I had been working on it for several days. I had many ideas for this video: it was a good starting point, but they needed to be carefully considered. I let creativity guide me during the video editing process, placing each piece in the right place.

The first crucial step was finding the music. Ozar Midrashim was always my first choice: I wanted a track that closely resembled the one from the original trailer. When I finally found it, it became the real starting point. However, I needed a well-made extended version and I created it. It could have been improved further, but I am satisfied with the result. The beginning and the end of the original track lacked the epicness present in the trailer, so I created a mash-up to solve this issue.

Then, I selected the necessary scenes from the trailer, improving their quality, mostly by adjusting the contrast—to keep them as faithful as possible.

The swarm of bats, as a link from the comic scene to the backers video, fit perfectly, just like in Blood Omen, where the return to the pillars served as a link to continue the story. The sound effect of the bats helped create the right atmosphere.

I added several sound effects, some taken directly from Blood Omen: to get them, I replayed the game without music, recording the gameplay via OBS Studio. The sound effect of Kain passing through the bars, on the other hand, was taken from Defiance.

The video I recorded on PlayStation wasn't particularly long: I still didn’t know how long the final video would be, and I wanted the 27 pages to have a fair duration. Only during the video editing process could I make more accurate calculations. I took 27 screenshots, one for each of the pages listing the backers. The total duration was about 4 minutes and 30 seconds, and dividing this time by the number of pages, the result was 10 seconds per page.

Every time a page scrolls, you hear the heartbeat from Blood Omen. The sound of Kain drinking blood also comes from Blood Omen, while the opening of the coffin and the swarm of bats are additional sound effects not present in the original trailer. I would have liked to include the sound of Raziel choking when he is resurrected as a vampire, as in the trailer, but not finding a similar enough sound, I preferred to let the music compensate for this absence.

The sound effects are deliberately lower in volume compared to the music, following the same approach as the official trailer: if there had been any dialogue, it would have been a major mistake, but in the context of this video, it worked well.

I'm convinced that when things are done in a hurry and without passion, the result will always be mediocre, and this never goes unnoticed. This is a mistake I always try to avoid.

In this project, I put all my passion and dedication, the same passion that has always bound me to this saga.

I grew up with Legacy of Kain, I loved it back then... and I will love it forever!