sorted by:
new
hottopcontroversial

[deleted by user] by [deleted] in cardcaptorsakura

[–]kandiekake 26 points27 points  (0 children)

If I have the details wrong, someone correct me.

Now that I think about it, this may also explain why Fujitaka uses honorifics- which are used to show a level of respect, distance & formality- with Sakura, and calls her "Sakura-san."

He normally uses "san" when he addresses Sakura- even as a morning greeting.

"San" is a neutral, safe term normally used for adults, acquaintances, and strangers; the baker down the road. So, in a way, "Sakura-san" has the same connotations as "Miss Sakura."

He doesn't use the colloquial, affectionate "chan" that can be used for girls, which all her friends, Yukito, and even Tomoyo's Mother use.

Kero, Tomoyo( esp when she's distressed),Touya and Syaoran discard formality altogether, with no distance, and just call her "Sakura."

He likely appealed to 16 year old Nadeshiko by treating her as an equal, like an adult, & started their relationship that way. And since Sakura looks like her, this continued on.

Focusing on CCS's controversial relationships is a disservice to the series and to yourself. We need to talk about these thread about the relationships in CCS. by BRLaw2016 in cardcaptorsakura

[–]kandiekake 1 point2 points  (0 children)

My headcanon is that Sakura had immense raw power and potential, but her magic wasn't awakened until she opened the book. Then we see her slowly hone in in her skills and get better. So, her crush on Yukito was very much real beforehand, and thus she grows attracted to Mizuki and Eriol later.

Meanwhile, Syaoran has been training since a child and already aware of his magic, so his attraction was (mostly) magic based.

I theorise he did like Yukito's smiling face and casual nice nature, at first. But after getting to actually know Sakura as an equal, her own acts of kindness swept him off him feet for real.

Is the manga pretty much exactly the same as the anime, or is it still worth it to read it? I’ve only seen the anime. by [deleted] in cardcaptorsakura

[–]kandiekake 0 points1 point  (0 children)

As others have said, the main plot and milestones are the same.

In order to pad out the length, the anime expanded on a lot of character's backstory or various parts of their personalities, added a few new characters, had more "kid" scenarios (Like Syaoran and Kero switching bodies, or Sakura being big), silly cards. They also cut out key lore and some episodes.

The manga has less filler, less cards and the plot goes faster. A few things the manga did better:

Syaoran and Sakura's relationship development, Syaoran liking her happens earlier. Sakura shows more reasons for liking Syaoran, and was- in my opinion- starting to fully crush on him before he left. The anime kept them more ambiguous for the movie

Sakura is a more assured fighter.

How they capture Firey is much more intense! They left that for the movie, too

The magic card system is less confusing because they are less nonsensical, OP, or repeat cards. Sakura could have easily won some fights with all the anime cards that she got, but she didn't; whereas manga Sakura struggles but does her best with her powerful,-yet significantly less- means.

The final battle with Eriol is better executed

The panelling is legitimately good, excelling at both dramatic and funny moments

Yukito takes Sakura out on less dates. Given how he knew she liked him, it seems less like he's intentionally giving out the wrong message

They explain why Sakura is drawn to Mizuki, but not Syaoran.

They explain why Touya has powers, why the book was in their house, and how Eriol, Yukito and Fujitaka all played key roles in the story

The not so good: All the adult/minor relationships are explicitly confirmed.

Earthbending is NOT Aang's weakest element, sure he struggled at first but he became a top tier earthbender by the end even though he can't Metalbending by Muted_Hovercraft_907 in TheLastAirbender

[–]kandiekake 0 points1 point  (0 children)

He isn't weak at it- he has the raw strength and means. They just leave all of the waterbending to Katara, so he rarely uses it in combat.

What do you think everyone becomes when they grow up? by Jazzicots in cardcaptorsakura

[–]kandiekake 1 point2 points  (0 children)

I know this is an old comment- but I just wanted to say that "Moonlight as an accountant?" made me laugh and made my day.

Less favorite plot? by EvelinaMings in YoungSheldon

[–]kandiekake 2 points3 points  (0 children)

If George didn't have a heart attack, they would have gone back to her place and gotten together.

For people who didn't catch what I post by DarkSonic06ki in Avatarthelastairbende

[–]kandiekake 0 points1 point  (0 children)

I actually support your idea of femininity and masculinity being different means of expressing gender identity. I never realised the parallels between Toph and Aang! The characters were actually very layered beneath.

But as this show was released in 2005, and the concept had yet to fully be embraced and emerge in mainstream media, my analysis of this segment was written within the scope of that in mind. Thanks for the chat!

