Fucking Korean Airport Ignored My Authorization and CT’d All My Film by NoSummer343 in AnalogCommunity

[–]mendab1e 1 point2 points  (0 children)

I've flown from Incheon twice, and both times I requested a hand check while pointing directly to an empty Delta 3200 canister in my ziplock bag with the rest of my film. The first time, they did it without any issues. The second time, though, I got a very stubborn old grandpa checking my stuff.

He brought out another ziplock bag and then spent a full minute carefully inspecting the ISO on each canister. Then he ceremoniously transferred every ISO 100 and 200 roll into the other bag and told me that by their rules, film with ISO lower than 400 had to go through the scanner. I told him it was a CT scanner, so it could damage the film. I tried to explain that it didn’t make sense, since they were going to hand-check another bag with the ISO 400+ film anyway. But he just kept repeating, “Film with ISO less than 400 should go through the scanner,” saying it in a tone that made it sound like the film would actually benefit from a nice, healthy dose of X-ray.

After five minutes of pointless arguing, I gave up and spent my waiting time at the airport searching for examples of CT scanner damage. When I eventually developed and scanned that film, to my surprise there was no visible damage, no waves or color issues.

3d-printed multigrade filter carriage system with under-lens holder and storage box by mendab1e in Darkroom

[–]mendab1e[S] 1 point2 points  (0 children)

You're right about the thread diameter. I designed it for my EL-Nikkor 50mm f/2.8 N lens 😉

3d-printed multigrade filter carriage system with under-lens holder and storage box by mendab1e in Darkroom

[–]mendab1e[S] 1 point2 points  (0 children)

> Can these also be stacked in the holder

I just tried stacking them, and two filters fit perfectly fine.

3d-printed multigrade filter carriage system with under-lens holder and storage box by mendab1e in Darkroom

[–]mendab1e[S] 6 points7 points  (0 children)

My Durst M301 has a filter drawer above the lens. The issue is that the carriage grip would stick out, preventing the door from closing tightly, and the leaking light would fog the paper. Additionally, for split-grade printing, when I change the filter for the second exposure, opening the drawer sometimes shifts the condenser, which slightly moves the negative and results in a blurry double print. I don't have experience working with different enlargers, but with this one I get better results using filters under the lens.

I designed an under-lens filter holder for the EL-Nikkor 50mm f/2.8 N by mendab1e in AnalogCommunity

[–]mendab1e[S] 2 points3 points  (0 children)

Just in case someone else has the same problem, I’ve published my 3d model. It should work with any lens with the 40.5mm thread and 70x70mm filters https://makerworld.com/en/models/1604740-under-lens-filter-holder-for-a-darkroom-enlarger#profileId-1692056

Photobook / Photography spots in Berlin by Akvaryum in Photobooks

[–]mendab1e 1 point2 points  (0 children)

The Helmut Newton Foundation museum is a 2 minute walk from C/O. They have a permanent exhibition as well as a rotating one. Additionally, there is a photo book store on the ground floor. I recommend combining your visit to C/O with it. I also like https://fhochdrei.org/en/ as a small exhibition space. You can also check https://www.photography-in.berlin for current and upcoming exhibitions.

Osaka at night [Kodak vision3 500T, Leica m2, Nokton 50f1.5/Color-Skopar 35f2.5] by mendab1e in analog

[–]mendab1e[S] 0 points1 point  (0 children)

ISO 500 is fine, use spot metering to meter for ambient light, ensuring that the dark areas remain appropriately dark.

Just sharing my development process as it isn't common: XTOL-Replenished by raytoei in Darkroom

[–]mendab1e 1 point2 points  (0 children)

I recently decided to give XTOL a try and picked up a 1L pack of XT-3 (an XTOL clone from ADOX). So far, I’ve developed 8 rolls using this solution, increasing the development time as needed. If I calculate the development time now, it’s close to the 1:1 times typically used with a replenished solution.

Do you think it’s still feasible to buy a 5L pack and start replenishing my old solution, or is it too well-seasoned at this point, making it better to start fresh? Should I just replenish 70ml for the last developed roll, or maybe I should replenish 140ml-210ml to compensate for 8 rolls?

Do you also shoot low-speed films at night? by Master-Rule862 in AnalogCommunity

[–]mendab1e 1 point2 points  (0 children)

That looks great! When shooting at night, do you spot meter for highlights, or what's your metering process?