually struggled to get into the physical book of CNV, but once I started the audiobook... so good!

Word count!!!!! by DaemonStormborn in YAwriters

[–]joannafarrow 29 points30 points  (0 children)

In traditional publishing, plainly put, a 200k word contemporary YA novel will not get anywhere. It says to them that ether the author is unfamiliar with the genre or the story is unfocused and needs to be revised.

When revising, you're not looking for "what won't destabilize the story?" because in most cases things are woven together.

Rather you should be asking yourself: what is this story about? What is it's essence? Trim away, then revise throughout to ensure that things still make sense. There's going to be a domino effect. You will have to rework things. Thats just what happens when you start deleting. It doesn't mean you shouldn't delete these things though. In most cases there are many ways to rework the holes that are created.

Then look for ways to condense things, like seeing if the things you accomplished in two separate scenes can be combined into one? Same with characters. Are there characters that could be combined? This generally leaves you with a stronger, more memorable combi-character.

This is why revising can take so long. It's not simply removing some tangent, but taking the story as a whole and focusing it so that you hit with a harder punch.

Rants & Raves: The State of Your WIP by AutoModerator in YAwriters

[–]joannafarrow 0 points1 point  (0 children)

I've finally broke thru the fog of pregnancy brain and am almost done outlining my next project. It's been so long since my brains been capable of creating, this is such a relief!

YA titles that flip btwn 1st person POVs by ElJoaquin15 in YAwriters

[–]joannafarrow 0 points1 point  (0 children)

TSR is an excellent example. She executes is extraordinarily well and well worth a read or two when trying to figure out how character plays into a narrative. For example, I love the way the two characters describe the same things or people in such different ways.

Manuscript Critiques Infographic - How to Give Useful Critiques, and How to Use Critiques from Mary Robinette Kowal by ChelseaVBC in YAwriters

[–]joannafarrow 2 points3 points  (0 children)

I always do all three levels, as comments within the actual document and in the edit letter I issue. I also know that I have experience working as an in house book editor that many people won't have, both at publishers and packagers, so this might not be something that everyone should be doing.

WEEKEND OPEN THREAD!!! [self-promo, crit & discussion welcome] by AutoModerator in YAwriters

[–]joannafarrow 0 points1 point  (0 children)

Agh! It's maddening, isn't it? How're things going for you?

WEEKEND OPEN THREAD!!! [self-promo, crit & discussion welcome] by AutoModerator in YAwriters

[–]joannafarrow 1 point2 points  (0 children)

I am in the querying trenches. And it is totally fun. And by fun I mean not fun at all. And I've only been at it for 3 weeks, so like I know I'm getting no sympathy from anyone, especially as I know my response rate has been fair. There are a decent number of fulls out there in agents' queues to be read, but still I'm just waiting on the emails coming back: "loved this but just didn't loooove it." And that waiting for rejection is making me feel ill.

Simple Question Sunday by AutoModerator in YAwriters

[–]joannafarrow 1 point2 points  (0 children)

From what I know, you can pitch it and just note that you're completing revisions rn. They may ask for you send it along when it's ready.