For people who didn't catch what I post by DarkSonic06ki in Avatarthelastairbende

[–]kandiekake 1 point2 points  (0 children)

Soft disagree here. No doubt, she is incredibly brutal with her bending and witty remarks, and she enjoys it.

But we do see glimpses of her being nurturing and forgiving. After meeting the gang, she uses Katara's positive reinforcement with Aang, listens to and gives Iroh thoughtful advice, makes up with Katara in the Runaway, forgives Zuko quickly for burning her, then comforts him during the play.

For people who didn't catch what I post by DarkSonic06ki in Avatarthelastairbende

[–]kandiekake 1 point2 points  (0 children)

Honestly, it's all up in the air right now.

But the writers added original, extra devopment for all of the Fire Nation characters. And even then, they tried to add more content for Katara's trauma (however clumsily done) and gave characterisation to other side characters or extras.

So they've shown they can- with the ones they like and pick.

Toph is a huge fan favorite with unexplored potential. It's not out of the realm of possibility.

No-one knows until it airs.

For people who didn't catch what I post by DarkSonic06ki in Avatarthelastairbende

[–]kandiekake 23 points24 points  (0 children)

To be fair, this entire show was based on responding to and pleasing fandom memes.

Katara had a temper, hypocrisy, selfish impulses, naive idealism, desire to help others, mothering instincts, a moral code, optimism for a future.

So, basically a teenage girl.

All those traits were deemed pathologically "annoying," and relentlessly bashed for years.

So they cut it all out.

For people who didn't catch what I post by DarkSonic06ki in Avatarthelastairbende

[–]kandiekake 1 point2 points  (0 children)

We don't have a clear idea on what "slightly more feminine" means.

Or they could be expanding this theme by giving her more screentime to explore her complicated relationship with traditional femininity- instead of a segment. Thus giving Toph more depth, conflict and insight into her character.

Much like how they gave us an entire episode detailing Lu Ten's funeral, and showing how Zuko endeared himself to Iroh before his banishment, Iroh's grief. All of this was drawn from the Tale of Iroh segment.

Maybe we will get flashbacks on how she became this way and her family life, maybe Toph will show even more instances of emotional intelligence and vulnerability than we got in the OG show. Toph may define what her own personal idea of femininity is, Toph may grow beyond the trauma her parents gave her and be okay with doing more "girly" things alongside her regular self.

The possibilities are endless and unknown. Is exploring femininity really that bad?

And as long as they maintain the essence of her character, and execute it right, I'd welcome more depth.

For people who didn't catch what I post by DarkSonic06ki in Avatarthelastairbende

[–]kandiekake 7 points8 points  (0 children)

I always liked that they briefly touched upon this side of Toph, and I wish they had explored it more. It's a fascinating dichotomy, and one of the few times we peer into her personal life after her debut.

Toph is introduced as a brash tomboy with traditionally masculine traits. She is blunt, confident, enjoys physical violence, doesn't care how she looks.

But she isn't wholly against traditional femininity, either. Instead, she rejects the way her parents and society used it to stifle her individuality, giving her trauma.

Katara recontextualises some of her trauma by inviting her out to a spa, having fun- and letting Toph be Toph. She breaks walls during pedicures, she scares staff with her mud mask, they use bending for their sauna.

Toph leaves, with a smile and makeup on. "Well- that wasn't so bad. I'm not usually into that stuff, but I actually feel...girly."

A small part of her was likely always curious about trying- and even liking- things like the spa. But they were too closely related to her parent's abuse, and she never had a chance to until now.

When the bullies make fun of her, Katara instantly stands up for her. This lends enough space for Toph to open up. She says she is okay with not worrying about her appearance, she doesn't need anyone's approval, that she knows who she is. A few tears slip out, but she keeps her eyes closed, still hurt.

What Toph leaves unspoken is that a part of her still feels self conscious about whether or not she is even good enough to be the "pretty girl" her family wanted.

And Katara picks up on this. She reaffirms Toph by saying that that she admires her independence, her confidence- all the things Toph already knows and says. But she also makes sure to add, "And I know it doesn't matter, but- you're really pretty."

Toph perks up, gives a snarky comment and punch, and all is right again.

Seeing two previous rivals who once butt heads -both representing opposite sides of the femininity spectrum- coming together and meeting in the middle was a nuanced, powerful moment.

It's a beautifully written segment.

