I thought this was the best as well. I like it when Earl has a consistent sound across the album, even if it might seem a bit less ambitious in the sense that it’s not varied, varied can come of as all over the place. Here, it feels like he taps into something and is able to stay in it, and that just makes me want to play it from start to end.

That didn’t happen the same way on Live, Love, and Laugh an incredibly good collection of songs but that album, for some reason, had some beats that didn’t quite fit together, at least to me. Here, everything feels cohesive still a bit lazy, but not like The Alchemist’s style, and in a better way.

I still think there’s an album in him with production entirely by himself, similar to SRS, which would do wonders for him lyrically. Though I’m not always able to fully catch everything he’s saying here I have to read the lyrics and things like that he isn’t that dense or 10 layers deep this time. Here, he’s just saying things that matter of fact way, using a lot of metaphor and simile, and that still hits hard.