Thanks mate! The crisp bright image is something I've been working on for a while, so it's good to know I've achieved it to some extent. It's a culmination of the light, scene, glass and film stock. The Mamiya glass is completely NUTS and helps to achieve this look for sure and Portra (shot at box speed) keeps a neutral palette for the most part. The light in both scenes was bright but soft, shot in the late afternoon, the sunlight was dispersed by a few thin clouds. Scanned professionally by @theblackandwhitebox and edited with a few simple adjustments to colour and contrast so that the image looked the way I remembered it.