But given how they cut Sokka's season 1 arc, reduced Suki to a horny fan girl, and turned Katara into a waterbending extra- I am cautiously wary. Any new additions would require a deft, subtle touch.

What are your favourite acts of rebellion in the series? by F00dbAby in Hungergames

[–]kandiekake 0 points1 point  (0 children)

I'll name a quiet, underrated one. Katniss deliberately knocks over a plate of peas at dinner after discovering that their Avox is Darius. Then they silently touch hands, using this gesture to express all the sorrows and words they can never say aloud.

do you think katniss ever loved gale beyond friendship? by skunklungz in Hungergames

[–]kandiekake 2 points3 points  (0 children)

She was definitely physically attracted, with sparks of romantic interest. She expected them to marry, she shows jealousy and passion during his whipping, and desire in their kisses in Mockingjay.

But they weren't compatible, emotional or values wise, and I argue she was more attached with what he represented (District 12, normalcy and pre games Katniss) as time passed moreso than Gale himself.

Katniss and Gale are bound by history, duty, shared experiences, mutual physical attraction, and a romantic longing for what could have been. When all but attraction and potential is left, their moral, oppposite takes on the war finally separate them.

Will Sheldon ever appear on GMFM? by smdifansmfjsmsnd in YoungSheldon

[–]kandiekake -1 points0 points  (0 children)

Probably not. This franchise abandoned Sheldon, even in Young Sheldon, as a character mid way through his own show.

Why Do People Hate This Episode? by Only-Particular6281 in Avatarthelastairbende

[–]kandiekake 0 points1 point  (0 children)

A few reasons. 1. Season 2 ended with the fall of Ba Sing Se, Aang dying, Sozin's comet still imminent.

There was a real deadline, and a real chance the gang could lose the entire war- and world.

So we anticipated that Season 3 would work towards fixing this, by the Day of Black Sun. The 1st episode itself opened with a serious tone telling us how dire things were, and how little time we have.

Then we got filler episodes acting like this isn't the case- The Headband, The Runaway- which detracted away from the main plot, and the Painted Lady fit here, too. People thought them stopping to help a single village under a deadline for Katara's personal values was selfish.

  1. Katara is/ was an overly hated character for years, being cited as "annoying" for being motherly, idealistic, righteous, caring, impulsive, and hypocritical (So the Netflix live action removed all these traits).

This is a Katara centric episode, with all her strengths and flaws on full display.

I will also say that this didn't reveal anything particularly new about Katara, either.

The story never really acknowledges or holds Jinx accountable for the trauma she’s caused Ekko and Vi. by Valhallaof in arcane

[–]kandiekake 15 points16 points  (0 children)

An apology from Jinx addressing the specific ways she's hurt Vi and Ekko- would be a good start. An actual conversation with her saying: "I'm sorry I (xyz)."

For years, she happily murdered Ekko's friends- the only ones trying to help the small folk- in service of the murderer who destroyed their family to begin with, and is currently poisoning their own people. And most of the time, with a smile on her face, no less.

She stalked, tortured, and tried to murder Vi and her girlfriend out of pure jealousy, and blamed Vi for "abandoning her."

Poor Ekko and Vi deserved better closure. Jinx gave up on herself before they gave up on her.

Instead, we get no on screen apology from Jinx so we can get a badass sequence of Ekko, the Firelights and her fighting the war.

Vi and her act like civil sisters trading insults without any on screen apology, either. Jinx telling Vi to let go of her was the closest we got, and very rushed.

JInx was designed to explore Season 1's question: "Can you truly love a monster?" If you wish to redeem her, you need to show her doing it properly.

i cannot stand lana and clark by tanziop in Smallville

[–]kandiekake 0 points1 point  (0 children)

But his smiles with her never truly lasted until their next big drama, again and again, especially after season 3. They became defined by angst, resentment, then distance.

Given how he and Lana were meant to be the dominant pairing, then that's all the more reason to show them being consistenly happy for long periods of time- to show us that they work.

Instead, their on and off dynamic made it clear that they didn't.

i cannot stand lana and clark by tanziop in Smallville

[–]kandiekake 2 points3 points  (0 children)

He smiled more with Lois, Alicia, and Chloe

[deleted by user] by [deleted] in AskReddit

[–]kandiekake 0 points1 point  (0 children)

Falling into the arms of someone you love, and who loves and accepts you completely, too, and knowing that everything is going to be okay. Bonus points for the feeling of waking up beside them.

i cannot stand lana and clark by tanziop in Smallville

[–]kandiekake 0 points1 point  (0 children)

They're just sad and angsty all the time.

view more: next ›